Concerto for Piano (Harpsichord) and Orchestra

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra F major Hob. XVIII:3 écrite et composée pour Violon et plus précisément pour Violon 2 vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon 2 / Chanson En Séparée

Bach?s Harpsichord concerti extremely popular among pianists are presumably reworkings of pieces originally written for the Violin. Bach however succeeded in transferring the diverse idiosyncrasies of Violin technique to the keyboard with such ingenuity that most of today?s pianists also include these concerti in their standard repertoire. The first concerto in d minor is perhaps the most popular not least because of its jaunty outer movements and the eminently forceful solo part. Now as a prelude to a series of all of Bach?s Harpsichord concerti G. Henle Publishers presents a Piano reduction and study edition (score) of the d-minorconcerto. None other than András Schiff the outstanding Bach expert has provided fingering suggestions.

from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano

Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin and flute is a challenge containing much brilliant passagework. The less formidable slow movement was taken from the organ sonata No. 3. It is a companion to the Brandenburg Concerto No. 5 the first movement of which is included on this album. An extremely rewarding and enjoyable piece for study. Also included on this album is the first movement of the Brandenburg Concerto No. 5 written for harpsichord flute violin and orchestra was Bach's first truly original keyboard concerto and is a unique work full of bravura passages. An eternal favorite! Includes a high-quality printed music score and a compact disccontaining a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Performed by Neill Eisenstein piano Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn

[Konzert für Cembalo d-moll BWV 1052 (Nr. 1)] / Classique / Editeur : Werner Breig / Partition / Agrafé /

[Konzert für Cembalo d-moll BWV 1052a] / Classique / Arrangement : Carl Philipp Emmanuel Bach / Editeur / Partition / Agrafé /

[Konzert für Cembalo E-Dur BWV 1053 (Nr. 2)] / Classique / Editeur : Werner Breig / Partition / Agrafé /

[Konzert für Cembalo F-Dur BWV 1057 (Nr. 6)] / Classique / Editeur : Werner Breig / Partition / Agrafé /