SKU: TM.01034SET
SKU: BA.BA10578-01
ISBN 9790260109056. 33 x 26.2 cm inches. Preface: Brezina, Aleš.
The two concertos contained in this volume represent two different stylistic periods within Martinu's work. TheConcerto da Camera(1941) is the last of his works inspired by the Baroque concerto grosso. TheRhapsody-Concerto, composed eleven years later (1952), was the first work of his so-calledfantasia period, marked by a more open sense of form and an expansion of tonality. The edition of theConcerto da Camerashows, for the first time, the extent of Martinu's modifications to the work since its composition and publication, particularly to the solo violin part. The edition of theRhapsody-Concertotakes into account previously unknown contemporary performance materials which have recently been discovered.This volume of the Bohuslav Martinu Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions produced under the supervision of Martinu.
About Barenreiter Urtext
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.PWM4901
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969), the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident, above all, in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem, while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations, emblematic for the whole piece and based on a constant, pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante), while retaining its concertato charakter, is, at the same time, an example of the composers ability to create emotionally serene lyrical moods, and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music, understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music, the constant mutabilityof the tonal situations, and the sophisticated, acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska, translated by Ewa Cholewka].
SKU: BT.DHP-0981313-060
This three-part suite is rich in dances and full of contrasting styles and dynamics. The title of the work is a pun on the term ‘concerto grosso’, a piece in parts for a group of solo instruments and orchestra. In Contrasto Grosso small groups in the band perform as soloists, interpreting contrasting renaissance style fragments. Deze dansrijke suite bestaat uit drie delen die worden gekenmerkt door contrasten in stijl, dynamiek en instrumentatie. De titel van de compositie is een woordspeling op het concerto grosso, een meerdelig werk voor een groep solo-instrumentenen orkest. Ook in Contrasto Grosso treden kleinere groepen in het orkest solistisch op met contrasterende, renaissancistische tussenfragmenten.Diese dreiteilige Suite ist ein Wortspiel auf das Concerto Grosso“, ein mehrteiliges Werk für eine Gruppe von Soloinstrumenten und Orchester. Die fünf Solostimmen ins diesem Werk können beliebig besetzt werden. In allen drei Teilen interpretieren die Solisten häufig kontrastierende renaissanceartige Fragmente, während das Orchester die folkloristischen Elemente zum Ausdruck bringt. Contrasto Grosso est une suite dansante en trois mouvements de caractères et de styles variés. Le titre de l’œuvre dérive du terme concerto grosso, une forme musicale dont la structure se caractérise par une instrumentation alternant les passages orchestraux en tutti et les passages instrumentaux joués par des groupes solistes. On obtient alors une grande diversité de couleurs et de nuances donnant l’œuvre une expressivité très contrastée.
SKU: BT.DHP-0970945-020
9x12 inches.
This three-part suite is rich in dances and full of contrasting styles and dynamics. The title of the work is a pun on the term ‘concerto grosso’, a piece in parts for a group of solo instruments and orchestra. In Contrasto Grosso small groups in the band perform as soloists, interpreting contrasting renaissance style fragments. Deze dansrijke suite bestaat uit drie delen die worden gekenmerkt door contrasten in stijl, dynamiek en instrumentatie. De titel van de compositie is een woordspeling op het concerto grosso, een meerdelig werk voor een groep solo-instrumentenen orkest. Ook in Contrasto Grosso treden kleinere groepen in het orkest solistisch op met contrasterende, renaissancistische tussenfragmenten.Contrasto Grosso est une suite dansante en trois mouvements de caractères et de styles variés. Le titre de l’œuvre dérive du terme concerto grosso, une forme musicale dont la structure se caractérise par une instrumentation alternant les passages orchestraux en tutti et les passages instrumentaux joués par des groupes solistes. Le changement de couleurs sonores et la diversité des nuances obtenus par cette alternance donnent l’œuvre une expressivité très contrastée. Dans chacun des trois mouvements de cette œuvre, Jacob de Haan confie de petits groupes solistes l’interprétation de fragments écrits dans le style de la musique de laRenaissance et qui offrent ainsi un contraste saisissant avec les passages en tutti basés sur une écriture classique ou traditionnelle.
SKU: BT.DHP-0970945-010
SKU: BR.EOS-1830
ISBN 9790004787274. 8.5 x 11.5 inches.
SKU: BR.EOS-1837
ISBN 9790004787625. 8.5 x 11.5 inches.
SKU: BR.EOS-1826
ISBN 9790004787076. 8.5 x 11.5 inches.
SKU: BR.EOS-1836
ISBN 9790004787571. 8.5 x 11.5 inches.
SKU: BR.EOS-1835
ISBN 9790004787526. 8.5 x 11.5 inches.
SKU: BR.EOS-1828
ISBN 9790004787175. 8.5 x 11.5 inches.
SKU: BR.EOS-1829
ISBN 9790004787229. 8.5 x 11.5 inches.
SKU: BR.EOS-1831
ISBN 9790004787328. 8.5 x 11.5 inches.
SKU: BR.EOS-1832
ISBN 9790004787373. 8.5 x 11.5 inches.
SKU: BR.EOS-1827
ISBN 9790004787120. 8.5 x 11.5 inches.
SKU: BR.EOS-1834
ISBN 9790004787472. 8.5 x 11.5 inches.
SKU: BT.DHP-0970945-140
Deze dansrijke suite bestaat uit drie delen die worden gekenmerkt door contrasten in stijl, dynamiek en instrumentatie. De titel van de compositie is een woordspeling op het concerto grosso, een meerdelig werk voor een groep solo-instrumentenen orkest. Ook in Contrasto Grosso treden kleinere groepen in het orkest solistisch op met contrasterende, renaissancistische tussenfragmenten.Contrasto Grosso est une suite dansante en trois mouvements de caractères et de styles variés. Le titre de l’œuvre dérive du terme concerto grosso, une forme musicale dont la structure se caractérise par une instrumentation alternant les passages orchestraux en tutti et les passages instrumentaux joués par des groupes solistes. Le changement de couleurs sonores et la diversité des nuances obtenus par cette alternance donnent l’œuvre une expressivité très contrastée. Dans chacun des trois mouvements de cette œuvre, Jacob de Haan confie de petits groupes solistes l’interprétation de fragments écrits dans le style de la musique de laRenaissance et qui offrent ainsi un contraste saisissant avec les passages en tutti basés sur une écriture classique ou traditionnelle.
SKU: BT.DHP-0970945-120
SKU: CY.CC2767
The Concerto Grosso for Three Trombones and Orchestra by Lyndol Mitchell was composed in 1961 as part of his Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The performers were six students of Emory Remington, including Ralph Sauer and Don King.The work is is subtitled in stile Barocco> and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor.Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.The 13-minute work is appropriate for advanced performers.The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
SKU: CY.CC2775
The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell's Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King.The work is is subtitled in stile Barocco> and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor.Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way.The 13-minute work is appropriate for advanced performers.The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
SKU: KJ.SO166F
From the Concerto Grosso Op. 3, No. 5 in D Minor, this arrangement features the first two movements of Handel's Fifth Concerto Grosso. This arrangement also includes an optional harpsichord part.