Concerto D Major Op. 101 Hob. VIIb: 2

About Violoncello ConcertoUrtext der Haydn-Gesamtausgabe. By Franz Joseph Haydn. Edited by Sonja Gerlach. For Cello Solo oboe (2) bassoon ad lib. horn (2) strings. Score; Urtext Edition. Hob. VIIb:2. Duration 22'. Published by Baerenreiter-Ausgaben (German import). (BA4675) ISBN M006501915.

? l??poque de Joseph Haydn les concertos de soliste ?taient g?n?ralement destin?s ? un musicien bien pr?cis. Dans le cas du c?l?bre concerto pour violoncelle en r? majeur Hob. VII:2 de Haydn il s?agit du premier violoncelle de l?orchestre du prince Esterh?zy Anton Kraft qui devint par la suite l?un des plus grands virtuoses de Vienne. Cette ?uvre de circonstance devint par la suite un chef-d??uvre pour l??ternit? dont est parvenue ? la post?rit? une partition autographe de la main du compositeur dat?e de 1783. Pour la publication de la r?duction pour piano de ce concerto nous avons eu le plaisir de collaborer avec la sp?cialiste de Haydn Sonja Gerlach. Cette derni?reenrichit l??dition urtext d?une pr?face d?taill?e o? elle aborde notamment le sujet de la r?alisation des ornements et celui des cadences reproduites.

Titres: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro molto) (J. Haydn). This volume contains a few smaller pieces that could be used as warm-up exercises, but the majority of the edition is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by Franz Joseph Haydn. This work is perfect for students at the intermediate/advanced level, and is a vital link to the unique teaching philosophy that is Suzuki! Volume 9 contains both the cello score and the piano accompaniment.

Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.

Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.

Haydn composed the C Major Cello Concerto between 1762 and 1765 almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found but orchestral parts were discovered in 1961 in the Prague National Museum.

Dieses ' Concerto pour Violoncelle ' wurde im Jahre 1783 komponiert und erschien 1804/5 als opus 101 ' après le manuscrit original ' bei Joh. André à Offenbach. Das Konzert wurde eine fälschlich Zeit lang Anton Kraft zugeschrieben. Das noch vorhandene Autogr / Violoncelle Et Orchestre