/ Orgue Et Cordes
SKU: BR.OB-4792-12
ISBN 9790004321621. 10 x 12.5 inches.
The present edition is derived from the justified assumption that Bach's Harpsichord Concertos BWV 1052-58 are original arrangements of solo concertos for other instruments, and can be reconstructed back to their original work form on the basis of the characteristics found in the solo parts. The editor of the present concerto chooses the oboe - an instrument that often plays characteristically exposed roles in Bach's cantatas - as the solo for his transformation of the Harpsichord Concerto in f minor BWV 1056, whereby the work was transposed one whole-tone higher. The Sinfonia of the Cantata BWV 156 Ich steh mit einem Fuss im Grabe provides the editor with an orientation in his reconstruction of the slow middle movement.
SKU: HL.51487380
UPC: 840126932881. 6.75x9.5x0.251 inches.
Bach's harpsichord concerti, extremely popular among pianists, are presumably reworkings of pieces originally written for the violin. Bach, however, succeeded in transferring the diverse idiosyncrasies of violin technique to the keyboard with such ingenuity that most of today's pianists also include these concerti in their standard repertoire. The first concerto in D minor is perhaps the most popular - not least because of its jaunty outer movements and the eminently forceful solo part. Now, as a prelude to a series of all of Bach's harpsichord concerti, G. Henle Publishers presents a piano reduction and study edition (score) of the D-minor concerto. None other than András Schiff, the outstanding Bach expert, has provided fingering suggestions.
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SKU: CA.2919709
ISBN 9790007203757. Key: D minor. Language: all languages.
Adaptation of the concerto of 1730/33 with the inclusion of the changes in the 1st and 2nd movements that Bach made in 1740, when he used these movements in the cantata Wir mussen durch viel Trubsal BWV 146. Score and parts available separately - see item CA.2919700.
SKU: CA.2919719
ISBN 9790007203764. Key: D minor. Language: all languages.
SKU: CA.2919749
ISBN 9790007203771. Key: D minor. Language: all languages.
Adaptation of the concerto of 1730/33 with the inclusion of the changes in the 1st and 2nd movements that Bach made in 1740, when he used these movements in the cantata Wir mussen durch viel Trubsal BWV 146. Score and part available separately - see item CA.2919700.
SKU: CA.2919700
ISBN 9790007102746. Key: D minor. Language: all languages.
Adaptation of the concerto of 1730/33 with the inclusion of the changes in the 1st and 2nd movements that Bach made in 1740, when he used these movements in the cantata Wir mussen durch viel Trubsal BWV 146.
SKU: HH.HH505-FSP
ISBN 9790708185307.
This new reconstruction by Fabrizio Ammetto, known within the field of late baroque music equally as a violinist and a scholar, reaffirms convincingly the concerto’s status as a violin concerto by close examination and comparison of the five surviving sources containing its material in whole or part and careful attention towards the idiomatic shaping of the solo violin part, which includes full-length versions of the cadenzas for the outer movements.
SKU: HH.HH505-IPT
ISBN 9790708185154.
SKU: BR.EB-7188
Step by step, Breig reconstructs the entire introductory movement.
ISBN 9790004173428. 7.5 x 10.5 inches.
BWV 188 reconstructed in its entirety for the first time The project of publishing Bach's cantatas in a material that can be purchased completely continues to grow with a new edition of a work that made particular demands on the editor. For Breitkopf, the renowned Bach scholar Werner Breig had already brought out new editions of the well-known B-minor Suite (PB/OB 5397, EB 8737) and of the A-minor Suite on which it was based, but now reconstructed for violin, strings and basso continuo (PB/OB 5398). His interest was particularly sparked by the sinfonia, which has been transmitted in an extremely rudimentary fashion. Step by step, Breig reconstructs the entire introductory movement from the final virtuoso organ passage and the da capo indication with corresponding musical incipit. His model for the reconstruction, which was carried out with enormous stylistic authenticity, is an early D-minor violin concerto which is no longer extant in this form, but which Bach later reworked into the Harpsichord Concerto BWV 1052. Performers will enjoy a Bach cantata that is now restored in its entirety for the first time.Step by step, Breig reconstructs the entire introductory movement.
