SKU: HH.HH591-FSC
ISBN 9781914137242.
Ordinary violin sonatas formed the backbone of the series of ten collections that the Italian violinist Michel Mascitti (1663/4–1760), born in southern Italy but permanently resident in Paris from 1703, committed to print between 1704 and 1738. His Op. 7 (1727) opens with eight such sonatas but ends with four concertos for strings in six parts that, alongside a collection of concertos for five flutes (!) by J.B. de Boismortier published in the same year, inaugurate the proud tradition of concertos created on French soil. Amazingly, Mascitti’s concertos have been neglected not merely by publishers and performers but also by commentators. In particular, the first two concertos display great musical merit in an original idiom that combines Italian and French influences in a very personal way. Further, their Italianate elements juxtapose features familiar from the concertos of Corelli, Mascitti’s reputed teacher, with ones more usually associated with Vivaldi. Both concertos are laden with emotion, albeit never at the expense of the polish and attention to detail that are the hallmark of Mascitti’s craft.
SKU: SU.00220603
This NEW CD Sheet Music collection on USB flash drive is a combination of 2 separate CDSM products - Violin Sonatas AND Violin Concertos. Violin Sonatas brings together a wide range of music for violin by 28 composers from the Baroque, Classical and Romantic periods. Violin Concertos brings together both major violin concertos and student concertos by 35 composers from the Baroque, Clasical, and Romantic periods.
SKU: HL.48184607
UPC: 888680854096. 9.0x12.0x0.204 inches.
As one of the most prolific composers ever to have lived G.F. Handel's (1683-1759) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. Handel's Organ Concertos remain some of his most popular and best loved works and so, when French organist, Marcel Dupre (1886-1971) compiled the series of Handel's Organ Concertos, it was well-received, and to this day remains popular with all organists. The second volume includes the seventh-twelfth concertos. In addition, Dupre's annotations in the Organ Concertos comprise fingerings, and a detailed preface in French, English and German. This compilation of Handel's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument..
SKU: SU.00220563
This CD Sheet Music™ collection brings together full scores for Wolfgang Amadeus Mozart's 27 piano concertos, as well as the Rondo K. 382; piano reductions (two pianos) for 20 concertos and Rondos K. 382 & 386; plus cadenzas by Mozart (11 concertos), Beethoven, and Brahms. Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 2500+ pages Mozart: Complete Works for Piano (#00220518) Mozart: Major Works for Orchestra (#00220562)
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: HL.48180644
UPC: 888680828950. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Kreutzer's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist, teacher, conductor and composer. He composed a significant forty operas and nineteen violin concertos. The violin solo line of Concerto No. 1 makes use of extended techniques, including harmonics, bow techniques, aritculations and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180635
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 23 makes use of extended techniques including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180637
UPC: 888680829049. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HH.HH523-FSC
ISBN 9790708185345.
The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations.
SKU: HH.HH522-IPT
ISBN 9790708185390.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.48180707
UPC: 888680831691. 0.025 inches.
Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Bériot's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The violin solo line of Concerto No. 7 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: ST.K46
ISBN 9790220224010.
The keyboard concertos in K46 contain both solo material and a simple reduction of the orchestral passages, and this allows the concertos to be played either with or without orchestral accompaniment. Full details are given in the introduction as well as in MB94. Sets of instrumental material which may be used to accompany the concertos are available. William FELTON: Concerto op. 1 no. 1 in C major (1744) Benjamin COOKE: Concerto in D major (1749) William HAYES: Concerto in D major (1755) Thomas ARNE: Concerto no. 5 in G minor (by 1755?) Thomas CHILCOT: Concerto set 1 no. 2 in A minor (1756).
SKU: HH.HH523-IPT
ISBN 9790708185406.
SKU: HL.48180708
Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Beriot's Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Beriot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The violin solo line of Concerto No. 9 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: BR.PB-15147-07
In Cooperation with G. Henle Verlag
ISBN 9790004214800. 6.5 x 9 inches.
Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos.The four Horn Concertos in the edition by Henrik Wiese all united in one study score. With color printing after the autograph of the concerto K. 495.
SKU: HL.48180634
UPC: 888680829070. 0.031 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180636
UPC: 888680829056. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 24 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: ST.K47
ISBN 9790220224027.
The keyboard concertos in K47 contain both solo material and a simple reduction of the orchestral passages, and this allows the concertos to be played either with or without orchestral accompaniment. Full details are given in the introduction as well as in MB94. Sets of instrumental material which may be used to accompany the concertos are available. Philip HAYES: Concerto no. 3 in F major (1769) James HOOK: Concerto no. 1 in C major (1771) George RUSH: Concerto no. 3 in B flat major (1773) John STANLEY: Concerto op. 10 no. 4 in C minor (1775) Charles WESLEY: Concerto set 3 no. 2 in E major (1778).
SKU: HH.HH522-FSC
ISBN 9790708185338.
SKU: SU.00220549
This CD Sheet Musicâ„¢ collection brings together both major violin concertos and student concertos by 35 composers from the Baroque, Clasical, and Romantic periods Composers include: Bach, Beethoven, Brahms; also Accolay, Beriot, L. Mendelssohn, Rode Seitz, Sitt Also includes relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2250+ pages
SKU: ST.MB94
ISBN 9790220223419.
This anthology presents organ, harpsichord and piano concertos - the majority not hitherto published in modern editions - by Handel's contemporaries and successors, including works by Felton, Cooke, William Hayes, Arne, Chilcot, Philip Hayes, Hook, Rush, Stanley, Charles Wesley, Crotch, Samuel Wesley and Russell, from among the 200 examples surviving from the period c.1740-c.1815. Among the most versatile genres of the time, it found popularity in pleasure garden, theatre, concert room and the home. The contents of this volume show the form adapting well to the stylistic evolutions of the period from late Baroque via continental gallant styles to a mature Classical style, though retaining a strong native tradition linked with Handelian oratorio in the idiomatic distinction between virtuoso piano concerto and concertos for organ.
SKU: HL.48180642
Part of the collection Concertos Cassiques, 7th Concerto - 1st Solo is a piece for violin and piano by Pierre Rode with an arrangement by Georges Catherine. Relatively difficult, it features the score and the Violin part. Really melodious, it includes numerous trills, harmonies, accidentals, acciaturas and some indications of the positions and techniques to use. The breathings are also indicated. It is a really nice work to play in recitals and can also be used for contests. Pierre Rode (1774-1830) was a French violinist and musician who composed numerous romantic concertos for Violin and Piano. He was the violin soloist to Napoleon and was dedicated a violin sonata (Op.96) by Beethoven.
SKU: HH.HH496-FSP
ISBN 9790708185062.
In spite of their drastically reduced instrumental resources, these works are indeed ‘Italian’ concertos, and feature distinguishable solo episodes and ritornellos. As do Boismortier’s other surviving concertos, they provide evidence of the composer’s ingenuity and originality, and his ability to write what are normally largescale instrumental works with the simplest of means.
