SKU: GI.G-8153
ISBN 9781622770724. English, Spanish. Text Source: English refs.: Lectionary for Mass, English vv.: The Revised Grail Psalms or NAB, Spanish: Leccionario Edición Hispanoamericana
This psalm collection is arranged according to liturgical year, with the three-year temporal cycle being followed by solemnities, feasts of the Lord, and national holidays presented in chronological order, everything as it appears in the Oramos Cantando / We Pray in Song hymnal. Most of the musical settings of the 144 pairs of English and Spanish psalm refrains in this collection were composed in 2003 either by Tony Alonso, Ronald Krisman, or John Schiavone. In most cases, each pair of refrains share the same melody, occasionally they are counter-melodies to each other, allowing for both languages to be sung simultaneously. Some refrains were further edited, a few were replaced with new refrains composed by Michel Guimont, Kelly Dobbs Mickus, and Ronald Krisman. The psalm tones of Canadian composer Michel Guimont, which enjoy a wide popularity in North America, are used exclusively in this collection. The Lectionary psalms use USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain's Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2004. While this collection may be used as a bilingual Lectionary psalter with any musical resource found in the pew, it is specifically linked to GIA's hymnal Oramos Cantando / We Pray in Song.
SKU: GI.G-7400
ISBN 9781579999698.
Intended especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style†repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarÃstica, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebración†por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latÃn y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y Ãfrica. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once Ãndices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bÃblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antÃfonas musicalizadas para los salmos, tÃtulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.†Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.
SKU: LM.28388
ISBN 9790230983884.
La estrella que me alumbra (vidala) - Era una bella palomita (vidala) - Ya no puedo vidita (vidala) - Una flor de la cantuta - Pobre mi Negra (vidala) - Por divertirnos cantando (vidala) - Vamos cantando y bailando aprende a querer (vidala) - La palomita (tonada) - Nesta rua.
SKU: GI.G-CD-641
ISBN 9781579995522.
A recording of the contents within the song book Oramos Cantando/We Pray in Song (G-6723) This recording is the perfect teaching/planning tool for musicians of multicultural parishes. Beyond its beautiful cover, the Oramos Cantando/We Pray in Song song book contains 86 of the most glorious hymns, psalms, and songs translated from Spanish to English and English to Spanish. Virtually everything has been translated. The Oramos Cantando/We Pray in Song songbook provides a satisfying sampling of liturgical music, including 17 bilingual psalms and Donna Peña’s bilingual Lenten Mass, intended to encompass the repertoire demands of the entire church year. This affordable softcover edition makes the perfect supplement for multicultural parishes (Latino/Anglo) in need of a bilingual resource to complement their already existing hymnals. It is a tool that will help such parishes explore the richness in the music of each other’s culture and potentially begin a trend of worship where all present can fully participate together and celebrate their diversity.
SKU: UT.LB-14
ISBN 9788881094769. 5.90 x 8.46 inches.
Entrare nell'universo del canto e ritrovare se stessi, la propria dimensione piu autentica e profonda, che comprende anche quella espressiva.Esistono due modi di cantare: imitando dall'esterno dei suoni oppure scoprendo la propria vera voce e lasciandola risuonare liberamente. Solo il secondo modo dona quel senso euforico di apertura dell'essere, di elevazione e di liberazione, che spinge tante persone sulla strada del canto, ma purtroppo al giorno d'oggi e soprattutto il primo modo a essere proposto e propagandato.Ogni epoca ha un'immagine, un simbolo che ne rappresenta lo spirito, l'essenza. Il 'meccanismo' e l'immagine in cui ancora si rispecchia e si esprime la modernita del Duemila.Come i bambini sono convinti che nella radio si nasconda un omino che ci parla dentro, cosi i moderni didatti e scienziati del canto sono convinti che nel corpo si nasconda una macchina vocale che puo entrare in funzione solo leggendo i libretti di istruzione, da loro predisposti. I risultati di questa convinzione si possono sentire nelle scuole di canto e nei teatri...Si dice che il corpo diventi cio che uno vi introduce mangiando. Analogamente il cantante diventa cio che egli immagina cantando. Se immagina muscoli e cartilagini, il suo canto non potra che essere, per definizione, muscolare e laringeo.In effetti il canto e si una disciplina del corpo, ma e una disciplina che si apprende educando la mente e non i singoli muscoli. Questa educazione inizia acquisendo la capacita di prendere coscienza delle varie sensazioni vitali e di evocarle cantando. Queste e non le immagini foniatriche delle corde vocali o dei vari muscoli rappresentano la vera tastiera del cantante.In verita le tastiere meccanicistiche non sono che le gabbie in cui i cantanti inconsapevolmente rinchiudono la loro voce, e ogni anatomia della voce si trasforma ben presto in autopsia della voce...<>, ha scritto Eraclito venticinque secoli fa. Altrettanto dicasi dell'insperabile del vero canto, detto anche belcanto.
SKU: GI.G-9266
UPC: 785147926634.
Intended especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, the Oramos Cantando / We Pray in Song series offers a variety of bilingual (Spanish / English) music born from both cultures that will serve your diverse community whether they are worshipping in Spanish, in English, or bilingually.
SKU: GI.G-6723A
ISBN 9781579995430.
Beyond its beautiful cover, the Oramos Cantando/We Pray in Songsong book contains 86 of the most glorious hymns, psalms, and songs translated from Spanish to English and English to Spanish. Virtually everything has been translated. The Oramos Cantando/We Pray in Song songbook provides a satisfying sampling of liturgical music, including 17 bilingual psalms and Donna Peña’s bilingual Lenten Mass, intended to encompass the repertoire demands of the entire church year. This affordable softcover edition makes the perfect supplement for multicultural parishes (Latino/Anglo) in need of a bilingual resource to complement their already existing hymnals. It is a tool that will help such parishes explore the richness in the music of each other’s culture and potentially begin a trend of worship where all present can fully participate together and celebrate their diversity.
SKU: HL.48184308
UPC: 888680864903. 9.0x12.0x0.14 inches.
Michelle-Odile Gillot: Apprendre et Comprendre en Chantant Mozart Vol.1 (Voice & Piano).
SKU: HL.48184591
UPC: 888680853754. 9.0x12.0x0.12 inches.
pianist Christian Gouinguene, and lyricist Ivane Huber collaborate to create a fantastic singing book for children. Essential to all beginner vocalists, the songs in The Children Sing are composed specifically to suit young children. Addressing major and minor keys, modes, intervals, various rhythms, chromaticism, time signatures, and many other aspects, The Children Sing ensures high quality and progressive Vocal studies for children. Christian Gouinguene and Ivane Huber have compiled an essential songbook for young singers which cannot be missed. Here's looking forward to further collaborations from the pair!.
SKU: LM.26798
ISBN 9790230967983.
BELLINI : Vaga luna che inargenti - Malinconia, ninfa gentile - Dolente immagine di Fille mia - Ma rendi pur contento - DONIZETTI : Le Crepuscule - VERDI : Il Mistero.
SKU: HL.48183760
UPC: 888680859404. 9x12 inches.
Michelle-Odile Gillot: Apprendre et Comprendre en Chantant Schubert Vol.2 (Voice & Piano).
SKU: HL.48187864
UPC: 888680826864. 9x12 inches.
Poulenc Francis Nos Souvenirs Qui Chantent Medium Voice and Piano Book.
SKU: HL.49000579
ISBN 9790200101447. 8.25x11.75x0.455 inches.
SKU: LM.29248
ISBN 9790230992480.
Pjese instrumentale per flaut No. 1, 2, 3 (Piece instrumentale pour flute No. 1, 2, 3) - Valle e gezuar malesore (Danse joyeuse montagnarde) - Ejani te festojme se bashku (Viens... fetons ensemble) - Rapsodi kushtuar nenes (Rhapsodie dediee a ma mere) - Kendon bilbili (Quand chantent les oiseaux) - Sa e bukur je Shqiperi (Que tu es belle, l'Albanie) - Valle me motive shqipetare (Danse d'Albanie) - Rapsodi instrumentale ballkanike per 2 flaut No. 2 (Rhapsodie instrumentale balkanique pour 2 flutes No. 2).
SKU: BT.ALHE33846
French.
Morel Fontaine En Chantant Choir & String Quartet Cy129 Score/Parts.
SKU: GI.G-7400ENV
Hymnals that belong to the singing assembly! Easy and Effective Fundraising with DONOR BOOKPLATES and ENVELOPES Our donor envelopes make it easy for your parishioners to make their donation and include their dedication. The front of the envelope has space for the dedication and amount donated, while the back offers suggested dedication phrasing and space for contact information. The box contains 500 envelopes. By involving your parishioners in the purchase of a new hymnal you are offering them the opportunity to celebrate the memory of a departed loved one, commemorate an important event, or simply honor their family name. You can easily customize our free, downloadable donor bookplates. They adhere directly to the inside front cover of your hymnals, creating a lasting memory for years to come. The necessary funds will be raised quickly and easily.
SKU: BT.ALHE31750
Poulenc Francis Nos Souvenirs Qui Chantent Medium Voice & Piano Book.
SKU: HL.48183837
UPC: 888680859893. 9.0x12.0x0.098 inches.
Rene Bernier: Le Clavier chantant, 8 Pieces (Piano solo).
SKU: HL.48188963
Morel Fontaine En Chantant Cyv129 Children's Choir Choral.
SKU: LM.VV142
ISBN 9790560051420.
DECREPT Sylvie : Melodie a deux - Chanson breve - Reverie - La main gauche chante - Resonances - Chanson - Les tierces - Mode Kafi - La main gauche accompagne - Couleurs pour le do - Air connu - Coucou - Mode Kafi - Longue pedale - Escapade - Les intervalles chantent - Sympathies - Le petit train - La main gauche chante - Mode Kalyana - Chemins paralleles - La main gauche - Les mesures s'opposent - Plainte - Petit soupir - Melanges - Hors du ton - La petite echelle - Jazz - Histoire breve - Couleurs du temps - Cloches - Intervalles changeants - Surprises - En dansant - Contrastes - Gaiete - En mineur - Chanson triste.
SKU: HL.50020560
UPC: 073999317619. 9.0x12.0x0.122 inches.
Contents: Speranze mie * Elitropio d'amor * Io morirei contento * Fermate omai fermate.
SKU: UT.DM-70
ISBN 9790215319127. 9 x 12 inches.
L’intento di questo lavoro è creare un ponte fra gli studi musicologici ed una applicazione pratica nella metodologia dello studio del canto. Il punto di partenza, costante riferimento del presente metodo, è la ‘tradizione italiana’ del canto: dalla presa di coscienza delle terminologie e dei loro significati, sino allo sviluppo di un percorso didattico di pratica vocale, con esercizi e solfeggi, correlato alle vive testimonianze dell’epoca. La complessità e l’estensione dell’argomento non possono certamente esaurirsi nelle pagine di un solo libro: i contenuti di questo metodo valgono dunque come indirizzo propedeutico e formativo ai principî fondamentali dell’antica scuola italiana di canto, che consideriamo a partire dalle ‘Nuove Musiche’ di Giulio Caccini sino alla vocalità belcantistica del primo Ottocento.
