Format : Score and Parts
SKU: FG.55011-411-1
ISBN 9790550114111.
Kalevi Aho's completion of J. S. Bach's masterful Contrapunctus XIV from The Art of Fugue blends organically into the original 233-bar composition by Bach. Kalevi Aho's completion is a celebration of the fugue, as it would be had Bach completed it himself. The present edition is for open instrumentation. Parts for C-instruments, B-flat-instrument and E-flat-instruments are supplied. This is a suitable work for wind ensemble of four or more players. Kalevi Aho's completion of J. S. Bach's masterful Contrapunctus XIV from The Art of Fugue blends organically into the original 233-bar composition by Bach. Kalevi Aho's completion is a celebration of the fugue, as it would be had Bach completed it himself. The present edition is for open instrumentation. Parts for C-instruments, B-flat-instrument and E-flat-instruments are supplied. This is a suitable work for wind ensemble of four or more players. Kalevi Aho's completion of J. S. Bach's masterful Contrapunctus XIV from The Art of Fugue blends organically into the original 233-bar composition by Bach. Kalevi Aho's completion is a celebration of the fugue, as it would be had Bach completed it himself. The present edition is for open instrumentation. Parts for C-instruments, B-flat-instrument and E-flat-instruments are supplied. This is a suitable work for wind ensemble of four or more players.
SKU: BR.OB-5294-26
The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.
ISBN 9790004338032. 9 x 12 inches.
The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.
SKU: BR.OB-5294-15
ISBN 9790004338018. 9 x 12 inches.
SKU: BR.OB-5294-19
ISBN 9790004338025. 9 x 12 inches.
SKU: HL.49006542
ISBN 9790001070942. UPC: 841886029484. 12.0x16.5x0.42 inches.
Written in the 1970s, Dieter Schnebel's arrangements of the Contrapuncti I, VI and XI from Johann Sebastian Bach's The Art of Fugue have long since been considered classics of contemporary choral music and of the cultivation of Bach's music. The works, which have previously been available in manuscript editions only, are now published as new editions in a high-quality, easily legible notation in a convenient standard format which adequately displays the works' polyphony.
SKU: CY.CC2683
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number 15 is an unfinished four-voice, quadruple fugue. Only the first three subjects are introduced, the third being a chromatic subject built from the letters of Bach's nameâ€â€B (B-flat), A, C, H (B-natural). Just at the point where all three subjects are combined, the manuscript breaks off, and C. P. E. Bach wrote in the score that the composer has died. Bach clearly intended that the original Art of Fugue theme was to be the final subject and all four themes would combine in a glorious climax. Whether he intended to finish the work or leave it up to others to complete is conjecture. About 8 minutes in length.
SKU: CY.CC2679
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Eleven is a four-voice, triple fugue that uses all three subjects from Number Eight but in both direct and inverted forms. About 6 minutes in length.
SKU: CY.CC2680
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Twelve is a four-voice, mirror fugue in 3/2 meterâ€â€the only fugue in this meter. It uses the original Art of Fugue theme in the Rectus and then all the voices are turned upside down in the Inversus. About 5 minutes in length.
SKU: CY.CC2682
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Fourteen is a four voice, double fugue that is an earlier version of Number Ten. It was included in the first edition of The Art of Fugue. About 3 minutes in length.
SKU: CY.CC2681
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Thirteen is a three-voice, mirror fugue that introduces a new form of the original Art of Fugue theme in the Rectus and then turns everything upside down in the Inversus. About 5 minutes in length.
SKU: CY.CC2678
J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number Ten is a four-voice, double fugue with use of stretto. A new theme is introduced that combines with the original Art of Fugue theme, this time inverted. Double counterpoint is used at the interval of a 10th. About 3 minutes in length.
