Dardanus

Trag?die en un prologue et cinq actes-The first version of ???Dardanus??? which was performed at the end of 1739 was composed apparently in only six months and marks a particularly productive phase in Rameau???s career. In a period of only six years five of his major works were performed at the Acad?mie Royale de Musique in Paris.The theme is taken from Greek mythology: the opera describes the war between Teucer (the future founder of Troy) his Phrygian people and the army of Dardanus.A milestone of French Baroque opera in a performance practice orientated vocal scoreWith a brief foreword (Fr/Eng) containing salient information on the genesis of the work the synopsis and the editionFull score (BA8854) and vocal score (BA8854-90) available for salePerformance material (BA8854-72) available for hire

Livre d'orgue, troisième cahier Jean-Philippe Rameau REF : OR4597 Pièces extraites des opéras de Rameau et adaptées pour orgue ou pour clavecin par Yves Rechsteiner Air en rondeau sur les flûtes (Les Fêtes d'Hébé, IIIème Entrée, scène 6) Air en rondeau, duo (Les Fêtes d'Hébé, IIIème Entrée, scène 6) Gavotte en rondeau, Duo (Les Fêtes d'Hébé, IIIème Entrée, scène 6) Prélude (Dardanus, Acte IV, scène 1) Air gay (Les Paladins, Ouverture) Ouverture (Dardanus) Sarabande en trio (Zoroastre, Acte I) Air grave pour les Incas (Les Indes galantes, Ière Entrée) Tierce en taille en récit, trio et duo (Les Indes galantes, IIème Entrée) Air en rondeau pour les Amours sur les flûtes (Hippolyte

Operatic Arias: Tenor Vol. 1-Haute-contre/Operatic arias: Tenor Volume 1 BA 9196. This volume contains half of the great monologues arias and ariettas which Rameau composed for haute-contre and which are sung by Tenors today. Arias for tenor from the operas Acanthe et Céphise (Acanthe) / Anacréon (Batile) / Castor et Pollux (Castor un Athlète) / Daphnis et Églé (Daphnis) / Dardanus (Dardanus) / Les Fêtes de l’Hymen et de l’Amour (Osiris Aruéris un Égyptien) / Les Fêtes de Polymnie (Alcide) / (Mercure) / La Guirlande (Myrtil) / Hippolyte et Aricie (Un Amour Hippolyte) / Les Indes galantes (Valère) /Naïs (Neptune). - Detailed historical introduction (Fr/Eng). - Idiomatic Piano reduction arrangements based on the Opera Omnia Rameau. - Each piece is introduced by a précis of the dramatic situation and an English translation of the vocal text. - Co-edited by the Centre de musique baroque de Versailles and the Société Jean-Philippe Rameau. - Distributed exclusively by Bärenreiter.

Arranged by Henry Aaron Following in the successful footsteps of the woodwind quintets this collection puts Mr. Aaron's magic to work in the Brass Quintet idiom! Perfectfor concert or contest. Includes: TRITCH-TRATSCH POLKA by J. Strauss * POLKA by Shostakovich * CAPRICCIO by Haydn * HUMERSQUE by Tchaikowsky * DIARY OF A FLY byBartok * GOLLIWOGG'S CAKE WALK by Debussy * MARCHE LA GUARDE IMPERIAL RUSSE * BAGATELLES #1 op. 5 by Tcherepnine * MARCHE MILITAIRE by Schubert * PETER AND THE WOLF by Prokofieff * PRELUDE & FUGUE in G minor by J.S. Bach * MARCHEDE DARDANUS by J. P. Rameau * MOMENT MUSICALE by Schubert * LA FRESCOBALDA by Fresobaldi.

Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano

Baritone-Operatic AriasBased on the Opera Omnia Rameau (OOR) This edition contains the great monologues arias and ariettas that Rameau wrote for basse-taille (the 18th-century equivalent of today’s baritone). The volume which contains a historical Introduction in German and English is based on the critical edition of the works Opera omnia Rameau (OOR). A short description of the dramatic situation and an English translation of the vocal text precede each number. The volume contains the baritone arias for the main characters from the following operas: Anacréon (Anacréon)Castor et Pollux (Pollux)Dardanus (Anténor)Les Fêtes de Polymnie (Zimès)Hippolyte et Aricie (Thésée)Les Indes galantes (Bellone Huascar Adario)Naïs (Tirésie)La Naissance d’Osiris (le grand Prêtre)Nélée et Myrthis (Nélée)Les Paladins (Orcan Anselme)La Princesse de Navarre (un Français)Les Surprises de l’amour (Anacréon Astole)Le Temple de la Gloire (l’Envie)Zoroastre (Abramane)

Arranged by Henry Aaron Following in the successful footsteps of the woodwind quintets this collection puts Mr. Aaron's magic to work in the Brass Quintet idiom! Perfectfor concert or contest. Includes: TRITCH-TRATSCH POLKA by J. Strauss * POLKA by Shostakovich * CAPRICCIO by Haydn * HUMERSQUE by Tchaikowsky * DIARY OF A FLY byBartok * GOLLIWOGG'S CAKE WALK by Debussy * MARCHE LA GUARDE IMPERIAL RUSSE * BAGATELLES #1 op. 5 by Tcherepnine * MARCHE MILITAIRE by Schubert * PETER AND THE WOLF by Prokofieff * PRELUDE & FUGUE in G minor by J.S. Bach * MARCHEDE DARDANUS by J. P. Rameau * MOMENT MUSICALE by Schubert * LA FRESCOBALDA by Fresobaldi.

Par RAMEAU JEAN-PHILIPPE. / classique / Répertoire / Baryton ou Basse et Piano

from the Opera-Ballet Dardamus. Par RAMEAU JEAN-PHILIPPE. From The Opera-Ballet 'Dardamus'/ Répertoire / Flûte Traversière, Hautbois, Clarinette et Basson