Dear Old Ireland

A beautiful illustrated collection containing over 100 folksongs from the British Isles. Songs of longing, of love, of the Irish and Scottish rebellions, as well as lullabies, children's songs, and even a few composed songs which have become part of the folk heritage can be found in this collection. Easily played piano and guitar accompaniments are provided, and not only translated lyrics, but phonetic transcriptions are also included so that songs may be sung in their original language. England: Hares On The Mountain; Allan Water; My Boy Willie; When Cockleshells Turn Silverbells; The Banks Of The Sweet Primroses; I?m Seventeen Come Sunday; Greensleeves; The Trees Are Geting High; On Ilkla Moor Baht? At; O Waly, Waly; Weel May The Keel Row; The Three Ravens; Early One Morning; O No, John!; A May Day Carol; The Oak And The Ash; Lavender?s Blue; Blow The Wind Southerly; The Cherry Tree Carol; The Green Bushes; Over The Mountains; Gently, Johnny, My Jingalo; Two Maidens Went Milking One Day; Cock Robin; Died For Love; Buttercup Joe; Ireland: Down By The Salley Gardens; Let Erin Remember The Days Of Old; The Crusikeen Lawn; Shule Aroon; The Little Red Fox; When Pat Came Over The Hill; The Bold Fenian Men; The Parting Glass; Bendemeer?s Stream; The Mountains O? Mourne; The Wearing Of The Green; The Rising Of The Moon; The Lark In The Clear Air; I Wish I Had The Shopherd?s Lamb; O?Donnell Aboo; She Moved Through The Fair; Mrs. McGrath; Lilli Burlero; Monday, Tuesday; Farewell! But Whenever You Welcome The Hour; Kevin Barry; Kilgary Mountain; Oft In The Stilly Night; Molly Brannigan; John O?Dywer Of The Glen; The Time I?ve Lost In Wooing; The Croppy Boy; The Banks Of Roses; The Bard of Armagh; ?Tis Pretty To Be In Balinderry; Whack Fol The Diddle; Scotland: Green Grow The Rashes, O!; Wae?s Me For Prince Charlie; The Wark O? The Weavers; Flow Gently, Sweet Afton; The Blue Bells Of Scotland; Baloo Baleerie; Is There For Honest Poverty; Corn Rigs Are Bonnie; Can Ye Sew Cushions?; A Hihgland Lad My Love Was Born; Ho Ro My Nut-Brown Maiden; Robin Adair; Awa?, Whigs, Awa?; My Love is Like a Red, Red Rose; Weaving Lilt; Turn Ye To Me; To The Beggin? I Will Go; Ye Banks And Braes O? Bonnie Doon; Scots Wha Ha?e Wi? Wallace Bled; Charlie Is My Darling; Oh Rowan Tree; Will Ye No? Come Back Again?; The Piper O? Dundee; Leezie Lindsay; The Road To The Isles; An Eriskay Love Lilt; Wales: The Bells Of Aberdovey; To See Swainson; Robin Redbreat; David Of The White Rock; The Kind Old Man; Men Of Harlech; Fairest Gwen; Over The Stone; Cuckoo Dear; Megan?s Fair Daugher; Little Saucepan; The Ash Grove; Rise, Rise, Thou Merry Lark; Lullaby; All Through The Night; Joy Upon The Bright Cheek Dances; Idle Days In Summertime; Counting The Goats; The Dove; Welsh National Anthem.

Scottish and Irish Tunes for Celtic Harp. Discover over two dozen traditional tunes from Scotland and Ireland: a mix of novel and familiar jigs, reels, airs, marches, and strathspeys. Intermediate through advanced harp players will enjoy these lovely melodies and their fresh, sparkling accompaniments. The arrangements include several optional transitions for combining tunes into sets, as heard on Claussen?s album The Road Home from Skye. Suitable for harps with a range of at least two octaves below middle C. Contains dynamics, chords, practical technical exercises, and fingering suggestions.

Scottish Folk Song Setting-Among airs there are none more beautiful than those fromthe general vicinity of Scotland and Ireland. An originalmelody intertwines with the lovely Scottish air Ye Banksand Braes to form a touching and reflective espressivoperformance piece that you are sure to admire. The endearingnature of old Scottish melody has a charm all its own.A little touch of the ?Pipes? is included to re-emphasize theorigin of this timeless air.A gem!

A wonderful collection of 28 Celtic harp solos based on music from Ireland Scotland and Wales. Selections include: Banish Misfortune; The Cliffs of Moher; Kitty's Wedding; Guilderoy; Nyth Y Gwcw; the Mist Covered Mountains ofHome; Farewell to Williamstown; Glenlivet; Machynlleth; the Dark Isle; My Dearie; Scotch Mist; I Wish You Would Marry Me Now; Sir Watkins' Jig; Treasure of Sierra Madre; The Blackbird; The Bonnie Lass O'Bon Accord; and more. Allselections appear in grand staff notation.

Scottish Folk Song Setting-Among airs there are none more beautiful than those fromthe general vicinity of Scotland and Ireland. An originalmelody intertwines with the lovely Scottish air Ye Banksand Braes to form a touching and reflective espressivoperformance piece that you are sure to admire. The endearingnature of old Scottish melody has a charm all its own.A little touch of the ?Pipes? is included to re-emphasize theorigin of this timeless air.A gem!

Forty-four folk favourites including 'The Foggy, Foggy Dew', 'John Peel', 'Lincolnshire Poacher', 'The Blue Bells Of Scotland' and 'Loch Lomond'.Forty-four folk favourites, all in simple arrangements for piano, organ or electronic keybord. Includes The Foggy, Foggy Dew, John Peel, Lincolnshire Poacher, The Blue Bells Of Scotland and Loch Lomond. / Chant Et Guitare / 88 pages / Partition

This traditional 19th-century lumberjack song is a lively jig and perfect for the young men of your choir. It is energetic and rhythmic with limited ranges at both the upper and lower extremes. The text will connect with the young men singing and those who are listening and dreaming of joining a choir. / Choeur D'Hommes (TBB) Et Piano