SKU: HL.49045854
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro.
SKU: HL.49007911
ISBN 9783795702847. German.
Vorwort - Einleitung und Problemstellung: - a) Definition: Was ist eine deutsche Oper - b) Problemstellugn und Ziel dieser Arbeit - I. Voraussetzungen: - Der Kulturnationalismus in Deutschland - Nation und Volk - Theater und Oper zur Zeit Webers - Die deutsche Oper zur Zeit Webers. Ein Uberblick - Zu Webers Kunst- und Musikanschauung - II. Der Freischutz. Eine deutsche Oper: - Der Freischutz. Ein deutsches Libretto - Die Musik des Freischutz. Deutsche Musik - III. Die Rezeption des Freischutz in der ersten Halfte des 19. Jahrhunderts: - Die Voraussetzungen der Urauffuhrung in Berlin - Die Rezeption der Urauffuhrung - Erstauffuhrung des Freischutz in anderen deutschen Stadten und deren Rezeption - Zeugnisse fur die Beliebtheit des Freischutz in den 1820er Jahren - IV. Euryanthe und das Problem einer deutschen Opera seria: - Das Libretto - Die Musik - V. Die Weber-Rezeption bis zur Jahrhundertwende: - Zur Entwicklung des Kulturnationalismus in der zweiten Halfte des 19. Jahrhunderts - Der Freischutz im Opernrepertoire des 19. Jahrhunderts - Die Freischutz-Rezeption ausserhalb des Theaters - Richard Wagners Weber-Rezeption - Das Weber-Denkmal in Dresden - Das Weber-Bild in der Musikschriftstellerei des 19. Jahrhunderts - VI. Anhang: Auffuhrungsstatistiken - Quellen- und Literaturverzeichnis - Personenregister.
SKU: HL.49008248
ISBN 9783795703813. German.
Carl Maria von Weber hat in den zehn Jahren, die zwischen der Silvana' und dem Freischutz' liegen, zwar keine abendfullende Oper, wohl aber mehr als 40 Konzertarien, Opernarien und Schauspielmusiken komponiert, deren Entstehungs- und Rezeptionsgeschichte einschliesslich der Quellenlage in diesem Band ausfuhrlich dokumentiert wird. Ausgehend von einer Analyse des Librettos und der Arien der Silvana' werden die Entwicklung der Arienform, die Auseinandersetzung mit der franzosischen Opera comique in Webers eigenen Bearbeitungen und die Funktion der Musik im Schauspiel untersucht und die gewonnenen Ergebnisse abschliessend auf den Freischutz' bezogen.
SKU: HL.49018726
ISBN 9790001178952. UPC: 884088657123. 9.0x12.0x0.097 inches.
Although the Wurzburg court musician and violin soloist Joseph Kuffner (1776-1856) had to deal with military music for professional reasons, he had also written a series of symphonies, orchestral works and concertos. In the field of chamber music, he liked to compose potpourris on popular opera melodies. Kuffner made the highlights of Weber's 'Freischutz' into a potpourri for flute (or violin) and piano with pleasant music-making guaranteed!
SKU: HL.49013736
ISBN 9790001017732.
SKU: HL.48187655
Carl Maria von Weber: Ouverture de 'Der Freischutz' (PH49) (Orchestra).
SKU: HL.49045855
SKU: HL.14035627
ISBN 9788759854891. 8.25x11.75x0.055 inches.
SKU: CA.1709700
ISBN 9790007049614.
SKU: DB.MM-00006
ISBN 9790012173335.
Aus dem Inhalt: aus Opern von Mozart: Don Juan, Die Zauberflote - Weber: Der Freischutz - Auber: Fra Diavolo, Die Stumme von Portici - Rossini: Der Barbier von Sevilla - Lortzing: Der Waffenschmied, Zar und Zimmermann - Wagner: Lohengrin, Tannhauser - Gou.
SKU: BR.OB-4481-30
Apart from fulfilling its original function in the opera, the Freischuetz Overture has long been an extraordinarily popular concert piece.
ISBN 9790004311394. 9 x 12 inches.
Apart from fulfilling its original function in the opera, the Freischuetz Overture has long been an extraordinarily popular concert piece. Carl Maria von Weber excerpts the central elements of the operas storyline. The dense forest, the Wolfs Glen and Agathes love aria atmospherically and thematically stamp the course of the orchestral piece, which also anticipates the happy ending of the opera through its brilliant C major.Apart from fulfilling its original function in the opera, the Freischuetz Overture has long been an extraordinarily popular concert piece.
SKU: BR.OB-4481-19
ISBN 9790004311363. 9 x 12 inches.
SKU: BR.OB-4481-27
ISBN 9790004311387. 9 x 12 inches.
SKU: HL.49042467
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-relatedand relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information an.
SKU: HL.49001466
ISBN 9790001125567. UPC: 073999565362. 8.25x11.75x0.01 inches. German.
SKU: CA.163300
ISBN 9790007005634. Language: German.
SKU: DB.01-00382
ISBN 9790012183617.
Die Sammlung von 28 einfachen Vortragsstucken, die aus dem ublichen E- und U-Musik Schema herausfallen, ist eine erste ebenso anregende wie vergnugliche Einfuhrung in eine Musikwelt, die heute reicher ist als je zuvor. Um dem Schuler die Angst vor dem ersten offentlichen Spiel zu nehmen, muss es ihm/ihr vor allem Spass machen. Diese reich und bunt illustrierte Spielsammlung vereint ausser Bach, Mozart & Co. auch blues-ige, po-ige & sonstige Melodien und Rhythmen.Aus dem Programm: Prelude (Eurovisionsmelodie) - Fur Elise - Der Vogelfanger - Wiegenlied - Morgenstimmung - Pause - Banana Boat Song - Happy Dino Waltz - Aladins Wunderkerze - Die Powermaus im Computerhaus - Mango Mambo - Bubble Gum Boogie - Freds Steinzeit-Polka - Geisterbahn-Blues - Zugaben: Der Frechdax - Radetzky-Marsch etc.
