SKU: CA.2719700
ISBN 9790007164133. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony.
SKU: CA.2719712
ISBN 9790007200954. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700.
SKU: CA.2719749
ISBN 9790007164874. Language: Latin.
SKU: CA.2719714
ISBN 9790007200978. Language: Latin.
SKU: CA.2719709
ISBN 9790007200930. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and parts available separately - see item CA.2719700.
SKU: CA.2719711
ISBN 9790007200947. Language: Latin.
SKU: CA.2719705
ISBN 9790007164867. Text language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score available separately - see item CA.2719700.
SKU: CA.2719713
ISBN 9790007200961. Language: Latin.
SKU: CA.2719719
ISBN 9790007164478. Language: Latin.
SKU: BA.BA10708
ISBN 9790006564491. 31 x 24.3 cm inches. Key: B-flat major. Text Language: English. Preface: Beeks, Graydon.
Handel composed the “Te Deum†in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname “Chandos Te Deumâ€. Here it is called “Te Deum for Cannons†after the Duke’s stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in “Acis and Galateaâ€, the masque which was composed at almost the same time. Though in many respects this “Te Deum†is reminiscent of the “Utrecht Te Deumâ€, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the “Halle Handel Edition†(BA 10708-01), which offers the first complete scholarly text of the music for the “Te Deumâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5527814
ISBN 9790007249625. Language: English.
Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.
SKU: CA.5527819
ISBN 9790007249632. Language: English.
SKU: CA.5527811
ISBN 9790007249595. Language: English.
SKU: CA.5527812
ISBN 9790007249601. Language: English.
SKU: CA.5527800
ISBN 9790007188511. Language: English.
SKU: CA.5527813
ISBN 9790007249618. Language: English.
SKU: CA.5527804
ISBN 9790007244644. Language: English.
SKU: CA.5527803
ISBN 9790007188528. Language: English.
SKU: CA.5527849
ISBN 9790007249649. Language: English.
SKU: CA.5527809
ISBN 9790007249588. Language: English.
SKU: CA.5527805
ISBN 9790007188535. Language: English.
SKU: CA.2719050
ISBN 9790007171766. Text language: Latin.
Carus published the original version of Bruckner's Te Deum for soloists, choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensembles [und einem weiteren Benutzerkreis zuganglich zu machen] Carus now presents it in an arrangement for brass quintet and organ. The brass parts are orientated essentially towards those in Bruckner's orchestral version, while the organ part follows the original string parts. [Damit kann nun auch unter eingeschrankten Bedingungen dieses grossartige Werk in einer adaquaten, stimmigen Form zur Auffuhrung gebracht werden.] As the voice parts (soloists and choir) in this reduced version are identical with those of the original the vocal score and choral score of the latter version can be used. This work is available (in the original version) in carus music, the choir app! Score available separately - see item CA.2719000.
SKU: BA.BVK02229
ISBN 9783761822296. 25.5 x 18.3 cm inches. Text Language: French, English, German. Preface: Jean-Michel Nectoux.
Handel composed hisTe Deumin B flat major HWV 281 in 1718 for the future Duke of Chandos, which explains the nicknameChandos Te Deum. In this edition, the work is named after the place of its first performance:Te Deum for Cannons.The unusual instrumentation consisting of flute, oboe (one of each), one bassoon, one trumpet, two violins, basso continuo, and choir (one soprano, three tenors, and one bass) might have been a result of the number of musicians available for performance. Incidentally, the masqueAcis und Galatea, composed around the same time, is also scored for three tenors. The work bears some resemblance to theUtrecht Te Deum, however, the intimate scoring results in a chamber music feel.This academic-critical edition reflects the most current research in musical, philological, and historical respects. As the scoring is somewhat unusual and the work's transmission rather complex, the part of the preface dealing with performance practice should be of special interest.
SKU: CA.5527903
ISBN 9790007250799. German/English.
Handel's Utrecht Jubilate HWV 279 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world, thanks to the wide range of occasions when it can be performed. It was performed for the first time in a festive service on 7 July 1713 at St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession. The Utrecht Te Deum and Jubilate were Handel's first sacred works in English and important milestones at the beginning of his London career.The edition is based on Handel's autograph (which unfortunately does not survive) and on a copy from Handel's circle, which in some respects provides more information than the autograph and contains important details for this edition. In 1717 Handel revised the Jubilate in a smaller scoring for the ensemble at Cannons (HWV 246) and preceded it with a two-part Sinfonia which is also reproduced in the Appendix to this edition. The chorus is mainly scored in four parts, and is in eight parts in just one short movement. In two other movements the soprano part divides. The second alto solo part can also be sung by a high tenor.Score available separately - see item CA.5527900.