SKU: RM.CHAR04382-CO
SKU: CA.2719050
ISBN 9790007171766. Text language: Latin.
Carus published the original version of Bruckner's Te Deum for soloists, choir and large orchestra (Carus 27.190) in the fall of 2015. In order to make this work available for performance by smaller-sized ensembles [und einem weiteren Benutzerkreis zuganglich zu machen] Carus now presents it in an arrangement for brass quintet and organ. The brass parts are orientated essentially towards those in Bruckner's orchestral version, while the organ part follows the original string parts. [Damit kann nun auch unter eingeschrankten Bedingungen dieses grossartige Werk in einer adaquaten, stimmigen Form zur Auffuhrung gebracht werden.] As the voice parts (soloists and choir) in this reduced version are identical with those of the original the vocal score and choral score of the latter version can be used. This work is available (in the original version) in carus music, the choir app! Score available separately - see item CA.2719000.
SKU: CA.5528305
ISBN 9790007132354. Language: English/German.
- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score available separately - see item CA.5528300.
SKU: CA.5528313
ISBN 9790007227081. Language: English/German.
- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and part available separately - see item CA.5528300.
SKU: CA.2719046
ISBN 9790007310875. Latin.
In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular: They enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous works were first performed in such a version â?? including Brucknerâ??s Te Deum. Unfortunately, only a few bars of this transcription have survived.The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Brucknerâ??s Te Deum and the Mass in D minor for soloists, choir and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.Today the Te Deum is Brucknerâ??s most frequently performed vocal work. The greatest challenges for any choir are the high register and the enormous orchestration of this extremely effective piece: The singers are often required to declaim against a large orchestra performing forte fortissimo! This problem is resolved in the arrangement for two pianos; moreover, the scaling back of the sonic forces helps reveal compositional structures that otherwise can all too easily get lost in the intoxicating orchestral sound.. Score and parts available separately - see item CA.2719000.
SKU: CA.5528311
ISBN 9790007227067. Language: English/German.
SKU: CA.5528309
ISBN 9790007227050. Language: English/German.
- edition based on the autograph, from which Handel conducted the first performance - detailed foreword in three languages - critical Report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.) Great occasions call for great music The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel's express use of timpani and trumpets. Gentler and more serious movements effectively complement the work. The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus Make them to be number'd has been published in this edition. In this version Handel strived for a more compact and stricter voice leading. Score and parts available separately - see item CA.5528300.
SKU: CA.5528314
ISBN 9790007227098. Language: English/German.
SKU: CA.2719044
ISBN 9790007303327. Latin.
In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular: They enabled a large audience to get to know classical compositions in an age before recorded music. In many cases, world-famous works were first performed in such a version – including Bruckner’s Te Deum. Unfortunately, only a few bars of this transcription have survived.The Stuttgart composer, pianist and experienced piano-duo performer Sebastian Bartmann was commissioned by the Landesakademie für die musizierende Jugend in Baden-Württemberg Ochsenhausen to newly arrange Bruckner’s Te Deum and the Mass in D minor for soloists, choir and two pianos. A timpani part (ad libitum) provides additional color. The arrangements are based on the original Carus editions. The vocal scores and choral scores of the original version can also be used.Today the Te Deum is Bruckner’s most frequently performed vocal work. The greatest challenges for any choir are the high register and the enormous orchestration of this extremely effective piece: The singers are often required to declaim against a large orchestra performing forte fortissimo! This problem is resolved in the arrangement for two pianos; moreover, the scaling back of the sonic forces helps reveal compositional structures that otherwise can all too easily get lost in the intoxicating orchestral sound.. Score available separately - see item CA.2719000.
SKU: CA.5528312
ISBN 9790007227074. Language: English/German.
SKU: BT.DHP-1094669-140
9x12 inches. English-German-French-Dutch.
Großer Gott, wir loben dich is a well-known German hymn, written by Ignaz Franz in the 18th century but based on the 4th century Te Deum laudamus. After a radiant introduction by the brass section, the first variation on the chorale appears. Subsequently, the song is rendered in its original form. Then three more variations follow. The result is a solemn work that is very fitting within the context of a church service, but is also suitable for many other occasions.Grosser Gott, wir loben dich is een bekende traditionele Duitse lofzang die in de 18e eeuw werd geschreven door Ignaz Franz, op basis van het 4e-eeuwse Te Deum laudamus van - waarschijnlijk - Nicetas von Remesiana. Demooie melodie ligt goed in het gehoor. Het is een plechtig werk dat in de context van een kerkdienst goed tot zijn recht komt, maar ook voor diverse andere gelegenheden geschikt is.Nach einer strahlenden Einleitung der Blechbläser setzt die erste Variation über das bekannte Kirchenlied ein. Danach erscheint das Lied in seiner ursprünglichen Form, gefolgt von drei weiteren Variationen. Das Ganze fügt sich zu einem feierlichen Werk, das sehr gut in einen Gottesdienst passt, sich aber auch für zahlreiche andere Anlässe eignet. Grosser Gott, wir loben dich (Grand Dieu nous te bénissons) est un célèbre cantique allemand composé au XVIIIe siècle par Ignaz Franz. Sa mélodie est directement inspirée du Te Deum laudamus (IVe siècle), fréquemment attribué Nicetas, évêque de Remesiana. La ligne mélodique est facile suivre.Après une introduction brillante par les cuivres, la première variation sur le choral apparaît. La mélodie du cantique est ensuite interprétée dans sa version originale suivie de trois autres variations. L’œuvre est solennelle et se prête une interprétation dans le cadre d’un office religieux ou en toute autre occasion festive.Großer Gott, wir loben dich è un celebre cantico tedesco composto nel XVIII secolo da Ignaz Franz. La sua melodia è direttamente ispirata dal Te Deum laudamus (IV secolo) attribuito a Niceta, vescovo di Remesiana. Dopo un’introduzione brillante, appare la prima variazione. In seguito, la melodia del cantico è interpretata nella versione originale seguita da tre altre variazioni. Il brano è solenne e si presta ad una interpretazione in un contesto religioso e in tutte le occasioni festive.
SKU: BT.DHP-1094669-010
SKU: CA.5528348
English/German.
Great occasions call for great musicThe Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handel’s express use of timpani and trumpets. Gentler and more serious movements effectively complement the work.The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus “Make them to be number’d” has been published in this edition. In this version Handel strived for a more compact and stricter voice leading.Edition based on the autograph, from which Handel conducted the first performanceDetailed foreword in three languagesCritical report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.). Score available separately - see item CA.5528300.
SKU: CA.5528346
SKU: CA.5528347
SKU: CA.2103245
ISBN 9790007262020. Key: D major. Latin.
Marc-Antoine Charpentier’s impressive setting of the Latin canticle Te Deum opens with a striking introductory fanfare. It is familiar to millions, since it is the theme tune of the Eurovision TV broadcasts. Andreas Gräsle has transferred the orchestral setting of this French Baroque masterpiece to the organ with great sensitivity for the changing instrumentations and timbres in the original score. This edition enables the work to be performed for the first time in an alternative version for solo voices, choir, and organ. The vocal scores and choral scores of the original version (Carus 21.032), also published by Carus, can be used in combination with this organ setting. Score available separately - see item CA.2103200.
SKU: CA.5528345
In keeping with the victorious mood, Handel often splits the chorus into five voices (with divided sopranos) for passages of pure homophony. When the choir declaim as one, the effect is of joyful celebration. To start each phrase on the right note, it is essential to be familiar with the orchestral interludes. The cantabile movements, such as No. 3, can be particularly tricky to perform: The vocal leaps in these demanding choral-soprano sections become much easier if you can hear the underlying harmonies while practicing. The same is true for No. 5.The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:Original recordingCoach: each part is accompanied by the piano, with the original recording sounding in the backgroundCoach in slow mode: the tempo of the coach slows down to 70% of the original version – through this reduction passages can be learned more effectively.Performers: Dorothee Mields (soprano), Ulrike Andersen (alto), Mark Wilde (tenore), Chris Dixon (basso) – Alsfelder Vokalensemble, Concerto Polacco – Wolfgang Helbich. Score available separately - see item CA.5528300.
