SKU: AP.1-ADV97004
UPC: 805095970043. English.
Document folder made of transparent plastic in A4 format. Coloured overlapping closure flap. With elastic band closure and 4 practical pockets.
SKU: AP.1-ADV97005
UPC: 805095970050. English.
SKU: HL.49008251
ISBN 9783795713379. 7.0x9.75x0.743 inches. German.
Georg Philipp Telemanns Wirken als stadtischer Musikdirektor in Frankfurt/Main (1712-1721) hat im Musikleben der Stadt bleibende Spuren hinterlassen. Im Zentrum dieser Veroffentlichung steht sein umfangreiches Kantatenwerk, dessen Gliederung nach Jahrgangen anhand neuer Quellenfunde nunmehr ermoglicht wird. In Beitragen namhafter Telemann-Forscher werden ausserdem sein Konzertschaffen, die Brockes-Passion (1716), Festmusiken und Opern, die Kammermusik und die Asthetik Telemanns behandelt. Als bisher unbekanntes Dokument enthalt der Band Telemanns Bewerbungsschreiben (1712), ferner den Abdruck zweier Arien aus den verlorenen 'Davidischen Oratorien' (1718), die aus einer Parodie des Frankfurter Patriziers Johann Friedrich Armand von Uffenbach rekonstruiert werden konnten.
SKU: UT.LB-26
ISBN 9788881094950. 6.5 x 9.5 inches.
Dopo quasi un secolo dalla sua pubblicazione, avvenuta postuma nel 1935, La Banda di Alessandro Vessella appare un immutabile punto di riferimento nello studio di tale disciplina. Il lettore che si avvicina per la prima volta a questo testo rimarrà sorpreso per la quantità di informazioni e documenti che si presentano ai suoi occhi. Una mole sorprendente di lavoro, frutto di ricerche che l’autore ha sapientemente svolto durante la sua vita. La Banda rappresenta nel panorama musicologico italiano uno degli esempi migliori di una generazione di studiosi che, agli albori del XX secolo, ha lasciato alla tradizione storica nazionale alcuni lavori insostituibili. Al di là della sua importanza intrinseca, quest’opera assume un rilievo essenziale configurandosi, nel vuoto di tale disciplina, il primo studio vasto e organico pubblicato in quell’epoca. Mirabile è il cammino storico ricostruito: si parte dalle origini dei primi gruppi sonori di strumenti a fiato per passare attraverso lo stato embrionale dei complessi bandistici fino a giungere all’evoluzione della banda ai nostri giorni.La presente edizione conserva la stesura originale, evitando interventi di natura contenutistica o musicologica. Tale scelta va nella direzione di conservare il dettato originale, pur nella consapevolezza delle moderne acquisizioni intorno a tale disciplina.
SKU: SU.27010021B
SA Chorus, Piano, Synthesizer, Guitar, Bass, Drums Duration: 4' ' Composed: 2012 Published by: Sandy Wilbur Music, Inc. NEW! Now available in discount bundle of 20 octavos! Save 20! Written by Sandy Wilbur and arranged by TONY and EMMY Award winning arranger Larry Hochmann (Spamalot!, The Book of Mormon) and Judith Clurman, We the People is a setting of the preamble to the US Constitution,and masterfully celebrates the greatest and most admired political document ever written. Suitable for all ages, We the People is an excellent learning tool for young singers and the perfect addition to any core choral curriculum. We the People uses Wilbur's fun musical setting to teach and reaffirm the democratic fundamentals of government on which our nation was founded. Available in versions for SATB Chorus, SA, Chorus and Unison Chorus. We the People features an optional kickin' rhythm section accompaniment (Guitar,Bass, Piano, Synth and Drums). In addition to the full score and set of parts, Subito Music also offers an instrumental accompaniment CD that can be used for rehearsal as well as for performance. Also available: (27010010) (27010011) (27010020) (27010022) (27010025).
SKU: SU.27010022B
Unison Chorus, Piano, Synthesizer, Guitar, Bass, Drums Duration: 4' ' Composed: 2012 Published by: Sandy Wilbur Music, Inc. NEW! Now available in discount bundle of 20 octavos! Save 20! Written by Sandy Wilbur and arranged by TONY and EMMY Award winning arranger Larry Hochmann (Spamalot!, The Book of Mormon) and Judith Clurman, We the People is a setting of the preamble to the US Constitution,and masterfully celebrates the greatest and most admired political document ever written. Suitable for all ages, We the People is an excellent learning tool for young singers and the perfect addition to any core choral curriculum. We the People uses Wilbur's fun musical setting to teach and reaffirm the democratic fundamentals of government on which our nation was founded. Available in versions for SATB Chorus, SA, Chorus and Unison Chorus. We the People features an optional kickin' rhythm section accompaniment (Guitar,Bass, Piano, Synth and Drums). In addition to the full score and set of parts, Subito Music also offers an instrumental accompaniment CD that can be used for rehearsal as well as for performance. Also available: (27010010) (27010011) (27010020) (27010021) (27010025).
SKU: SU.27010020B
SATB Chorus, Piano, Synthesizer, Guitar, Bass, Drums Duration: 4' ' Composed: 2012 Published by: Sandy Wilbur Music, Inc. NEW! Now available as a discounted lot of 20 Choral Octavos! Save 20%! Written by Sandy Wilbur and arranged by TONY and EMMY Award winning arranger Larry Hochmann (Spamalot!, The Book of Mormon) and Judith Clurman, We the People is a setting of the preamble to the US Constitution,and masterfully celebrates the greatest and most admired political document ever written. Suitable for all ages, We the People is an excellent learning tool for young singers and the perfect addition to any core choral curriculum. We the People uses Wilbur's fun musical setting to teach and reaffirm the democratic fundamentals of government on which our nation was founded. Available in versions for SATB Chorus, SA, Chorus and Unison Chorus. We the People features an optional kickin' rhythm section accompaniment (Guitar,Bass, Piano, Synth and Drums). In addition to the full score and set of parts, Subito Music also offers an instrumental accompaniment CD that can be used for rehearsal as well as for performance. Also available: (27010010) (27010011) (27010021) (27010022) (27010025).
SKU: BT.DHP-1114950-020
9x12 inches. English-German-French-Dutch.
Albastum is a proud, stately concert march written in classic A-B-A form. It opens with a festive fanfare in the brass section, followed by a lively, bright theme, symbolising the joy of playing music together at each weekly rehearsal. Following a melodious trio, a counter theme develops and the march comes to an exciting close with a reprise of the original theme. Albastum is een majestueuze concertmars. Stijn Roels schreef hem in de klassieke A-B-A-vorm. De vreugde die muzikanten aan musiceren beleven, komt bijzonder goed tot uitdrukking. Orkestrale wisselingen tussen de bas en de discantin het eerste deel laten de bijzondere klankkleuren van de verschillenden instrumentgroepen goed zien. Een melodieus trio en de reprise van deel A ronden de mars af. Echt zo’n mars waaraan iedereen plezier beleeft!In diesem stolzen, majestätischen Konzertmarsch, der in einer klassischen A-B-A-Form geschrieben ist, kommt die Freude aller Musiker an ihrem Spiel zum Ausdruck. Orchestrale Wechsel zwischen Bass und Diskant im ersten Teil heben die besonderen Klangfarben der einzelnen Instrumentengruppen sehr schön hervor. Ein melodiöses Trio und die Reprise von Teil A runden diesen Marsch ab, der dem gesamten Fanfareorchester und Publikum Freude bringen wird! Albastum est une majestueuse marche de concert, conforme la structure classique A-B-A. Elle débute avec une fanfare festive, suivie d’un changement de couleurs obtenu par l’alternance entre les cuivres graves, les saxophones et les euphoniums. La partie B - un trio mélodieux - a été confiée aux clarinettes. Un charmant contre-chant plane au-dessus du thème principal. Il s’ensuit une reprise de la partie initiale (partie A) avec, en prime, un contre-chant taillé sur mesure pour les fl tes et les clarinettes.
SKU: BT.DHP-1114950-010
Albastum is a proud, stately concert march written in classic A-B-A form. It opens with a festive fanfare in the brass section, followed by a lively, bright theme, symbolising the joy of playing music together at each weekly rehearsal. Following a melodious trio, a counter theme develops and the march comes to an exciting close with a reprise of the original theme. Albastum is een majestueuze concertmars. Stijn Roels schreef hem in de klassieke A-B-A-vorm. De vreugde die muzikanten aan musiceren beleven, komt bijzonder goed tot uitdrukking. Orkestrale wisselingen tussen de bas en de discantin het eerste deel laten de bijzondere klankkleuren van de verschillenden instrumentgroepen goed zien. Een melodieus trio en de reprise van deel A ronden de mars af. Echt zo’n mars waaraan iedereen plezier beleeft!In diesem stolzen, majestätischen Konzertmarsch, der in einer klassischen A-B-A-Form geschrieben ist, kommt die Freude aller Musiker an ihrem Spiel zum Ausdruck. Orchestrale Wechsel zwischen Bass und Diskant im ersten Teil heben die besonderen Klangfarben der einzelnen Instrumentengruppen sehr schön hervor. Ein melodiöses Trio und die Reprise von Teil A runden diesen Marsch ab, der dem gesamten Blasorchester und Publikum Freude bringen wird! Albastum est une majestueuse marche de concert, conforme la structure classique A-B-A. Elle débute avec une fanfare festive, suivie d’un changement de couleurs obtenu par l’alternance entre les cuivres graves, les saxophones et les euphoniums. La partie B - un trio mélodieux - a été confiée aux clarinettes. Un charmant contre-chant plane au-dessus du thème principal. Il s’ensuit une reprise de la partie initiale (partie A) avec, en prime, un contre-chant taillé sur mesure pour les fl tes et les clarinettes.
SKU: BT.DHP-1114950-120
SKU: BT.DHP-1114950-140
SKU: BT.EMBZ14784
English-German-Hungarian.
The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinking, and, more importantly still, taught them to play music without inhibitions. As the years went by, the view of the series lost its didactic character. It came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well. This change is exemplified in the subtitle Diary entries, personal messages added from the fifth volume onwards. The pieces in the ninth volume date from 1989-2009, except the youthful Appleblossom, written in 1947. The movements, often aphorismic in their briefness, conceal associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, beloved family members or students, and thereby to all music-loving people.Tünde Szitha Der ab 1973 für Klavier entstandene Zyklus Spiele war ursprünglich als Klavierschule konzipiert, in deren ersten Bänden Kurtág den Kindern die Grundelemente des Klavierspiels und des musikalischen Denkens, und, was vielleicht noch viel wichtiger ist, des ungezwungenen Musizierens nahebrachte. Im Zuge der vergangenen Jahrzehnte verlor der Zyklus jedoch seinen didaktischen Charakter und wurde eher zu einem Dokument über die Komponistenwerkstatt Kurtágs, was uns auch einen Schlüssel zu seinen großformatigen symphonischen, Kammer- und Vokalwerken in die Hand gibt. Diese Veränderung wird dadurch angezeigt, dass der Zyklus Spiele ab dem fünften Heft den Untertitel Tagebuchnotizen,persönliche Botschaften trägt.
SKU: BR.DV-7715-02
The works in this anthology were printed in part-books around 1580 and vividly document the high level of Italian madrigal composition before the great stylistic changes of the Baroque era. They offer vocal ensembles challenging and rewarding tasks. Baroque period. Choral score. 32 pages. Deutscher Verlag fur Musik #DV 7715-02. Published by Deutscher Verlag fur Musik (BR.DV-7715-02).
ISBN 9790200471595. 7.5 x 10.5 inches.
The works in this anthology were printed in part-books around 1580 and vividly document the high level of Italian madrigal composition before the great stylistic changes of the Baroque era. They offer vocal ensembles challenging and rewarding tasks.
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