SKU: PR.114423820
ISBN 9781491136263. UPC: 680160688746.
Composed for her own performances, Laurel Zucker’s DOG TOYS SUITE is a short collection of adorable and jazzy little concert etudes which may be performed as a fast-slow-fast set, or as individual movements. I. Duck Pond is a melody that flows through ornamental variations, II. Moo the Blues is gutsy and less demanding on the fingers, and III. Minimal Donkey is a dazzling toccata-like etude. Zucker has recorded DOG TOYS SUITE for Cantilena Records.
SKU: KN.14536
UPC: 822795145366.
With great variety of styles, this grade 3-5 collection is destined to become a treasured resource for flute quartets. An optional alto flute book is also available.Contents:Parade Of The Wooden Soldiers; Christmas Medley No. 1, The First Noel; Christmas Carols From Anjou; March Of The Toys; Angels We Have Heard On High; Christmas Medley No. 2; Christmas Medley No. 3; SwingleaEUR^Bells;aEUR^March (from the Nutcracker Suite); and Ukrainian Bell Carol.
SKU: KN.14533
UPC: 822795145335.
SKU: KN.14534
UPC: 822795145342.
SKU: KN.14535
UPC: 822795145359.
SKU: CF.CPS258
ISBN 9781491161395. UPC: 680160919987.
The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser's Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky's Nutcracker Suite. This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.The winter holiday season might bring to mind the Toy Soldier Dance as performed annually by the famous Radio City Rockettes. There were in fact a number of composers who wrote march music for toy, tin or wooden soldiers. Four of those songs have been included in this medley: Parade of the Wooden (or Tin) Soldiers by Leon Jessel, March of the Toys from the operetta Babes in Toyland by Victor Herbert, Fritz Kreiser’s Toy Soldier March for violin and piano, and March of the Wooden Soldiers from Peter Ilyich Tchaikovsky’s Nutcracker Suite.This arrangement, Toy Soldier Marches, is designed for high school band because of the rhythmic technique required by the compositions, although the ranges remain much easier. The ambitious director might incorporate some uniformed marching band students into the performance as wooden soldiers marching down the aisles.
SKU: CF.CPS258F
ISBN 9781491161685. UPC: 680160920365.
SKU: CL.WFR306
An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Smith and the Detroit Concert Band. Digitally remastered with the clarity of the original performances restored. A top notch band which produced great music... these are fabulous recordings. - Robert Peckham, Windjammers Unlimited Volume 1 - Great Performances Introduction to Act III of Lohengrin; Marche Militaire Francaise; Espana Rhapsody; Shepherd's Hey; Excerpts from Andrea Chenier; Dance of the Tumblers from Snegourotchka; Flight of the Bumblebee; Theme and Variations from Suite No. III; Marche Hongroise Rakoczy; Rhapsodic Dance; Bamboula; Clear Track Polka; Polka and Fugue from Schwanda the Bagpipe Player; Excerpts from Manzoni Requiem Volume 2 - Magnificent Marches Americans We; Chicago Tribune; Mainliner; Music Festival; Official West Point March; Spirit of Independence; The Chimes of Liberty; Valdres; World Events; Barnum and Bailey's Favorite; American Patrol; Jurisprudence; Bombasto; Boston Commandery; March of the Toys; On Jersey Shore; Second Regiment - Connecticut National Guard; The Joker; The March King; Under the Double Eagle; Gate City; Lights Out; American Red Cross March; Entry of the Gladiators; National Emblem March; Volume 3 - Music of the Masters March and Procession of Bacchus fromSylvia; Bacchanale from Samson and Delilah; Italian Polka; Slavonic Dance No. 3; Farandole from L'Arlesienne Suite; Finlandia; Golliwog's Cake Walk; The Kaffir on the Karoo; Fugue a la Gigue; Symphony No. 4 (Finale); Two Norwegian Dances; Hungarian Dance No. 5; Ecossaises; Second Hungarian Rhapsody Volume 4 - Virtuoso Soloists Carnival of Venice; Fantastic Polka; Believe Me; If All Those Endearing Young Charms; Rigoletto: Bella figlia del amore; The Bugler; Through the Air; Bugler's Holiday; Blue Bells of Scotland; Columbian Fantasy; The Bride Elect: An Awkward Complication This; Wood Up Quickstep; The Three Solitaires; The Southern Cross; Bravura Variations; My Heaven of Love; Atlantic Zephyrs; Land of the Free; Sextet: Chi mi frena... Volume 5 - Legendary Overtures Zampa Overture; La Forza del Destino Overture; Light Cavalry Overture; Oberon Overture; Raymond Overture; Ruy Blas Overture; Egmont Overture; Roman Carnival Overture; William Tell Overture.
SKU: CF.CAS91
ISBN 9781491142066. UPC: 680160630127. Key: G minor.
This lighthearted quodlibet was commissioned by ASTA and premiered at the 2015 conference. It provides a fabulous tool to introduce your students to key musical themes across time. The score plays off of the musician's nocturnal mind to combine twelve historic themes by condensing and expanding them the way our subconscious mind often toys with daytime experiences. In total, this composition celebrates the string player's full potential: Where loyalty to the written note serves the imagination's creative playground. What is composition, if not a grand improvisation captured in a snapshot?.I am a firm advocate for creative conducting, so I encourage you to experiment with changes in tempi to segue between themes, and/or to take musical liberty with the actual transitions between the themes, as long as there is still a feeling of forward momentum.If you want to fulfill the theatricality of the score, it would be fabulous to look at the audience (with a raised eyebrow, or a smile on your face, or whatever facial expression you think suits these moments in the score) at m. 14 and again at m. 21.In addition, it will help to conduct with wider gestures when themes change or the volume suddenly drops or swells. This will help the audience understand that these sudden changes between themes or dynamics are intended and will also help the students highlight those spots (particularly across the complex thematic shifts between mm. 62 and 94).The grandiosity from m. 110 through the end can be pushed to its zenith, particularly if you control prior forte settings such that the end gets the grand push.CAS91FThemes in String Dreams include:1. Twinkle, Twinkle Little Star2. Second Kreutzer Etude3. Concerto in A Minor, Vivaldi 4. Cello Suite No. 1, Bach5. St. Louis Blues, W.C. Handy 6. Minuet in G, Bach—Julie Lyonn Lieberman,Artistic Director, Strings Without Boundaries www.julielyonn.com | www.stringswithoutboundaries.com.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: