Don Juan Op. 20 (STRAUSS RICHARD)

SKU: BR.OB-5709-19

ISBN 9790004348345. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

SKU: BR.PB-5709

ISBN 9790004216460. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

SKU: BR.OB-5709-27

ISBN 9790004348369. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

SKU: BR.OB-5709-30

ISBN 9790004348376. 10 x 12.5 inches.

Strauss third tone poem Don Juan was composed in spring 1888. This work is already an impressive demonstration of the composer's newly acquired confidence in mastering the orchestral apparatus. Already completed in the fall, it took over a year until its premiere in Weimar on November 11, 1889. Breitkopf & Hartel's new Urtext edition assesses not only the autograph and the first edition, but also for the first time the parts used under the composer's direction, resulting in some surprisingly new readings. An extensive preface, facsimile pages, and a detailed critical report round off this authoritative Urtext edition.

First Urtext edition since the first edition. Evaluation of all available sources, including some orchestral parts used by Strauss. A detailed critical report. Complete orchestral material available for purchase.

SKU: BR.OB-5654-16

ISBN 9790004348437. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

SKU: BR.OB-5654-15

ISBN 9790004348420. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

SKU: BR.OB-5654-27

ISBN 9790004348468. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.

SKU: BR.OB-5654-30

ISBN 9790004348475. 10 x 12.5 inches.

Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.