SKU: CF.YAS177
ISBN 9781491146576. UPC: 680160904075. 9 x 12 inches. Key: G major.
The term Doppler effect describes the aural phenomenon of pitch produced by a moving source changing relative to position, like a siren passing you on the street. Sean O'Loughlin uses this fascinating concept to construct an original composition that uses instances of this effect. A broad melody acts as a connective element in the piece, with a multitude of teaching opportunities for dynamics and musicality.The term Doppler effect is defined as the shift in frequency of acoustic or electromagnetic radiation emitted by a source moving relative to an observer as perceived by the observer. Yes, it is when the siren comes at you at one pitch and leaves you at another pitch. I found this a fascinating concept to construct an original musical composition with. There are plenty of instances of this effect, but I also created a broad melody to act as a connective element to thework. There are also a multitude of teaching opportunities for dynamics and musicality.The opening material should be played very mysteriously and by exaggerating the dynamics. Make the change from p to f as big as you can. The whole opening section builds up to a big arrival at m. 15. From there, we're off to the races with a rhythmic version of the effect. Again, bring out the range of the dynamics for maximum effect. The main melody appears at m. 30 and should be played with much lyricism as a contrast to the pulsing rhythmic activity underneath. The rhythmic pulse evaporates at m. 38 to leave a warm chorale-like section. A big presentation follows at m. 46. The chorale-like section returns at m. 54. Keep that same warmth of sound as before. The next big event happens at m. 67, where the Doppler effect is in full force. Exaggerate those dynamics and bring out the ascending lines in the celli. This leads to a climactic arrival at m. 92 where the main melody is augmented with lush power chords supporting the sound. The rhythmic energy returns at m. 98 to drive the music to a heroic ending.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YPS143F
ISBN 9780825896354. UPC: 798408096359. 9 x 12 inches.
The term Doppler Effect describes the aural phenomenon of something changing pitch relative to what direction it is traveling in relation to the listener. An example is when a siren coming towards you is higher in pitch then when it is going away from you. Sean O'Loughlin uses this fascinating concept to construct an original composition that uses instances of this effect. A broad melody acts as a connective element in the piece, with a multitude of teaching opportunities for dynamics and musicality.
SKU: HL.1458386
Sound particles is an immersive audio software capable of generating thousands (even millions) of sounds in a virtual 3D audio world. Creating highly complex sounds has never been this quick. The Ultimate 3D Audio Software With Sound Particles, you will take the art of creating sounds to a whole new level. It doesn't matter if you work on film, videogames, TV or VR, this audio software will let you create everything you can imagine. Create Sounds Like Never Before Sound Particles uses computer graphics techniques applied to audio. Our software combines particle systems with a 3D Computer Graphics-like engine. That is why Sound Particles is capable of generating thousands of sounds to create complex sound effects, enriching the audio results. Immersive Audio With Sound Particles, you can create sounds in virtually any output format you can image: mono, stereo, Ambisonics, 5.1, 7.1, Dolby Atmos beds, Auro 3D, and many more. New Audio Engine The 2.1 update incorporates a new audio engine, responding to real-time changes with optimized iterations, delivering the best audio quality possible. Scale Sound Particles opens the door to the creation of high-scale sounds. From the sounds of thousands of violins playing to the sound of one million people talking. Batch Processing Create your session and set Sound Particles to output hundreds of different renders in one pass. This feature makes mass productions of sound effects a reality. Greatest Features Sound Particles is something completely different from any other professional 3D audio software that exists today with batch processing, CGI integration, binaural monitoring, and doppler effect. Randomness We can think of the sounds we hear in the real-world as random events. That is why Sound Particles has a randomized set of parameters that you can control in order to create the most realistic sounds. Postproduction Use Sound Particles to add depth and richness to your sounds. Import videos and match particle system to exact events. Unlimited Resources Sound Particles doesn't have any type of limitations regarding the amount of sounds you can use. Import hundreds and hundreds of audio files to a particle system and let them do the rest. Track Presets Create and save an infinite number of track and microphone settings, recall track setups with just two mouse clicks. Binaural Monitoring Sound Particles will let you monitor binaural audio by decoding any type of audio format.
SKU: HL.1458384
SKU: HL.1458385
SKU: AP.47258S
UPC: 038081545950. English.
Fire all cylinders! Using the optional synthesizer, this piece takes off and races from start to finish. Some dissonance adds a touch of the Doppler effect as you imagine the sound of cars zooming by. The ending builds with energy as the finish line approaches and completes with a victory lap. (Correlates with Sound Innovations for Concert Band, Book 2, Level 2).Free Opening Count Off Sound Effect Download:Download Here
SKU: AP.47258
UPC: 038081545943. English.
SKU: CF.YAS177F
ISBN 9781491146927. UPC: 680160904426. 9 x 12 inches.
