Dvd Grossman How To Play Blues Guitar Vol.3

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles and his repertoire featured blues rags show instrumentals and gospel songs.Davis playedwith his thumb and index finger to pick out complex melodies rhythmic licks and lightning fast single-string runs. In this book seven of Rev. Davis's blues are presented. These arrangements have beenperformed and recorded by a host of great artists including Bob Dylan Taj Mahal Hot Tuna David Bromberg John Renbourn Bert Jansch and many others.These lessons are for the intermediate to advanced fingerstyleguitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings.Lesson one highlights two of Rev. Davis's most popular bluesarrangements. Hesitation Blues is played in the key of C. Baby Let Me Follow You Down is played in the key of G.Lesson two explores the party tune Sally Where'd You Get Your Liquor From (madepopular by Hot Tuna). Rev. Davis used to joke that he could play Candyman in so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself. We look at twoversions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman.In lesson three all 14 verses from Raggin' the blues are transcribed and studied on how thisarrangement develops.

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

This series of lessons explores various fingerstyle blues guitar styles and techniques. It delves in to the alternating and monotonic bass techniques; blues slides hammer-ons and pull-offs and blues slurred notes. The aim of thislesson is to give you a freedom to improvise playing a blues and the playing techniques of Mississippi John Hurt Rev. Gary Davis and Blind Blake are discussed with each tune being taught phrase by phrase and played slowly on asplit-screen.Bonus audio tracks are included featuring rare recordings of the songs and styles presented on the DVD. A detailed tab/music booklet is included as a PDF file on the DVD which includes lyrics to the songs aswell as tab/music transcriptions of the guitar playing.

Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details

Country Blues Guitar styles span a wide horizon. In these three lessons the ideas and techniques of Rev. Gary Davis, Charley Jordan, Tommy Johnson and Mississippi John Hurt are presented. The arrangements vary from alternating bass to a Delta strum to a monotonic bass. In notation and tablature with three compact discs featuring 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Rev. Davis's Cocaine Blues and You Got The Pocket Book, I Got The Key both played in the key of C and in what Rev. Davis called 'old fashion' pickin'. The popular blues Crow Jane played in the key of E. LESSON TWO: Charley Jordan's Keep It Clean and Hunkie Tunkie Blues both played in the key of E and presenting Jordan's unusual blues approach. Tommy Johnson's Canned Heat played in dropped D tuning. LESSON THREE: We begin with Come Back Baby, a slow blues in A using a monotonic bass. We follow this with Mississippi John Hurt's Monday Morning Blues also played in the key of A but using an alternating bass. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11 X 8,5

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.