Dvd Grossman Stefan Folk Blues For Fingerstyle Guitar (2 Dvd)

'C'est la quatrième collaboration enregistrées entre les guitaristes acoustiques John Renbourn et Stefan Grossman, a enregistré en 1987 et produit par Jones de Led Zeppelin John Paul. Comme sur ses trois prédécesseurs, l'appel se trouve dans le contraste entre Renbourn le style folklorique traditionnelle britannique et Grossman tendances du jazz et du folk-blues. Idéalement, comme sur 'Rites of Passage' et 'Gardien de la vigne,' Renbourn se concentre sur un réseau complexe, folk-modèle basé sur ce que Grossman décore avec des embellissements bluesy. les deux ont un intérêt déjà exprimé dans l'adaptation classiques du jazz à leur approche à deux guitares, et ils le font ici sur la norme 'Round About Midnight', puis rappelle ses travaux antérieurs sur des airs par le regretté Charles Mingus avec le lugubre 'Adieu à M. Mingus. Depuis qu'ils jouent différemment, leurs lignes de guitare peuvent être identifiés et appréciés séparément, même quand ils sont entremêlement '' -. All Music Guide De nombreux guitaristes acoustiques sans doute avoir un certain degré de familiarité avec l'oeuvre de John Renbourn et Stefan Grossman, mais pour l'inconnu, voici un bref historique: Dans les années 1970 Stefan effectue régulièrement des tournées, parfois sur double-factures avec Renbourn. Le destin est intervenu lorsque, par erreur, un promoteur, il a été annoncé que ces deux légendes en le making-serait l'exécution des duos de guitare. Bien qu'ils n'avaient pas travaillé en tant que duo avant, les guitaristes ont décidé de lui donner un aller, et les graines ont été plantées pour une série d'albums en duo fantastiques. Le jeu sur cet album ainsi que sous le volcan et leur premier album éponyme, est un melting-pot fascinant de styles européens et américains de musique, et la paire atteint un son aussi élégant que c'est vaste. Bien que leurs contributions individuelles au monde de la guitare avait été lourde avant leur partenariat, ces albums en duo servent à prendre à la fois 'guitaristes jouant à de nouveaux sommets, et leurs compositions durables continuent à sonner frais aujourd'hui.' / Guitare / Partition Cd

In this double DVD lesson of over 4 hours of instruction Ernie Hawkins teaches ten of Big Bill’s greatest guitar solos and arrangements. Each tune is taught phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing.Detailed tab/music booklets are included as PDF files on both DVDs. Also included is rare footage of Big Bill as well as bonus audio tracks of Big Bill’s recordings of the tunes on this lesson. Big Bill Broonzy (June 26 1903 August 15 1958) was an incredible Americanblues singer songwriter and guitarist. His career began in the 1920s when he played country blues to mostly black audiences. Through the 1930s and 1940s he successfully navigated a transition in style to a more urban blues sound popular with white audiences. In the 1950s a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. He was one of the first bluesmen to tour in Europe and his performances and records influenced folk guitars from John Renbourn Martin Carthy Stefan Grossman and Davey Graham to rock guitarists as Eric Clapton (who recorded several Big Bill tunes on his Unplugged CD) to Ron Wood of the Rolling Stones who said: 'Big Bill’s Guitar Shuffle was one of the first tracks I learnt to play but even to this day I can't play it exactly right.'

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

A three volume DVD collection taught by Stefan Grossman.In this three lesson DVD series Stefan Grossman explores the world of country blues guitar. It is a fascinating and challenging study that covers blues folk and ragtimearrangements in the keys of A C D E and G. Each tune is discussed and taught phrase by phrase and played split screen so that you can clearly see what each hand is doing.You will learn about the playing styles and techniquesof legendary blues guitarists as Rev. Gary Davis Frank Stokes Blind Blake Blind Boy Fuller Mance Lipscomb Lightnin' Hopkins Mississippi John Hurt Willie Brown Robert Johnson Sam McGee Lonnie Johnson and ElizabethCotten.A detailed 56 page PDF is included with this collection.

The Music and Thoughts of Buster Miller Stefan Grossman and John Miller arranged for DVD. Country folk blues and jazz fingerstyle guitar at its best.

Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz MoseRanger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was bornblack in deep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all hiscreativity was an unshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this bookand accompanying audio Ernie Hawkins has transcribed 18 of Rev. Davis' best known gospel arrangements. The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fuller to Dave VanRonk David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan Jackson Browne and others.