SKU: CF.YAS217
ISBN 9781491160510. UPC: 680160919109.
This energetic original work for intermediate string orchestra layers vigorous melodies and rhythms as it builds toward a climactic key change from A minor to B minor. As the title suggests, the music represents a constant state of movement and change, pushing forward with momentum and building theme upon theme, increasing and expanding in range, volume, and intensity. A sometimes-syncopated feel conveys the restless drive and determination of working continuously toward a goal. In this piece, students can explore the musical elements of melody, countermelody, and motif while developing the ability to count and play independently. An excellent selection for working on extended finger patterns (viola and cello), string crossings, divisi playing, easy shifting (first violin), and dramatic dynamic changes.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: HL.276206
ISBN 9781540026903. UPC: 888680745967. 7.5x9.25x0.255 inches. Craig Anderton The Musician's Guide to Home Recording Series.
Dynamics processors – often overused and sometimes misunderstood – can make or break mixing and mastering projects. This book goes beyond explaining how dynamics processors work by giving essential tips on how their proper application can help make better music. Written in a clear, practical, non-intimidating style, topics include how to apply limiters, compressors, noise gates, expanders, maximizers, saturation, and multiband dynamics, whether in hardware or software form. Loaded with examples of real-world dynamics processors to explain their similarities and differences, How to Apply Dynamics Processing ventures further than similar books by covering dynamics processing with MIDI data, as well as “manual†dynamics processing done with recording software (phrase-by-phrase normalization for narration, “micro-mastering†to allow greater apparent volume when mastering, parallel dynamics, and more). There's also valuable information on how to achieve the most transparent effects possible, creative uses of sidechaining, and how to use creative “squashing†as an effect to obtain “vintage†compression sounds. Chock full of illustrations and featuring selected “tech talk†sidebars to give details on specific topics for those who want to know “why†as well as “how,†How to Apply Dynamics Processing tells everything today's musicians need to get the most out of these versatile processors.
SKU: A3.9781860963988
ISBN 9781860963988. 12 x 8 inches.
An essential resource for instrumental and singing teachers who teach pupils in groups. Discussed various approaches to group work in a sensible straight-forward manner. Deals with issues central to group teaching including group dynamics lesson planning monitoring progress maintaining motivation and teaching mixed ability classes. Examines links between instrumental lessons and the school curriculum and provides advice about liaison with schools and other administrative bodies. Includes plenty of practical creative strategies that will help all pupils fulfil their potential. Celebrates the value of group teaching in todays music curriculum.
SKU: MB.20844
ISBN 9780786684236. 8.75 x 11.75 inches.
Dynamics of Banjo Sound is an adventure into the many interrelated aspects of banjo sound. Banjo owners, players and repair people can benefit from the wealth of knowledge that Tom Nechville has put into this volume. The results of Nechvilles lifetime of banjo experimentation are compiled here in a clear, straightforward way. Tom offers setup secrets and common sense answers to your banjo questions to make your banjo sound and play the way you want it to.
SKU: HL.49007913
ISBN 9790001084659. German.
Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th-20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. * These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion. About 'rules' * Preface * Golden rules for the interpreter * The structure and analysis of melody * Notes on the execution of ornamentation in the 17th and 18th centuries * Ornamentation in the 19th and 20th centuries * Phrasing * Rhythm * Accents * Dynamics * Tempo * Metre * Flexibility of rhythm/rubato * Shaping the musical phrase * Conclusion * Bibliography * Index * Musical examples.
SKU: BT.AMP-422-140
English-German-French-Dutch.
Three Washington Statues was commissioned by the United States Army Band â??Pershings Ownâ?, led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the worldâ??s most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: â??The Lincoln Memorialâ?? in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; â??The Martin Luther King, Jr. Memorialâ?? on which steps the iconic speech â??I havea dreamâ?? was given - the music is both reverential as well as powerful referring to Martin Luther Kingsâ?? speech; and the â??Encoreâ?? statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtonsâ?? music.Three Washington Statues is geschreven in opdracht van de United States Army Band â??Pershingâ??s Ownâ?? en de leider van dit orkest, kolonel Thomas H. Palmatier. Washington D.C. is het decor van een aantal van de meest iconische monumenten,gedenktekens en standbeelden van de VS. Componist Philip Sparke heeft er drie uitgekozen als inspiratie voor dit werk: The Lincoln Memorial, in de vorm van een Griekse Dorische tempel, waarin de grandeur van het monument wordt verklankt; het MartinLuther King Jr. Memorial, het gebouw waar de iconische toespraak â??I have a dreamâ?? ooit weerklonk de sfeer is respectvol en eerbiedig, maar de muziek weerspiegelt tevens de karakteristiekekracht die ervan uitgaat; en het beeld â??Encoreâ?? vancomponist, pianist en bandleider Duke Ellington in dit laatste deel geeft Philip Sparke de virtuoze, energieke, unieke en dynamische stijl van Ellingtons muziek weer.Three Washington Statues wurde von der United States Army Band Pershings Ownâ??, die von Oberst Thomas H. Palmatier geleitet wird, in Auftrag gegeben. Washington D.C. besitzt einige der weltberühmtesten Bauwerke, Denkmäler und Statuen. PhilipSparke hat drei von diesen als Inspiration für dieses Stück genommen. So beschreibt er die Erhabenheit des Lincoln Memorialâ??, das mit seinen dorischen Säulen in Form eines griechischen Tempels erbaut wurde. Das Martin Luther King, Jr. Memorialâ??erinnert an die legendäre Rede Martin Luther Kings I have a dreamâ?? (Ich habe einen Traumâ??). Die ehrfurchtsvolle und zugleich kraftvolle Musik ist ein Tribut an diese Rede. Die StatueEncoreâ?? erinnert an den weltbekannten afroamerikanischenKomponisten, Pianisten und Bandleader Duke Ellington. In diesem letzten Satz fängt Philip Sparke die virtuose, energiegeladene und einzigartige Dynamik von Duke Ellingtons Musik ein.Three Washington Statues fut commandé par la United States Army Band « Pershingâ??s Own », dirigée par le Colonel Thomas H. Palmatier. Certains des monuments, mémoriaux et statues les plus emblématiques du monde se trouvent Washington D.C.Philip Sparke en a choisi trois comme inspiration pour ce morceau : « The Lincoln Memorial » où le compositeur dépeint la grandeur de ce temple grec de style dorique ; « The Martin Luther King, Jr. Memorial » sur les marches duquel le discourscélèbre « I have a dream » fut prononcé la musique est révérencieuse ainsi que puissante en référence ce discours de Martin Luther King ; et la statue « Encore » en mémoire du célèbrecompositeur, pianiste et chef dâ??orchestre de jazzafro-américain Duke Ellington. Dans le mouvement final, Philip Sparke a réussi saisir le dynamisme virtuose, énergétique et unique de la musique dâ??Ellington.Commissionato dalla banda dellâ??esercito statunitense, condotta dal colonnello Thomas H. Palmatier, Three Washington Statues è un brano dedicato ad alcuni dei più noti e iconici monumenti americani mai realizzati. Philip Sparke ha scelto,difatti, di musicare la stentoreit del Lincoln Memorial, della statua di Martin Luther King di West Potomac Park e di quella dedicata al gigante della musica afro-americana Duke Ellington.
SKU: BT.DHP-1196201-010
Golden Peak is a concert piece that takes us deep into the world of volcanoes of the Auvergne in central France. They are dormant volcanoes whose origins date back from 7,000 to over 65 million years ago. Among the most well-known are the 80 volcanoes of the Chaîne des Puys, a spectacular natural environment ranking among the most fascinating landscapes in the world. The title of this dynamic and rhythmic piece is a reference to the local spa town of Mont-Dore and calls upon all sections of the orchestra. The central theme is very mellow yet riveting and the music depicts both the dynamism and tranquillity of the region.Golden Peak is een concertwerk dat ons meeneemt naar een vulkanische wereld: die van de Auvergne in het midden van Frankrijk. De vulkanen daar zijn slapende; hun oorsprong gaat terug naar 7000 tot meer dan 65 miljoen jaar geleden. Tot de bekendste behoren de tachtig vulkanen van de Chaîne des Puys, een uniek natuurgebied dat tot de boeiendste landschappen van de wereld behoort. De titel van deze dynamische en ritmische compositie verwijst naar de plaats Mont-Dore aldaar. Het werk doet een beroep op alle secties in het orkest. Het centrale thema is mild en tegelijk meeslepend, en verder beschrijft de muziek zowel de vitaliteit als de rust van de streek.Golden Peak ist ein Konzertstück, das uns tief in die Welt der Vulkane in der Auvergne in Mittelfrankreich entführt. Es handelt sich um erloschene Vulkane, deren Ursprünge zwischen 7.000 bis 65 Millionen Jahren vor unserer Zeit liegen. Zu den bekanntesten gehören die 80 Vulkane der Chaîne des Puys, eine spektakuläre Gegend, die zu den faszinierendsten Landschaften der Welt zählt. Der Titel dieses dynamischen und rhythmischen Stücks, in dem alle Instrumentengruppen des Orchesters verwendet werden, bezieht sich auf die Kurstadt Mont-Dore. Das zentrale Thema ist sehr sanft und voller Emotionen und die Musik beschreibt sowohl die Betriebsamkeit als auch die Ruhe dieserRegion. Golden Peak est une œuvre de concert qui nous plonge dans l’univers des volcans d’Auvergne, au centre de la France. Ce sont des volcans endormis dont l’ ge s’étend de 65 millions d’années jusqu’ seulement 7000 ans. Parmi les plus célèbres, la Chaîne des Puys compte 80 volcans et forme un environnement naturel qui se place parmi les plus fascinants au monde. Le titre de cette pièce dynamique et rythmique, qui fait appel tous les pupitres de l’orchestre, se rapporte la ville thermale de Mont-Dore. Très serein, le thème central est fascinant, tandis que la musique dépeint la fois le dynamisme et la quiétude de la région.
SKU: BT.DHP-1196201-140
SKU: HL.49033297
ISBN 9790001137751. UPC: 884088070496. 9.0x12.0x0.158 inches.
Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama.Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso).Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
SKU: HL.49018998
ISBN 9783795752439. 8.25x11.75x0.23 inches. Spanish.
Is there a choral director or soloist who has not looked for new ideas for warm-up exercises before? Here, you are getting 200 inspirations all at once! And what's more, the creative exercises are more than just 'warm-up' exercises: They help to relax the body, train the ear as well as the dynamism and sense of rhythm. Available in Spanish for the first time!
SKU: BT.DHP-1053848-010
Since the beginning of mankind people have realized that the warmth and the light of the sun were necessary to develop life on earth - by creating winds in the air, by generating rains through the evaporation of sea water and by allowing plants to grow. The sun creates the dynamism of the chain of life. This is the reason why ancient populations adored the sun as the god of cosmic order as opposed to the god of chaos or night, who generated fear and the necessity of defense. This piece is a tribute to the sun (Verso il Sole) as an existential symbol of life and energy.Sinds de mensheid bestaat, hebben mensen zich gerealiseerd dat de warmte en het licht van de zon nodig waren voor de ontwikkeling van het leven op aarde. De zon zorgt voor de dynamiek van de cirkel van het leven. Lorenzo Bocci schreefdit werk als een hulde aan de zon (Verso il Sole) - existentieel symbool van leven en energie.Seit Menschengedenken ist bekannt, dass die Wärme und das Licht der Sonne notwendig für alles Leben auf der Erde ist. Sie bildet den Antrieb des Kreislaufs des Lebens. Alte Völker verehrten die Sonne als Gott der Ordnung des Weltalls, als Gegenspieler des Gottes des Chaos und der Nacht. Verso il Sole - an die Sonne - ist ein Tribut des italienischen Komponisten Lorenzo Bocci an die Sonne als das existentielle Symbol des Lebens und der Energie. Lassen Sie die Sonne in Ihr Konzert!Dès les débuts de l’humanité, l’homme a pris conscience que la chaleur et la lumière du soleil étaient nécessaires au développement de la vie terrestre. Le soleil est le principe actif du cycle de vie. Ainsi, de nombreuses cultures et civilisations anciennes vénéraient le Soleil comme le dieu de l’ordre cosmique, par opposition aux forces du chaos ou de la nuit, qui suscitaient la crainte et un esprit de défense. Verso il Sole (“Vers le Soleil â€) est un hommage musical au Soleil en tant que symbole existentiel, source de vie et d’énergie.Dagli inizi dell’umanit , l’uomo è stato cosciente del fatto che il calore e la luce del sole erano necessari allo sviluppo della vita terrestre. Il sole è il principio attivo del circolo della vita. Numerose culture e civilt antiche venerarono il Sole come il Dio dell’ordine cosmico, in contrapposizione a Dio del caos o della notte, che generava paura e necessit di difesa. Verso il Sole è un omaggio musicale al Sole come simbolo esistenziale, sorgente di vita ed energia.
SKU: CF.YAS217F
ISBN 9781491160770. UPC: 680160919376.
SKU: BT.DHP-1053848-140
SKU: BO.B.3519
This type of piece is traditionally formed by a slow movement and a fas movement joined together. In this case the lento is light in feeling with a degree of dynamism. Its form is similar to an arch: the music begins and ends in silence.The Allegro con brio, however, is ferocious, fast and energetic. It performance it is important to create an overall sensation of agility. The entire movement is based on a short two-measure motive which is developed and passes from one instrument to the other throughout the rest of the piece.
SKU: GI.G-8462
ISBN 9781622771004. English.
The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.
SKU: BO.B.3622
The Fanfara Els tres tambors (Fanfare The three Drums) is written for the opening concert of the Valles Symphony Orchestra, 2010-11 season. Its theme, funky and decided it was perfect for a piece of this genre, with brass instruments, it couldn't miss the piccolo nor the drum in the percussion. The main theme is contrasted and encouraged by two other rhythmic ideas of my own that provide the piece with dynamism and a festive air.