Format : Sheet music + Audio access
SKU: AP.1-ADV14783
UPC: 805095147834. English.
Intermediate Jazz Conception: Trombone is another addition to the popular series of etude books created by Jim Snidero, featuring some of the finest jazz musicians in the world. This Book & CD set includes 15 etudes based on standards, modal tunes, and blues, demonstrated by a soloist with the incredible rhythm section of Dave Hazeltine on piano, Peter Washington on bass, and Kenny Washington on drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation, including a scales syllabus, nomenclature, and over 95 lines and ideas extracted for the study of improvisation! The recording features two separate versions of each etude; one with the soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes, play with or without the soloist on the CD, and learn about both jazz style and improvisation from some of the best. Other series available by Jim Snidero include Easy Jazz Conception and Jazz Conception. English/German Edition.
SKU: AP.1-ADV14763
UPC: 805095147636. English.
A new and exciting way for trumpet players to learn and practice basic jazz style. This book/audio download set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Slide Hampton on trombone along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums.The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the recordings and learn basic jazz style first-hand.
SKU: AP.1-ADV14723
UPC: 805095147230. English.
Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Jazz Conception: Trombone Book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book/MP3 CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Used as an improvisation study, learning how to construct a swinging, logical solo works especially well in combination with the Study Guide (item #01-ADV14730). Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunesia * Bird Blues * Somewhere * Passage.
SKU: AP.1-ADV14704
UPC: 805095147049. English.
With Reading Key Jazz Rhythms:Trombone Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend.
SKU: GF.JPTB
Milwaukee AvenueOgden AvenueNarragansett AvenueBelden AvenueChicago AvenueQuincy StreetRockwell StreetDearborn StreetFranklin StreetPearson Street
SKU: HL.14050058
ISBN 9781846090363. UPC: 888680706326. 9.0x12.0x0.195 inches. English.
About A New Tune A Day
Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart
SKU: HL.44002723
ISBN 9789073252790. UPC: 073999027235. 9.0x12.0x0.175 inches. English-German-French-Dutch.
The Sound of Pop, Rock and Blues is a collection of pieces in the various styles of contemporary pop music. Easy to play along with, and fun to listen to, this collection helps keep students interested in playing and learning contemporary styles - even moving into beginning improvisation. The accompanying audio lets students play along with a professional rhythm section.
SKU: BT.DHP-1012557-400
ISBN 9789043111713. International.
This is a unique publication which enables you to make music in different ways and using various strengths. With this book you can play solo or duo, with or without accompanying CD. You can play together with someone who plays the same instruments or you can play with other wind and brass instrumentalists. A highly versatile book with original tunes for learning enjoyment. Mix'n Music ist ein Duettbuch, das es für fünf verschiedene Blasinstrumente gibt. Die Bücher können beliebig miteinander kombiniert werden. Viele Möglichkeiten stehen offen: allein mit der CD musizieren, oder zu zweit mit oder ohne CD. Sogar das Spielen in einer Band ist möglich, da jedem Buch ein Akkordsheet beigelegt ist. Auf der CD ist die Begleitung eingespielt. Mixâ??nâ?? Music est un recueil très original qui vous familiarise avec différents styles musicaux, vous apprend improviser partir dâ??un choix de notes et dâ??accords donnés et vous propose de composer votre ensemble la carte. Vous pouvez jouer en solo ou en duo (deuxième voix optionnelle), avec ou sans lâ??accompagnement musical sur compact disc. Et si vous préférez jouer avec un groupe (guitare, guitare basse, piano et batterie), Mixâ??nâ?? Music vous propose les grilles dâ??accords pour les instruments accompagnateurs.
SKU: AP.1-ADV14735
UPC: 805095147353. English.
Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments.See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.
SKU: CF.WF231
ISBN 9781491153314. UPC: 680160910816.
Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley.
SKU: AP.1-ADV14828
UPC: 805095148282. English.
Single and group use. Easy Funk Play-Along by Ed Harlow contains 10 catchy riffs and tunes for beginners! You can play the melodies along to the fantastic play-along tracks, provided by The Boston Horns. The background parts and rhythmic hits can be played by your teacher or up to three more friends. For group use, combine the editions for flute, clarinet, alto sax, trumpet, tenor sax, and trombone at will, and set up your rhythm section with additional parts available for guitar, piano, electric bass, and drum set. For beginning improvisers. Each piece has a written solo which can be played to the play-along tracks or with a live rhythm section. If improvising is new to you, this is the ideal book to work with. Learn the pentatonic scale provided for each piece and your solos will sound great!
SKU: AP.1-ADV14827
UPC: 805095148275. English.
SKU: AP.1-ADV14413
ISBN 9783954810413. UPC: 805095144130. English.
How do you learn to improvise? Greg Yasinitsky's new method for beginners, Improvisation 101: Major, Minor and Blues has been thoroughly tried and tested in numerous workshops and classes. His method is based on easy-to-play pieces that each introduces, one at a time, the building blocks of jazz, rock and pop music. Each tune comes with sample solos, improvised and written out by experienced musicians. Step by step your skills will develop, from understanding the theory, to copying and elaborating, to playing and improvising freely. The included play-along recording provides you with both melody and playalong tracks, as well as sample solos for each piece.
SKU: AP.1-ADV14217-2
ISBN 9783954810666. English.
As taught at Berklee College of Music READY, AIM, IMPROVISE! explores the critical areas involved in learning how to improvise, including: music theory, jazz harmony, ear training, jazz execution, jazz vocabulary, practicing, self-critiquing, career planning, and much more. READY, AIM, IMPROVISE! is filled with musical examples, exercises and practice routines that help make the learning process easy and enjoyable. The accompanying audio tracks feature modal, key-area and modulating chord progressions performed at a slow, manageable tempo. READY, AIM, IMPROVISE! is a clear, comprehensive study of the most important steps in a jazz musicians education. Don't be surprised if it gets you practicing more and playing better in no time at all! So get READY... AIM... IMPROVISE!
SKU: AP.1-ADV14217-1
ISBN 9783954810659. English.
SKU: AP.1-ADV14768
UPC: 805095147681. English.
A new and exciting and unique way for bassists to learn and practice how to play in a jazz rhythm section and how to accompany a jazz soloist.This book/audio set features 15 solo etudes based on blues and standard chord progressions, demonstrated by different soloists along with a world-class rhythm section: Dave Hazeltine, piano; Paul Gill, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the complete rhythm section and one without the piano. Sit in for Paul and comp for Jim Snidero, alto sax; Eric Alexander, tenor sax; Ryan Kisor, trumpet; Slide Hampton, trombone; or Joe Cohn, guitar.Compatible editions are available for alto and baritone, tenor and soprano saxophone, flute, clarinet, trumpet, trombone, violin, guitar, piano comping, and drums making it invaluable for larger ensemble instruction.
SKU: AP.1-ADV14774
UPC: 805095147742. English.
Easy Jazz Conception: Saxophone Section or Combo includes substitute parts for first alto (trumpet or flugelhorn) and for second tenor (trombone). The disc with play-along tracks for all eight charts features the rhythm section only. Titles include: Basie's Blues * Bossa at Night *Mist and Grits * Prince Charming * Rock On * Shufflin' in F * So Long Birdie * Us.
SKU: B5.6019BCD
ISBN 9790570272297.
* For the individual and group * Contains many pieces which combine for the ensemble * Includes chord symbols and percussion line accompaniments * Offers scope for ear training, improvisation, composition and group activity. Whether through economic necessity or choice, the trend is towards teaching young beginner instrumentalists in groups, often of mixed abilities, ages and phases of development, and the joy of this book is that there is something stimulating and yet achievable at every stage.
SKU: AP.1-ADV14769
UPC: 805095147698. English.
A new and exciting and unique way for drummers to learn and practice how to play in a jazz rhythm section and how to accompany a jazz soloist.This book/audio set features 15 solo etudes based on blues and standard chord progressions, demonstrated by different soloists along with a world-class rhythm section: Dave Hazeltine, piano; Paul Gill, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the complete rhythm section and one without the piano. Sit in for Kenny and play along Jim Snidero, alto sax; Eric Alexander, tenor sax; Ryan Kisor, trumpet; Slide Hampton, trombone; or Joe Cohn, guitar.
SKU: AP.1-ADV14853
UPC: 805095014853. English.
The Easy Funk Play-Along series for wind and brass instruments now also contains parts for the rhythm section. Now it is possible to provide live accompaniment to a varied wind ensemble consisting of flutes, clarinets, saxophones, trumpets, and/or trombones (4 parts in each book) on piano/keyboards, guitar, electric bass, and percussion---ideal for school and music school ensembles.
SKU: AP.1-ADV14852
UPC: 805095148527. English.
SKU: AP.1-ADV14850
UPC: 805095148503. English.
SKU: AP.1-ADV14854
UPC: 805095148541. English.