Easy Studies

Édité par Pejtsik Árpád Instrument: Violoncelle Série: Music Lesson - Exercises, Studies Genre: Studies Langue: Hungarian, English, German Pages: 32 pp Date du parution: 1983

A second set of Easy Progressive Studies for Viola by Herbert Kinsey. These studies published by the Associated Board of the Royal Schools of Music provide invaluable practice material for the building of bowing technique. It also provides much useful note-reading practice within the positions indicated. Each exercise is clearly marked with the technique or skill that you are practicing.

More attractive and easy studies in technique and rhythm set in jazz and popular idioms. These books have become hugely popular and have been integrated into grades 1-3 of the new ABRSM woodwind syllabus 2003-2006. 27 melodic studies all in jazz idiom some are in swing style and three include improvisation passages.There are helpful hints at the beginning of the book and several of the studies give a written indication of the mood. Recommended. Music Teacher Magazine

This album of Easy Studies for Saxophone is a 'user friendly' introduction to Jazz and Rock phrasing at an elementary level. The book is divided into two sections Jazz and Rock. In the Jazz pieces all quavers are to be played in swing time. In the Rock pieces they are as written (straight). This book can be used as an ideal primer for the more advanced '20 Modern Studies' (UE18820) also in this series.

Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He knew in a special way how to implement the principle 'no music without technique no technique without music' in his teaching material. This is the case in his easy melodic studies. These studies are perfectly suited for young beginners after the second year but also for adult players refreshers or outsiders. Most of them can be effectively used as little performance pieces providing an excellent foundation for every advanced étude or concert piece.Each study is preceded by new or revised exercises which either deal with specific problems relating to the playingtechnique or present the tonal material of the respective study in a condensed playful form.Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.

Easy Studies for Beginners Com­poser: Kueffner, Joseph Ed­i­tor: Goetze, Walter Wilhelm In­stru­men­ta­tion: 2 guitars Se­ries: Guitar Archive Order No.: GA 9 ISMN: 979-0-001-09472-6

These studies published by the Associated Board of the Royal Schools of Music provide invaluable practice material for the building of technique and provides much useful note-reading practice within the positions indicated.

Czerny's Op.718 is a set of 24 studies that emphasize training of the left hand. The work is not a collection of left-hand solo studies as one might guess from the title though it focuses on the dexterity of the left hand. Czerny's talent was remarkable: within a narrow harmonic scheme he developed a prodigous understanding of finger movements possible on the keyboard. He composed many volumes of studies that feature rapid feathery well-articulated passages mainly for the right hand. This is one of Czerny's only two opus numbers devoted exclusively to developing the left hand.

in the First Positions for Cello. Par LEE SEBASTIAN. Sebastian Lee (1805-1887) went down in music history primarily as the composer of pedagogic works. Successive generations of cellist were brought on his studies, duets, etc, which remain valuable aids for teacher. The collection of 40 Studies Op. 40 with the accompaniment of a second cello (the teacher) is designed for beginners (in the first two years of study) and contains excellent finger exercises for the left hand and bowing for the right hand. / Date parution : 2023-06-01/ Etude / Violoncelle

from J. B. Duvernoy (Op. 276) and J. F. F. Burgmüller (Op. 100)-To make sure that practicing studies is fun and will lead systematically to success here are eleven newly arranged orchestral accompaniments for well-known piano studies by Duvernoy and Burgmüller. The accompaniments transform these humble pieces into miniature piano concertos that will delight beginners everywhere. The orchestral arrangements and piano reductions are the work of the pianist and arranger Gero Stöver. Piano teaching has made very great progress in recent years. Many piano teachers have their own ideas theories and experiences especially with regard to fingering and the use of the pedal. Nonetheless we have decided to add fingering to our revised newedition for experience has shown that many learners especially those encouraged by play-along Cd's want to play new pieces without their teacher's knowledge. The fingerings added in our volume will enable enthusiastic learners to prepare a piece without the aid of their teacher but without coming to grief with ill-considered spur-of-the-moment fingering combinations. The fingering added by Sabine Krüger lay no claim to absolute truth but are intended merely as suggestions.

from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll