Erhalt uns, Herr, bei deinem Wort

Choral Cantata-Erhalt uns Herr bei deinem Wort - Uphold us by Thy Mighty Word (BuxWV 27)Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the hymn by Martin Luther 'Erhalt uns Herr bei deinem Wort' as its basis with additional verses by JustusJonas.Score with parts (BA3196) separate parts (BA3196) and choral score (BA3196-91) available for sale

Erhalt uns Herr bei deinem Wort - Uphold us by Thy Mighty Word (BuxWV 27)Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the hymn by Martin Luther 'Erhalt uns Herr bei deinem Wort' as its basis with additional verses by JustusJonas.Score with parts (BA3196) separate parts (BA3196) and choral score (BA3196-91) available for sale

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic “Amen” completes the work. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons, Violon ou Violoncelle et B

PRELUDES 1. Prelude in D Minor 2. Prelude in E-flat Major 3. Prelude in G Major 4. Prelude in G Minor 5. Prelude in A Major 6. Prelude in A Minor 7. Prelude in D Minor TOCCATAS 1. Toccata in C Major 2. Toccata in D Minor 3. Toccata in D Major 4. Toccata in C Major 5. Toccata in C Major 6. Toccata in D Minor 7. Toccata in F Major 8. Toccata in G Minor 9. Toccata in C Major 10. Toccata in C Minor 11. Toccata in G Minor 12. Toccata in E Minor 13. Toccata in F Major 14. Toccata in G Minor 15. Toccata in G Minor FANTASIAS and RICERCARES Fantasia in E-flat Major Fantasia in G Minor Ricercare in F-sharp Minor Ricercare in C Major Ricercare in C Minor PRELUDE and FUGUE / TOCCATA and FUGUE / FUGUES Prelude and Fugue in E Minor Toccata and Fugue in B-flat Major 1. Fugue in C Major 2. Fugue in C Major 3. Fugue in C Major 4. Fugue in C Major 5. Fugue in C Major 6. Fugue in C Major 7. Fugue in C Major 8. Fugue in C Major 9. Fugue in C Major 10. Fugue in C Minor 11. Fugue in D Major 12. Fugue in F Major 13. Fugue in G Major 14. Fugue in C Major 15. Fugue in G Minor 16. Fugue in A Minor 17. Fugue in A Minor 18. Fugue in D Minor 19. Fugue in G Major CHORALE SETTINGS 1. Ach Gott vom Himmel, sieh darein (1st setting) 2. Ach Gott vom Himmel, sieh darein (2nd setting) 3. Ach Herr, mich armen Sünder (1st setting) 4. Ach Herr, mich armen Sünder (2nd setting) [Ach lieben Christen, seid getrost] 5. Ac wie elend ist unsre Zeit 6. Allein Gott in der Höh' sei Ehr' (1st setting) 7. Allein Gott in der Höh' sei Ehr' (2nd setting) 8. Allein zu dir, Herr Jesu Christ 9. An Wasserflüssen Babylon (1st setting) 10. An Wasserflüssen Babylon (2nd setting) 11. Auf meinen lieben Gott [Aus tiefer Not schrei' ich zu dir] 12. Christe, der du bist Tag and Licht 13. Christ lag in Todesbanden 14. Christ unser Herr zum Jordan kam 15. Da Jesus an dem Kreuze stund 16. Der Herr ist mein getreuer Hirt (1st setting) 17. Der Herr ist mein getreuer Hirt (2nd setting) 18. Der Tag, der ist so freudenr 19. Dies sind die heil'gen zehn Gebot' 20. Durch Adams Fall ist ganz verderbt (1st setting) 21. Durch Adams Fall ist gan verderbt (2nd setting) 22. Durch Adams Fall its ganz verderbt (3rd setting) [Ein Christ soll nicht der Meinung sein] 23. Ein' feste Burg ist unser Gott 24. Erbarm dich mein, o Herre Gott 25. Erhalt uns, Herr, bei deinem Wort [Es ist gewisslich an der Zeit] 26. Es spricht der Unweisen Mund whol (1st setting) 27. Es spricht der Unweisen Mudn whol (2nd setting) 28. Es woll' uns Gott genädig sein (1st setting) 29. Es woll' uns Gott genädig sein (2nd setting) 30. Gelobet seist du, Jesu Christ 31. Gott der Vater whon' uns bei 32. Gott hat das Evangelium 33. Gott Vater, der du deine Sonn' 34. Herr Christ, der ein'ge Gottessohn 35. Herr Gott, dich loben alle wir [Herr Jesu Christ, ich weiss gar wohl] [Herr Jersu, Gnadensonne] 36. Ich hab' mein' Sach' Gott heimgestellt 37. Ich ruf' zu dir, Herr Jesu Christ (1st setting) 38. Ich ruf zu dir, Herr Jesu Christ (2nd setting) [Ich weiss ein Blümlein] 39. In dich hab' ich gehoffet, Herr 40. Jesus Christus unser Heiland, der den Tod (1st setting) 41. Jesus Christus unser Heiland, der den Tod (2nd setting) 42. Jesus Christus unser Heiland, der von uns Bicinium (Two-Part Setting) 43. Komm Gott Schöpfer, heiliger Geist 44. Komm heiliger Geist, Herre Gott 45. Komm her zu mir, spricht Gottes Sohn 46. Lob sei Gott in des Himmels Thron 47. Mag ich Unglück nicht widerstahn 48. Meine Seele erhebt den Herren (Magnificat peregrini toni) 49. Nun freut euch, lieben Christen g'mein 50. Nun komm der Heiden Heiland 51. Nun lasst uns Gott dem Herren 52. Nun lob mein' Seel' den Herren 53. O Lamm Gottes unschuldig 54. O Mensch, bewein' dein' Sünde gross 55. Vater unser im Himmelreich (1st setting) 56. Vater unser im Himmelreich (2nd setting) 57. Vom Himmel hoch, da komm' ich her (1st setting) 58. Vom Himmel hoch, da komm' ich her (2nd setting) [Wach auf, mein Herz, und singe] 59. Warum betrübst du dich, mein Herz (1st setting) 60. Warum betrübst du dich, mein Herz (2nd setting) 61. Was mein Gott will, das gescheh' allzeit (1st setting) 62. Was mein Gott will, das gescheh' allzeit (2nd setting) 63. Wenn mein Stündlein vorhanden ist 64. Wennn wir in höchsten Nöten sein 65. Wie schön leuchtet der Morgenstern 66. Wir glauben all' an einen Gott 67. Wo Gott der Herr nicht bei uns hält (1st setting) 68. Wo Gott der Herr nicht bei uns hält (2nd set 69. Wo Gott der Herr nicht bei uns hält (3rd setting) 70. Wo Gott zum Haus nicht giebt sein' Gunst (1st setting) 71. Wo Gott zum Haus nicht giebt sein' Gunst (2nd setting) 72. Treuer Gott, ich muss dir klagen (Variations 1-4)

Erhalt Uns, Herr, Bei Deinem Wort . Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Hodel, Eva-Maria/ Répertoire / Soliste, Choeur Mixte et Orchestre