Eta' Felice, 6

Ed. critica di Paolo Fabbri - Riduzione per canto e pianoforte-Vocal score based on the critical edition of the orchestral score edited by Paolo Fabbri 2 volumes. Donizetti?s Anna Bolena premiered at Milano?s Teatro Carcano during Carnival season 1830-31 is considered the composer?s first major success inserious opera which brought him to the attention of all Europe. In terms of production in Italy he was an anomaly in that he remained actively involved in the evolution of his works and the performances of them and went on making modifications tothose works. Written expressly for the interpretative and vocal talents of great singers like Giuditta Pasta and Giovan Battista Rubini the historically-based ?lyrical tragedy? by librettist Felice Romani is a classic of Lombard Romanticism. Thepresent reduction for voice and piano derives from the critical edition of the score recently published in this catalog: is based on the autograph score (housed in the Ricordi Archives in Milan) on the libretto for the premiere on the first vocalscores printed editions (Lucca and Ricordi in Milan and Marquerie Frères in Paris) and additional manuscript scores with autograph additional notes (housed in Naples and Rome). This edition presents for the first time all the music composed byDonizetti in particular the sections crossed out or replaced either immediately before or after the first performances. There is also a synthetic reconstruction of the birth of Anna Bolena with a description of sources and a selection of theCritical Notes from the full score edition.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

Based on the Bärenreiter vocal scores the three volumes in this series contain some of Handel's best-known arias for mezzo-soprano/contralto tenor and bass together with some less well-known numbers of equally high musical quality. The arias in these volumes contain works from Handel's thirty-year period as an opera composer in London and give an impression of the variety of this extensive repertoire. The arias placed in the chronological order of the operas display various distinctive technical features and are mostly presented with the pre-ceding recitative or in a few cases in the context of an entire scene. The forewords by DonaldBurrows contain detailed notes on Handel's singers and on the context of the arias of the operas. Mio cor (Goffredo Rinaldo)Sorge nel petto (Goffredo Rinaldo)Pena tiranna io sento al core (Dardano Amadigi)Quando mai spietata sorte (Zenobia Radamisto)Già che morir non posso (Zenobia Radamisto)Fatemi o Cieli almen (Zenobia Radamisto)Deggio dunque oh Dio lasciarti(Zenobia Radamisto)Che colpa è la mia (Teodata Flavio Re de’ Longobardi)Priva son d’ogni conforto (Cornelia Giulio Cesare in Egitto)Par che mi nasca in seno (Irene Tamerlano)No che sei tanto costante (Irene Tamerlano)Crudel più non son io (Irene Tamerlano)Quanto più fiera tempesta freme (Eduige Rodelinda Regina de’ Longobardi)Orgogliosetto va l’augelletto (Matilde Lotario)Arma lo sguardo (Matilde Lotario)S’è delitto trar da’ lacci (Idelberto Lotario)Per tutto il timore (Valentiniano Ezio)Verdi allori (Medoro Orlando)Vorrei poterti amar (Medoro Orlando)Se l’inganno sortisce felice (Polinesso Ariodante)Dover giustizia amor (Polinesso Ariodante)Or che siete speranze tradite (Amastre Serse)Anima infida tradita io sono (Amastre Serse)Cagion son io del mio dolore (Amastre Serse)Meglio in voi col mio partire (Arsamene Serse)Non so se sia la speme (Arsamene Serse)Quella che tutta fé (Arsamene Serse)Sì la voglio e la

Description G. Schirmer Opera Anthology - Arias For Bass Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ah,Un Foco Insolito (Don Pasquale) [Donizetti, Gaetano] Als Bublein Klein (Die Lustigen Weiber Von Windsor) [Nicolai, Otto] Aprite Un Po' Quegl'occhi (Le Nozze Di Figaro) Come Dal Ciel Precipita (Macbeth) [Verdi, Giuseppe] Dalle Stanze Ove Lucia (Lucia Di Lammermoor) [Donizetti, Gaetano] Epouse Quelque Brave Fille (Manon) [Massenet, Jules] Gremin's Aria (Eugene Onegin) [Tchaikovsky, Pyotr Ilyich] Il Lacerato Spirito (Simone Boccanegra) [Verdi, Guiseppe] In Diesen Heil'gen Hallen (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Infelice! E Tuo Credevi (Ernani) [Verdi, Giuseppe] La Calunnia (The Barber Of Seville) [Rossini, Gioacchino] La Vendetta (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Le Veau D'or (Faust) [Gounod, Charles] Let Things Be Like They Always Was (Street Scene) [Weill, Kurt] Madamina! Il Catalogo E Questo (Don Giovanni) [Mozart, Wolfgang Amadeus] Miei Rampolli Femminini (La Cenerentola) [Rossini, Gioacchino] Non Piu Andrai (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Isis Und Osiris (The Magic Flute) [Mozart, Wolfgang Amadeus] O Tu, Palermo (I Vespri Siciliani) [Verdi, Giuseppe] O Wie Will Ich Triumphir (Die Entfuhrung Aus Dem Serail) [Mozart, Wolfgang Amadeus] Pour Les Couvents C'est Fini (Les Hugenots) [Meyerbeer, Giacomo] Quand La Flamme De L'amour (La Jolie Fille De Perth) [Bizet, Georges] Schweig' Schweig'! Damit Dich Niemand Warnt (Der Freischutz) [Weber, Carl Maria Von] Se Vuol Ballare (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Vecchia Zimarra (La Boheme) [Puccini, Giacomo] Vi Ravviso (La Sonnambula) [Bellini, Vincenzo] Vous Qui Faites L'endormie (Faust) [Gounod, Charles] What What Is It (The Mother Of Us All) [Thomson, Virgil]

Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.