SKU: HL.49013437
ISBN 9790001119764.
SKU: HL.49013431
ISBN 9790001119702.
SKU: HL.49013434
ISBN 9790001119733.
SKU: HL.49013432
ISBN 9790001119719.
SKU: HL.49013435
ISBN 9790001119740.
SKU: HL.49013430
ISBN 9790001119696.
SKU: HL.49013433
ISBN 9790001119726.
SKU: HL.49013436
ISBN 9790001119757.
SKU: HL.50499274
ISBN 9790080148396. UPC: 884088949143. 8.0x11.0x0.078 inches. Laszlo Zempleni.
The second half of the 18th century, for the people of East Central Europe, was the time of the awakening of national consciousness. The leading force in the Hungarian enlightenment, the lesser nobility, also regarded as important the national character of the country's culture. A valuable kind of national music was the Hungarian dance music that flourished in the 18th century. The greater part of the repertoire naturally perpetuates the 'Hungarian-style' pieces from the previous centuries (appearing in foreign collections too described as hungaricus, ungaresca, saltus hungaricus or Ungarischer Tanz), but beside these we can encounter contemporary European dances and entertaining instrumental pieces in almost every style. The majority of the sources are collections compiled by non-professional musicians and intendedfor private music-making. In this work the composer uses melodies from the 18th-century Linus dance collection, in trioform, with harmonies and bass appropriate to that period. The musical fabric is rich in counterparts, the sound is mademore colourful with many kinds of percussion instruments. The register and rhythmic simplicity of the parts make thepieces easily playable even by music school pupils.picc, 8 fl, 2 ob, 2 fg, 4 cl1 Bb, 4 cl2 Bb, 4 cl3 Bb, 2 cl b Bb, sax a1 Eb, sax a2 Eb, 2 sax t Bb, sax bar Eb - 4 tr1 Bb, 4 tr2 Bb, 4 cor, 4 trb, 2 flic t Bb/C, 4 tb - timp, 4 perc (glsp, xyl, 5 t bl, 2 bongos, cast, ptto sosp, cow bell, trgl, gr c, tamb b).
SKU: SU.00220530
This CD Sheet Music™ collection brings together nearly 100 works by Wolfgang Amadeus Mozart for solo piano, piano duo, and piano four-hands (excluding the concertos). Works include: Sonatas (Nos. 1-19), Fantasies, German Dances, Minuets, Rondos, Variations, and more; plus The London Chelsea Notebooks (43 short pieces) Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 700+ pages Mozart: The Piano Concertos (#00220563)
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.90110060
Text: Leo Lionni.
This CD Sheet Music™ collection brings together over 570 works for solo and duo piano (including concerto reductions) by both familiar and lesser-known 19th century Russian and Eastern European composers. Works include: Balakirev (Islamey, Rèverie), Borodin (Petite Suite), Dussek (Six Sonatinas, Partant pour la Syrie), Dvorák (Silhouettes, Slavonic Dances, Legends, Mazurkas, Poetic Tone Pictures, Humoresques), Janácek (On the Overgrown Path, Zdenka Variations, Collected Moravian Dances), Moszkowski (Spanish Dances, Fifteen Études de Virtuosité), Mussorgsky (over 20 works including: Pictures at an Exhibition, Duma, Intermezzo in Modo Classico), Rimsky-Korsakov (Six Variations on B-A-C-H, Capriccio Espagnole, Sheherezade), Rubinstein (Ondine, Kamennïy-ostrov, Lezghinka), Scharwenka (Polish National Dances, Scriabin (over 50 works including: Piano Sonata Nos. 1-10), Poème-Nocturne, Preludes, Impromptus, Mazurkas), Smetana (over 30 works including: Louisiana Polka, Album Leaves, Wedding Scenes, Czech Dances Books I&II), Tchaikovsky (over 30 works for solo piano & piano four hands including: Album for the Young, The Seasons, Grand Sonata in G, Dumka, Scherzo à la Russe, Swan Lake, Sleeping BeautyThe Nutcracker, The Nutcracker Suite, Piano Concerto Nos. 1&2), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 4000+ pages [2 CDR Set]
SKU: HL.4008660
ISBN 9798350115123. UPC: 196288189893.
A superb recording of five pieces for double wind quintet composed by Franco Cesarini. Suite Siciliana is a true tribute to this beautiful island, a piece composed by seven dances in the musical form typical of the baroque period. Divertimento, an early work of Franco Cesarini, illustrates the composer's love of popular song. A piece characterised by skillful instrumentation and meticulous attention to balance and form. Le Cortège du Roi Renaud is a suite in five parts based on tales that originate in southern European folk songs dating back as far as the 16th century. Pastorale de Provence, a suite in four movements, was written by Franco Cesarini in memory of the great Provençal composer Darius Milhaud. As the title says, Greek Folk Dances is entirely in the sign of Greek dances starting with a kalamatianos, followed by a zeibekiko. The piece ends with a hasapiko. A perfect mix of new and less new repertoire, perfectly composed and arranged for double wind quintet by Franco Cesarini and beautifully performed by the Rovereto Wind Ensemble!
SKU: CA.336590
ISBN 9790007244064. Language: Spanish. Text: Carreto, Rosa.
This song is a graceful and refi ned Mexican Danzon full of humor. The 'Danzón' is a rhythm of Cuban origin, but since the early 20th century it developed deep roots in Mexico and is also considered part of the popular culture of that country. The 'Danzón' was created by the Cuban composer Miguel Faílde (born ca. 1879), and it is derived from the European 'Contradanza' (see under Aniceto Rondón) which was infl uenced by African traditions and became known the Creole Cuban Dance or Habanera. It is a sen sual, expressive and syncopated dance. Usually accompanied by fl ute, timbales, guiro, claves and piano. Other dances, such as the the 'Cuban Son,' 'Chachachá' and 'Mambo' originated from the 'Danzón.'.
SKU: GI.G-M522
Now available on SmartMusic! The CD for Book 2 from the Do It! Play in Band series by James O. Froseth includes: • Modeling by all the artists listed below. • Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. • Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. • The repertoire and recorded contexts are motivating, informative, and entirely musical. • Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. • A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. • An individualized format allows students to progress at different rates with a theme and variation format. • Ear training and improvisation are integral parts of the lesson format. • Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! • Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). This CD is for all the instruments for Book 2.
SKU: GI.G-M523
ISBN 9781579992378. English.
This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.
SKU: BT.DHP-1135398-015
9x12 inches. English-German-French-Dutch.
The hot tropical climate of the Caribbean makes these islands a wonderful place to be. The population is of largely African ancestry, together with people of European and Amerindian origin. The community is proud of the local Creole culture that gave rise to a musical style characteristic of these wonderful islands.This small Caribbean Cocktail includes three different dances:- A traditional calypso with vibrant rhythms driving a typically Caribbean melody;- A quieter beguine, featuring warmer and tranquil sounds;- A merengue with a strong sense of exuberance and joie de vivre is easy to hear.This popular composition captures in music the feelings of a communitywhere life’s joys are all-important. Caribbean Cocktail is a light-hearted piece that is ideally suited to youth bancs and ensembles with an incomplete or imbalanced instrumentation. Op de eilanden in het Caribisch gebied heerst een aangenaam warm, tropisch klimaat. De meeste bewoners zijn er van Afrikaanse afkomst, maar er wonen ook mensen van Europese en indiaanse origine. De gemeenschap is trots op haar creoolse cultuur, waaruit een muziekstijl is voortgekomen die typerend is voor deze prachtige eilanden.Caribbean Cocktail omvat drie verschillende dansen:- een traditionele calypso met levendige ritmes en een typisch Caribische melodie;- een rustige beguine waarin warmere en serenere klanken naar voren komen;- een merengue in een uitbundige sfeer en met een grote joi de vivre.Deze temperamentvolle compositie weerspiegelt het muzikale gevoelvan een gemeenschap waarin men veel belang hecht aan een vreugdevol, ongecompliceerd leven. Caribbean Cocktail is een luchthartig werk dat ideaal is voor jeugdorkesten en -ensembles met een onvolledige of onevenwichtige bezetting. Die Karibik ist eine vom heißen Tropenklima verwöhnte Inselkette. Die Einwohner sind schwarzafrikanischer Herkunft, mehr oder weniger gemischt mit Europäern und amerikanischen Ureinwohnern. Diese Gemeinschaft ist stolz auf ihre kreolische Kultur, aus der ein charakteristischer und auf diesen wunderbaren Inseln einzigartiger Musikstil entstanden ist.Dieser kleine Karibische Cocktail“ umfasst drei unterschiedliche Tänze:- einen traditionellen Calypso mit pulsierenden Rhythmen, die eine typisch karibische Melodie vorantreiben;- eine ruhigere Beguine mit wärmeren, ruhigeren Klängen;- ein Merengue, in dem eine überschwängliche Atmosphäre und Lebensfreude vorherrschen.Dieseunterhaltsame Komposition bringt musikalisch die Gefühle einer Gemeinschaft zum Ausdruck, in der Lebensfreude und Gelassenheit ganz hoch angesiedelt sind. Caribbean Cocktail ist ein unbeschwertes Stück, das sich ideal für Jugendblasorchester und Ensembles mit unvollständiger oder unausgewogener Besetzung eignet. Les Cara bes sont un ensemble d’îles où le chaud climat tropical est agréable. La population est d’origine noire africaine plus ou moins métissée d’Européens et d’Améridiens. Cette communauté se revendique d’une culture créole qui met en évidence une musique propre cette magnifique région.Ce petit Caribbean Cocktail se compose de 3 danses distinctes :- Un Calypso traditionnel dont les rythmes chaleureux soutiennent une mélodie typiquement antillaise.- Une Beguine plus calme aux sonorités plus chaudes et sereines.- Un Merengue où l’enthousiasme et la joie de vivre sont les éléments mis en évidence.Cette composition populaire exprime les sentiments musicaux d’une population où lajoie de vivre dans la sérénité est primordiale. Caribbean Cocktail est une pièce lumineuse parfaitement adaptée aux formations de jeunes instrumentistes et aux formations confrontées un déséquilibre des pupitres.
SKU: GI.G-M498
ISBN 9781579992255. English.
Now available on SmartMusic! The Alto Clarinet book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Albert Blaser (Cleveland State Unviersity) and Deborah Chodacki (Louisiana State University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.
SKU: GI.G-M518
ISBN 9781579992354. English.
Now available on SmartMusic! The Tuba book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Fritz Kaenzig (University of Michigan). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.
SKU: GI.G-M502
ISBN 9781579992279. English.
Now available on SmartMusic! The Bassoon book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Richard Beene (Colburn School Conservatory of Music). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.
