Format : Sheet music
Kantate Zum 1. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : F-Dur - Drinker, Henry (Trad. ) - BWV 20/ Répertoire / Solistes ATB, Choeur SATB, Tromba Da Tirarsi, 3 Ha
SKU: CA.3102009
ISBN 9790007204976. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
Score available separately - see item CA.3102000.
SKU: CA.3106014
ISBN 9790007043452. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.
SKU: CA.3106007
ISBN 9790007043407. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.
SKU: CA.3106019
ISBN 9790007134044. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.
SKU: CA.3106013
ISBN 9790007043445. Key: D major / a major. Language: German/English.
SKU: CA.3106005
ISBN 9790007043391. Key: D major / a major. Language: German/English.
SKU: CA.3102005
ISBN 9790007102999. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.3102014
ISBN 9790007205010. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.3102019
ISBN 9790007135997. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
Score and parts available separately - see item CA.3102000.
SKU: CA.3106000
ISBN 9790007043377. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..
SKU: CA.3106011
ISBN 9790007043421. Key: D major / a major. Language: German/English.
SKU: CA.3102013
ISBN 9790007205003. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.3106009
ISBN 9790007043414. Key: D major / a major. Language: German/English.
SKU: CA.3102049
ISBN 9790007205027. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
SKU: CA.3102000
ISBN 9790007102982. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.
SKU: BA.BVK02447
ISBN 9783761824474. 38.3 x 24 cm inches. Text Language: German, English.
Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantataO Ewigkeit, du Donnerwort. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.* Autograph score reunited with the original parts* Limited edition of 250 copies* With a Commentary by Peter Wollny (Ger/Eng)
SKU: BT.DHP-1145594-070
ISBN 9789043137010. English-German-French-Dutch.
A collection of classical works for various occasions including birthdays, anniversaries, weddings and funerals, arranged by Markus Schenk especially for this edition. These works are distinguished by their stylistic diversity and character, and areversatile thanks to their range of durations-from a short Bach chorale to an extended concert work.Of het nu gaat om een verjaardag, jubileumfeest, bruiloft of uitvaart, er zijn veel gelegenheden die vragen om passende plechtige blaasmuziek. Die muziek mag vaak feestelijk zijn, maar soms is eerder een ingetogen stemming gewenst. Voor zijn Musicfor Celebrations selecteerde Markus Schenk een aantal bekende en minder bekende klassieke werken, die hij speciaal voor deze uitgave heeft bewerkt. Deze verzamelde werken onderscheiden zich door hun stilistische diversiteit en de variatie insfeer, maar ook door de wisselende tijdsduur – van een kort Bachkoraal tot een omvangrijk concertwerk. Derhalve is deze veelzijdige bundel geschikt voor uiteenlopende gelegenheden.Music for Celebrations enthält 11 klassische Stücke für verschiedene Anlässe wie Geburtstage, Jubiläen, Hochzeiten und Beerdigungen, die von Markus Schenk extra für diese Ausgabe arrangiert wurden. Die sehr wohlüberlegte Auswahl enthält vomkurzen Bachchoral bis zum längeren Konzertwerk viele charakterlich und stilistisch unterschiedliche Werke.
Ebenfalls erhältlich für variables Bläserensemble in einer deutschen Ausgabe (Feierliche Bläserklänge DHP 1145595-070).Qu’il s’agisse d’anniversaires, de mariages ou de funérailles, il y a de nombreuses occasions qui font appel à la musique de cérémonie pour ensembles de cuivres. Que l’instant se prête à la gaieté ou aurecueillement, Music for Celebrations, de Markus Schenk, est l’ouvrage idéal puisqu’il rassemble des oeuvres classiques connues et moins connues, spécialement arrangées pour cette édition. Ces oeuvres complètes se distinguentpar leur diversité de style et de caractère, mais aussi par leur durée en partant du court choral de Bach jusqu’à la pièce de concert plus longue. Cette collection polyvalente est donc adaptée à un large éventaild’interprétation.
Aussi disponible pour ensemble vent - instrumentation variable (DHP 1145593-070).
SKU: HL.48024114
ISBN 9780851628363. UPC: 888680708900. 8.25x11.75 inches. Hawkes Pocket Score 1390.
Chorale (2001-02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach's cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle's 1662 hymn. Nick Kimberley's preface outlines the context of the Bach original and refers to Alban Berg's use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg's Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.” Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen's debut with the Los Angeles Philharmonic.