Format : Vocal Score
SKU: HP.C5882C
UPC: 763628958824. Mary Kay Beall. Scripture: Luke 2:1, Luke 2:2, Luke 2:3, Luke 2:4, Luke 2:5, Luke 2:6, Luke 2:7, Luke 2:8, Luke 2:9, Luke 2:10, Luke 2:11, Luke 2:12, Luke 2:13, Luke 2:14, Luke 2:15, Luke 2:16, Luke 2:17, Luke 2:18, Luke 2:19, Luke 2:20.
Original anthem Brimming with energetic choral writing, this new Christmas collaboration from Mary Kay Beall and John Carter retells the story through the angels' hymn of praise, Gloria in excelsis Deo! The final verse calls for all of us to come kneel before him,. . . Brimming with energetic choral writing, this new Christmas collaboration from Mary Kay Beall and John Carter retells the story through the angels' hymn of praise, Gloria in excelsis Deo! The final verse calls for all of us to come kneel before him, let your heart rejoice in celebration of the Christ child.
SKU: CA.3119113
ISBN 9790007210199. Text language: German/English.
The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor. Score and part available separately - see item CA.3119100.
SKU: CA.3119109
ISBN 9790007210168. Text language: German/English.
The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor. Score and parts available separately - see item CA.3119100.
SKU: CA.3119119
ISBN 9790007210212. Text language: German/English.
SKU: FG.55011-768-6
ISBN 9790550117686.
Antti Auvinen (b. 1974) composed Singel Excelsis in 2012 using material from an earlier work for three organs. He finds fascinating the rhythmic characteristics of the organ: Many of the vibrations and rhythmic fluctuations derived from the overtone series are extremely interesting. Also the natural virtuosity of the instrument is utterly fascinating. In fast passages the rhythmic accuracy needs very quick attack. A slower attack on the other hand makes it possible to turn the attention to gestures and figures, while details get more blurred. Different “attack features of the organ stops allow shaping of very diverse rhythmic figures in time and space. Duration: c. 12' Spiral bound, size B4.