Fanfare & Wedding March

Wedding March (Marche nuptiale) est une œuvre de circonstance que le compositeur belge Jan Van der Roost a écrite en 2007 pour la cérémonie de mariage de son ami le compositeur néerlandais Johan De Meij. La création de l?œuvre a eu lieu par une belle journée fin août 2007. Jan Van der Roost en a assuré la direction.Si la musique dénote une influence de Mendelssohn et d?Elgar cette marche renferme néanmoins les traits caractéristiques de Jan Van der Roost : des thèmes variés et une grande expressivité de la mélodie cantabile du trio. La partie d?orgue (passage de fin) est ad libitum mais il va de soi que les sonorités de l?orgue enveloppent la musiqued?une splendeur extraordinaire.

Timothy Travis composed this wedding march for a relative. This march in an Italian format brings the warmth of a southern European wedding party (matrimonio) within reach.

The Dutch composer Harrie Janssen composed 'Adventures of the Beaume' to mark the 50th anniversary of his parents wedding. The composer of the march his memories of the family home and in particular the occupation of his parents. The Janssen family earned a living as inland carriers. 'Beaume 'was the name of the ship of his parents. The first part of the march describes the adventures they experienced before the lock to reach the port of Antwerp. To get here was by the law of the strongest and brutal. The father of the composer had in this much support from the oldest daughter of the family. The themes in the trio reflect the carefree youth the pleasant atmosphere and the warmth and dedication in Janssen's home.

Wedding Music for Mandolin includes 23 of the most popular and best-loved wedding hits for intermediate and advanced mandolinists. Traditonal wedding songs, Easy classical pieces, Two ?Ave Maria? melodies, Favorite Italian, Irish, Jewish, and English songs, The music includes standard notation, mandolin tablature, chords for mandolin and guitar, plus access to online play-along audio recordings of all the songs!

Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the sceneof action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appearsto be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upperchamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some ofthem sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played byminstrels and of course a plentiful banquet follows.

St. Michael-The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and commissioned by John Calvin he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms he made some four-part arrangements which were denounced and even resulted in his imprisonment for a day. Later Bourgeois published a number of psalm collections and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael which is why this melody hasbeen used for various texts written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice the second verse being embellished in the tenor register. After a short interlude verse three follows played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse which concludes the work in a brilliant tutti.

St. Michael-The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and commissioned by John Calvin he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms he made some four-part arrangements which were denounced and even resulted in his imprisonment for a day. Later Bourgeois published a number of psalm collections and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael which is why this melody hasbeen used for various texts written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice the second verse being embellished in the tenor register. After a short interlude verse three follows played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse which concludes the work in a brilliant tutti.

Opening with delicate mallet lines and the plaintive Sunrise Sunset played by clarinets the pace gradually quickens as a solo clarinet leads into the famed Bottle Dance (Wedding Dance #1). The ending segment is fast and furiousand brings our Fiddler on the Roof show to a rousing finish.