Format : Sheet music
SKU: BR.SON-411
Awarded the German Music Edition Prize 2006 (SON 411-413)
ISBN 9790004802380. 9 x 12 inches.
The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller.
SKU: BR.SON-413
ISBN 9790004802519. 9 x 12 inches.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: BR.EB-9345
World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019)Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019ISBN 9790004188095. 12 x 9 inches.
Lar in Roman mythology refers to the so-called Lares, gods of households, fields and pathways, deified souls of the deceased and tutelary deities, especially of the house and its inhabitants. Lar is also the fireplace in a house - and thus a place where you feel protected. Lar II is part of a cycle. Each piece focusses on a kind of movement or transition between the interior (the house) and the unknown (the outside, the adventure). Gilles Deleuze speaks of deterritorialization; it is precisely this process that is also used in music as a metaphor. For Deleuze, a melody can act as a ritornello, for example, representing the house, the acquainted. Lar II plays with ritornellos which are developed alternatingly - like breathing- with certain movements to the outside and back again. Musically, the instrument organ opens/introduces as a topos something within a space and focusses on the concept of space as the central point of a continuous musical transition. (Jose M. Sanchez-Verdu, 2018)World premiere: Berlin, Januar 20, 2019 (Compulsory piece for the Prizewinner Concert of the Felix Mendelssohn Bartholdy Conservatory Competition, Berlin 2019) Commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition 2019.
SKU: BR.SON-453
ISBN 9790004803639. 10 x 12.5 inches.
This Felix Mendelssohn Bartholdy anthology contains 19 sacred vocal works in various choral and sometimes additional solo settings, with organ, harpsichord, or basso continuo accompaniment. Among these pieces composed from 1821 to 1847 are six works that were not published during Mendelssohn's lifetime. Seven of the works presented are each extant in at least one other authorized version that has also been edited here. The occasions and circumstances of their composition vary as much as their musical structures and characteristics: Several were intended for specific performances; others were written from the outset for publication.
SKU: HL.14021210
Lord, How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer, Pianist and Organist.
Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent.
This fantastic arrangement contains the first movement From Lord, How Long Wilt Thou Forget Me?, expertly arranged for Soprano, SATB and Organ.
SKU: HL.14010707
14.5x10.25x0.036 inches.
Mendelssohn's War March Of The Priests arranged for Organ by W. T. Best. Originally composed as part of a larger set of incidental music for the stage productuion Athalia.
SKU: HL.14021186
SKU: HL.14010703
SKU: HL.14010704
Arranged for Organ by W.T. Best.
SKU: HL.14010705
8.5x11.5x0.508 inches.
Celebrated Novello edition by Ivor Atkins.
SKU: HL.14037033
SKU: HL.14021207
SKU: BR.BV-317
Awarded the German Music Edition Prize 2010
ISBN 9783765103179. 7 x 11 inches.
How vast is Mendelssohn's oeuvre? Most of his approx. 750 compositions were still unpublished in the 1960s. The publication of many early works within the framework of the Complete Edition has been gratefully noted by the musical world. Yet a scholarly, scientific overview of Mendelssohn's works was still missing. He was the last great composer of the 19th century without a complete work catalogue. Ralf Wehner's thematic catalogue closes this gap.It organizes the body of works into 26 groups and assigns each work its own MWV number. Within the groups, the individual pieces are arranged chronologically. Also included in the MWV are all known collective manuscripts and prints, information on works of dubious authenticity and on Mendelssohn's arrangements, as well as his editions of works by other composers. Wehner's work is based on the examination of material and information from more than 1,500 libraries, c. 15,000 auction catalogues and about 12,000 letters. The succinct account of the history of the work, its publication and reception gives the MWV its profile as a compact study edition.An overview on the MWV numbering system you will find on the webiste of the Sachsische Akademie der Wissenschaften zu Leipzig.
SKU: HL.14021212
SKU: AP.K03670
ISBN 9780769242576. UPC: 029156214888. English.
Three Preludes and Fugues, Op. 37 * Six Sonatas, Op. 65. The comb binding creates a lay-flat book that is perfect for study and performance.
SKU: BR.BV-441
ISBN 9783765104411. 6.5 x 9.5 inches.
The 19 essays in this volume are a result of a symposium held in Leipzig in October 2007. It was the first congress of its kind to concern itself comprehensively and from a European viewpoint with the importance of the organ at the time of Felix Mendelssohn Bartholdy. Particular emphasis was placed there on the interconnection of aesthetics, genre history, performance practice and organology. Supplementing the book is a CD with a recording of Mendelssohns chorale fragment O Haupt voll Blut und Wunden completed by Rudolf Lutz. Scholarly research and historically informed practice come together in this audio contribution to the symposium.
SKU: JK.00555
D&C 88:63.
Hymn setting from the oratorio Elijah, arranged for mixed chorus (SAB) and organ in the key of C. Accompaniment may be adapted for piano. God has promised us that if we truly seek Him, we will find Him. High note: F.Composer: Felix Mendelssohn Arranger: John Longhurst Lyricist: Felix Mendelssohn Difficulty: Medium / medium acc. Performance time: 2:20Reference: D&C 88:63.
SKU: BA.BA09092-67
ISBN 9790006565870. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.9705000
ISBN 9790007131265.
Felix Mendelssohn Bartholdy's Lieder ohne Worte arranged for choir and organ by Bernd Stegmann The individual pieces of the collection adhere to the model or distance themselves from it considerably. In the latter cases it is rather a question of a game played with the building blocks of the original. Thus the songs (Lieder) with words are not transcriptions in the usual sense. All of the texts have been chosen so that they do not result in a narrowing of the denomination. The goal of the collection is to enrich the choral repertoire for worship services and concerts with an interesting color.
