SKU: LO.10-5814L
ISBN 9780787789398.
Bryan Sharpe beautifully blends the beloved text from Isaac Watts with the American folk hymn LAND OF REST in this creative and festive anthem. Set in a vibrant 6/8, youâ??ve never heard â??Joy to the Worldâ? quite like this! A brief original tune referencing the classic carol melody is the highlight of this arrangement, and the optional sleigh bell part adds the perfect touch.
SKU: CF.SPS71
ISBN 9781491143544. UPC: 680160901043. Key: G minor.
Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles.Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,†Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind†blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship†or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower†sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska†is a partner dance where the dancers spin each other (släng in Swedish “to sling or tossâ€) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska†dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak .
SKU: CA.4006303
ISBN 9790007244293. Key: D major. Language: Latin. Use during church year: Advent, Christmas; occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours.
The two Magnificat settings (C major, ZWV 107; D major, ZWV 108) are amongst well over 30 psalm and Magnificat settings by Zelenka for Vespers services in Dresden. In contrast to the work in C major, where a soprano solo dominates over long passages, the choir has a more prominent part in this Magnificat in D major. Zelenka also heightened the festive character of the work by later adding parts for 2 trumpets and timpani. Authentic performances of the work are therefore possible with and without trumpets. Score available separately - see item CA.4006300.
SKU: CA.1002819
ISBN 9790007181420. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800.
SKU: CA.1002849
ISBN 9790007189389. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800.
SKU: CA.1002800
ISBN 9790007171735. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them.
SKU: CA.1002805
ISBN 9790007181352. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800.
SKU: CA.410600
ISBN 9790007096632.
Following the complete collection of Heinrich von Herzogenberg's secular choral music (winner of the Music Edition Prize 2011), Carus has published Volume 2, the complete sacred a cappella choral works. The editor is once again Konrad Klek, who describes in detail the circumstances surrounding the composition of these works. In addition to the five cycles of Liturgische Gesange for various services during the church year, the original liturgical integration of the choral music is explained in detail. The four to eight-voice motet Mitten wir im Leben sind from 1881, composed in reaction to a catastrophic fire, is a first edition from the manuscript. Of the nine additional motets, until now two were not available: a festive five-part motet for Pentecost and the great double chorus for the silver anniversary of Mendelssohn's daughter, Lili Wach. Smaller choral settings for specific occasions (e.g., weddings) round out the picture. The Begrabnis-Gesang (funeral lament) for tenor solo and men's choir at the end of this volume, with his own words as well as music, is a very personal offering by the composer to the widow of his deceased friend, Philipp Spitta. All the works are also available in separate editions.
SKU: BT.DHP-1053885-030
9x12 inches. English-German-French-Dutch.
The numerous, mostly religious works of the Bohemian composer Andreas Hammerschmidt are composed with great craftmanship, and sound full and catchy. They were composed for 17th century village churches, in which they were sung by the congregation—and they are still familiar and popular today. Robert van Beringen took the advent hymn Lift Up Your Heads, Ye Gates and created this beautiful arrangement. De talrijke, overwegend religieuze composities van de Boheemse componist Andreas Hammerschmidt zijn solide gecomponeerd, klinken vol en liggen goed in het gehoor. Deze eenvoudige werken werden in de zeventiende eeuw vooral voor dekerkkoren gecomponeerd. Zo zijn ze tot op de dag van vandaag bekend en populair gebleven. Robert van Beringen koos de titel Machet die Tore weit om het te bewerken voor harmonie- en fanfareorkest.Die zahlreichen, vorwiegend geistlichen Kompositionen des böhmischen Komponisten Andreas Hammerschmidt sind handwerklich solide komponiert, voll klingend und eingängig. Sie wurden im 17. Jahrhundert vor allem für Dorfkirchen komponiert, wo sie von Laienchören gesungen wurden und so bis heute sich großer Verbreitung und Beliebtheit erfreuen. Robert van Beringen nahm sich des vorweihnachtlichen Titels Machet die Tore weit an und schuf daraus dieses wunderschöne Arrangement.Les nombreuses oeuvres du compositeur et organiste baroque tchèque Andreas Hammerschmidt, sont résolument sonores, la fois mélodieuses et entraînantes, alliant les formes traditionnelles du 16e siècle des éléments de la nouvelle musique italienne. Plusieurs de ses compositions sont toujours chantées de nos jours et jouissent d’une grande popularité. Robert van Beringen nous propose un admirable arrangement du psaume 24, Machet die Tore weit.I numerosi mottetti, concerti sacri e pezzi religiosi del compositore organista barocco ceco Andreas Hammerschmidt, sono risolutamente sonori, melodiosi e coinvolgenti, caratterizzati da una struttura tradizionale del XVI secolo fino a elementi della nuova musica italiana. Numerose sue composizioni sono cantate ancora oggi e godono di grande popolarit . Robert van Beringen propone un arrangiamento del salmo 24, Machet die Tore weit.
SKU: BT.DHP-1053885-015
