Fiddle Tunes For The Violinist

Par WEEG MARK. Pas votre livre typique violon-tune, ces mélodies allant de variations de mélodies régulières à obscurcir polkas écossais, duos classiques, tzigane fiddle tunes, airs cajuns et même deux ou trois tunes originales, avec de nombreux en troisième et cinquième position. Soins sans compromis a été prise dans la transcription de ces pièces, et pratiquement rien n'a été simplifié. Il y a plusieurs pièces pour piano classiques parés down pour violon solo et duos, Americana et même les variations de l'auteur sur 'Carnaval de Venise. ' Inclus est une section de vaste à jouer le violon de back-up à un autre instrument, logement sur les patrons de la corde, double-stops, patrons, la prosternation ' couper fois, 'et toutes sortes d'accompagnement et toutes les mélodies de violon ont inclus des symboles de corde. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Recueil / Violon

The endlessly energetic duo of Oriol Saña and Lluís Gómez have created a charming and informative account of the musical phenomenon we call bluegrass. Originally a quirky supercharged folk music played by about ten people, bluegrass music, with its Mozart-like formality and ferocious rhythmic zest, now describes an extended international family of related string band styles. Master fiddler Oriol and bluegrass banjoist Lluís, both acclaimed educators, present both the wide view and crucial details about this music in a clear, personable manner. Bravo! Includes access to online audio. El dúo formado por Oriol Saña y Lluís Gómez, siempre tan activos, se ha puesto manos a la obra una vez más para producir esta brillante obra, amena a la vez que informativa, sobre el fenómeno musical que llamamos bluegrass. En sus inicios, era un estilo folk muy rebuscado y minoritario, pero esa formalidad digna de Mozart y ese ritmo frenético tan característico han conseguido que actualmente abarque una gran familia de estilos musicales en distintos países. El maestro violinista Oriol y el banjista de bluegrass Lluís, ambos reconocidos profesores, presentan una visión amplia y a la vez detallada sobre esta música, aportando tanto claridad como su punto de vista personal. ¡Bravo! Incluye acceso a audio en línea. / Niveau : Facile / Recueil / Violon

Not your typical fiddle-tune book these tunes range from variations of regular tunes to obscure Scottish polkas classical duets gypsy fiddle tunes Cajun tunes and even two or three original tunes with many in third andfifth position.Uncompromising care was taken in the transcription of these pieces and virtually nothing was simplified. There are several classical Piano pieces trimmed down to violin solos and duets Americana and eventhe author?s own variations on ?Carnival of Venice.?Included is an extensive section on playing back-up Fiddle to another instrument dwelling on chord patterns double-stops bowing patterns ?shuffles ? and all manner ofaccompaniment and all Fiddle tunes have chord symbols included.

The author of Argentinian Tango and Folk Tunes for Violin (ED 13379), Ros Stephen, presents a wide-ranging collection of Russian tunes for violin. Highly flexible to use, the pieces may be performed by a solo violinist as violin duets. The music has been carefully edited to create authentic arrangements. Ornamentation, bowing and fingering have been included to enable stylistic performances, and there is also guidance on general style, as well as note on all of the individual tunes.The volume is accompanied by a CD with a recording of all tunes performed by Ros Stephen.
1. Chubchik
2. Po Muromskoi Dorozhke
3. Tumbalalaika
4. Karabushka Dance
5. Khorovod
6. Yablochko
7. Tonkaia Riabina
8. Barynia
9. Beryozka
10. Stenka Razin
11. Kamarinskaya
12. Korobeiniki
13. Russian Folk Dance
14. Ey, ukhnem!
15. Ukhar Kupets
16. Zastavil Menia Muzh Parnu Baniushku Topit
17. Akh Vy Seni
18. Troika
19. Kopetka Polka
20. Russian Polka
21. Misyats' na Nebi
22. Devochka Nadia
23. Trepak
24. Biriuzovye Kolechki
25. Tsyganskiy Vals
26. Kalinka
27. Dve Gitary
28. Kai o Bergi?
29. Moia Tsyganochka
30. Sare Patrya
31. Ochi Chyornye
/ Partitions classique / Cordes / Violon / SCHOTT

The author of Argentinian Tango and Folk Tunes for Violin (ED 13379), Ros Stephen, presents a wide-ranging collection of Klezmer tunes and Jewish melodies for violin. Highly flexible to use, the pieces may be performed by a solo violinist or in a variety of instrumental combinations. The music has been carefully edited to create stylistic, authentic arrangements. Ornamentation, bowing and fingering have been included to enable stylistic performances, and there is also guidance on general style, as well as adding your own ornamentation, embellishment and improvisation. The volume is accompanied by a CD with a recording of all tunes performed by Ros Stephen with a live backing band, as well as play-along versions of all tracks. / Violon

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

An Introduction to Folk Styles Technique and Improvisation-* This in-depth tutor book from renowned fiddle player and teacher Chris Haigh is perfect for classical violinists and fiddle players looking to master the art. * Covering all aspects of folk violin technique from ornamentation to modes and scales and from scordatura to improvisation and composition. * The book is centred around Irish traditional music but also dips into English Scottish Scandinavian East European Klezmer Cajun and American Old-Time traditions. * Accompanied by a CD of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance folk might seem so simpleit?s hardly worth bothering with. The tunes are often no more than 32 bars long they stay in first position and they don?t even have a composer. However it?s what?s NOT written on the page that makes folk fiddle so interesting and challenging.This book attempts to explore from general observation down to the finest detail what the fiddler needs to know to bring these tunes alive. We need to understand their history and context their purpose their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music but from years of immersion in folk music both listening and playing.Key areas covered include:* Tune types and structures * Ornamentation * Bowing * Modes and scales * Scordatura * Starts endings and links * Variation improvisation and composition Playing tunes in ?sets? * Regional and individual style * Playing in sessions for contests and for dancing

This book explains and shows in detail the various techniques used by fiddle players in creating a traditional style of playing. All the information is presented in the context of the music itself with numerous transcribed and recorded examples. It is aimed not only at the beginner but also the fiddle-player (and indeed violinist) with some knowledge and experience who wishes to learn more. For those unable to read music a chapter on notation is included. Particular emphasis is given to bowing and ornamentation with individual chapters devoted to Jigs Slides Plokas Hornpipes Airs and Reels. The book also attemptes to convey something of the excitement felt inplaying music which has a large degree of improvisation albeit within certain bounds. The demonstration CD which features a large selection of the transcribed tunes and ornaments performed by Cranitch is an invaluable aid to learning as it allows the listener to hear how the music and ornamentation should sound.

pieces using the finger pattern 01-2-34, plus low 2nd fingers and high 3rd fingers 2nd and 3rd position pieces a range of bowing techniques, including spiccato, hooked bowing, and string crossing original pieces and duets in a range of styles, plus well-known pieces pieces using modes, the chromatic and blues scales, and dominant 7ths, linking with Fiddle Time Scales 2 a CD of performances and backings, with drumkit and bass added for the jazz and rock numbers piano and violin accompaniments available separately Fiddle Time is a great series for young violinists. Packed with lively original tunes, well-known pieces, and easy duets, the series is carefully paced and organized to build confidence every step of the way. The new editions contain all your favourite pieces from the previous books, back by popular demand. Forces or Category Easy violin pieces Difficulty Easy

Contains two dozen arrangements of tunes for the beginning fiddler or violinist. This book begins with the easiest arrangements and progresses in difficulty. Each tune is written in music notation with chord changes followed by afingering chart.

Book with Audio and Video Access. Preface by Jay Ungar, composer of Ashokan Farewell. A Festival of Violin

34 famous children's tunes-This is a collection of famous European children???s tunes for violin. They can all be played in the first position and the fingerings are easy. They gradually increase in difficulty as you go through the book. Great fun for early-stage violinists.