Format : score and parts
SKU: BA.BA11225-37
ISBN 9790006561308. 15 x 21 cm inches. Language: German.
Gemeinsamer Eigenteil des totums Rottenburg-Stuttgart und der Erzdiozese Freiburg.
SKU: BA.BA11225-28
ISBN 9790006561278. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-36
ISBN 9790006561292. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-18
ISBN 9790006561247. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-25
ISBN 9790006561254. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-38
ISBN 9790006561315. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-16
ISBN 9790006561223. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225
ISBN 9790006561209. 30 x 23 cm inches. Language: German. Preface: Hans Schnieders / Godehard Weithoff / Albert Loritz / Bernard Sanders / Rudolf Schafer.
SKU: BA.BA11225-27
ISBN 9790006561261. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-39
ISBN 9790006561322. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-35
ISBN 9790006561285. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-17
ISBN 9790006561230. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-15
ISBN 9790006561216. 15 x 21 cm inches. Language: German.
SKU: PE.EP73465
ISBN 9790577019635.
The Freiburg Diptych by James Dillon is a contemporary work for Solo Violin, Tape and Live Electronics. The two parts of the diptych are balanced around certain polarities between reality and illusion such as analogue/digital or live/recorded. The work was commissioned by Musik des Jahrhunderte, Stuttgart and Huddersfield Contemporary Music Festival and was first performed by Irvine Arditti and the SWR Experimental Studio at the Eclat Festival, Stuttgart on 9 February 2020. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: BT.DHP-1175813-010
English-German-French-Dutch.
This work was composed as ceremonial music, as part of a march medley for the participants’ entry for the 71st National Sports Festival and the 16th National Disabled Personnel Sports Festival, held in Iwate Prefecture in 2016. The European premiere of this piece took place in December of that year, the composer guest conducting the Young Musicians from Fribourg, Switzerland. This work, fusing Japanese folk song with march music, will have wide appeal, like the sister work March-Bou-Shu, also published by de Haske Publications.Dit werk is gecomponeerd als ceremoniële muziek: het maakte deel uit van een marsenmedley voor de binnenkomst van deelnemers aan het 71e Nationale Sportfestival en het 16e Nationale Sportfestival voor Gehandicapten, gehouden in de prefectuur Iwate, in 2016. Deze combinatie van Japanse volksmuziek met marsmuziek zal veel muzikanten en luisteraars aanspreken, net als het zusterwerk March-Bou-Shu, dat ook door de Haske Publications bv werd uitgegeven. Dieses Werk wurde 2016 anlässlich eines großen Sportfestes in Japan komponiert und war Teil eines Marsch-Medleys für den Einmarsch der Teilnehmer. Die europäische Premiere fand 2016 mit den Young Musicians aus Fribourg (Schweiz) und dem Komponisten als Gastdirigent statt. Im March-Chagu-Chagu vermischen sich japanische Volksmusik und Marschmusik zu einem exotischen Hörvergnügen. Cette oeuvre fut composée comme musique cérémonielle, faisant partie d’un medley de marches l’arrivée des participants du 71e National Sports Festival et du 16e National Disabled Personnel Sports Festival en 2016. La première européenne s’est tenue en décembre de la même année l’initiative de l’Association Fribourgeoise des Jeunes Musiciens en Suisse. Cette œuvre qui fusionne une chanson folklorique japonaise avec la musique de marche aura une large résonance, comme sa composition soeur March-Bou-Shu, aussi publiée par De Haske Publications.Questo brano è stato composto nello stile di una musica cerimoniale, come parte di un medley di marce per accompagnare l’entrata dei partecipanti al 71° National Sports Festival e al 16° National Disabled Personnel Sports Festival nella Prefettura di Iwate in Giappone nel 2016. La prima europea della composizione si è tenuta nel dicembre dello stesso anno a Friburgo (Svizzera), sotto la direzione del compositore stesso. Come per March-Bou-Shu successo garantito per questa delizioso mix di canzone popolare giapponese e marcia.
SKU: BT.DHP-1175813-140
SKU: BR.EB-8371
ISBN 9790004176788. 9 x 12 inches.
1. world premiere version for Soprano, flute and piano Freiburg 1963 2. world premiere version for Sorpano and piano Braunwald (Switzerland), 1980 I A spring rain - chatting stroll along the path straw coat and umbrella II O - the nightingale - and inside the house all are sitting around the dinner table III On a bell rests deeply asleep a butterfly IV O what coolness - and from the bell emanates the echoing sound V Under the mosquito net let a glow-worm fly - it will bring you luck VI My heart is pounding - the comb of the departed loved one I stepped in the bedchamber VII Slowly - day after day - link themselves together past things CD Thomas Franz (Flote) Judith Kamphues (soprano) Friedhelm Dohl (piano) Musikhochschule Lubeck Ltg. Thomas Fricke-Masur Konzertmitschnitt vom 14.6.19961. World premiere version for Soprano, flute and piano Freiburg 19632. World premiere version for Sorpano and piano Braunwald (Switzerland), 1980.
SKU: BT.DHP-1155627-030
Or genes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of CarlosCárdenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal animpressive range of new sound combinations and yet are very accessible for the audience.Or genes wurde im im Auftrag der Europäischen Brass Band Association als Teststück der Challenge-Section für den 38. Europäischen Brass Band Wettbewerb 2015 in Freiburg, Deutschland, geschrieben. Es handelt sich dabei um ein spektakuläres Werkaus der Feder von Carlos Cárdenas, der eine junge Generation an Kompositionstalenten vertritt. Der Clave“, ein rhythmisches Muster, das ursprünglich aus der afrikanischen Musik kommt, diente als Inspirationsquelle für dieses innovative Stück: Allseine Motive und Strukturen leiten sich aus ihm ab. Die sechs Teile von Or genes zeigen ein großes Spektrum an Schlaginstrumenten, weisen überraschende neue Klangkombinationen auf und sind doch einem breiten Publikum zugänglich.L’œuvre Or genes (Origines) a été commandée par l’European Brass Band Association pour servir de morceau imposé en catégorie Challenge, l’occasion de la 38e édition du Championnat européen de Brass Band qui se tiendra Freibourg (Allemagne)en 2015. La pièce est basée sur un motif rythmique clave, qui est originaire de la musique africaine. Cette cellule rythmique a grandement influencé la musique latino-américaine et est encore de nos jours un élément important dans la structurede la musique afro-cubaine. Source intarissable d’inspiration, tous les motifs et les structures rythmiques de ce morceau en sont des dérivés. Or genes se compose de six parties : une introduction, quatre parties principales et une conclusionqui résume brillement les divers éléments de la pièce.
SKU: BT.DHP-1155627-130
Or genes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of CarlosCárdenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal animpressive range of new sound combinations and yet are very accessible for the audience.Or genes wurde im im Auftrag der Europäischen Brass Band Association als Teststück der Challenge-Section für den 38. Europäischen Brass Band Wettbewerb 2015 in Freiburg, Deutschland, geschrieben. Es handelt sich dabei um ein spektakuläres Werkaus der Feder von Carlos Cárdenas, der eine junge Generation an Kompositionstalenten vertritt. Der Clave“, ein rhythmisches Muster, das ursprünglich aus der afrikanischen Musik kommt, diente als Inspirationsquelle für dieses innovative Stück: Allseine Motive und Strukturen leiten sich aus ihm ab. Die sechs Teile von Or genes zeigen ein großes Spektrum an Schlaginstrumenten, weisen überraschende neue Klangkombinationen auf und sind doch einem breiten Publikum zugänglich.
SKU: BA.BA11225-49
ISBN 9790006561377. 15 x 21 cm inches. Language: German.
SKU: BA.BA11225-48
ISBN 9790006561360. 15 x 21 cm inches. Language: German.
SKU: ET.PNO81
ISBN 9790207003256.
L’enfance en éclats 2001 [Childhood Shattered] As its title suggests, Childhood Shattered is program music. A simple and graceful tune, symbolizing childhood, is abruptly interrupted by a horrific, dissonant chord. The tune returns ; but the echo of the chord, still lingering in the background, tells us that the memory of the traumatic event persists. Life has darkened. Nothing is as it was before. The initial melody wanders into keys ever stranger and more distant, ultimately arriving at a new theme, obsessive, with grating seconds and thrusting accents. This shattered childhood and its episodes of aimlessness, will it give birth to new certainties? The piece is an exercise in contrasting detached notes with tied notes. Commissioned by the Association Jeune musique. Required work at the International Piano Competition Freiburg - Jeune Musique, 2002. Toccata (2004) This piece by Caroline Charrière issues from the historical lineage of the toccata, traditionally an exercise of dexterity characterized by repeated musical motifs. The introduction is constructed of subtly displaced upper-register chords in the right hand that alternate with two lower notes in the left hand, creating an almost meditative preamble. In the rapid section of the piece, the performer playfully exploits the keyboard's full breadth in the course of spirited dialogues between notes high and low. Commissioned by the Association Jeune Musique. Required work in Category IV at the International Piano Competition Freiburg - Jeune musique, 2004. Irène Minder-Jeanneret.
SKU: BA.BA11225-45
ISBN 9790006561339. 15 x 21 cm inches. Language: German.
SKU: BR.PB-5714
ISBN 9790004216514. 10.5 x 14 inches.
More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Quartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980.
SKU: BA.BVK01401
ISBN 9790006310371. 17.1 x 24 cm inches.
Bericht uber den Internationalen Kongress der Gesellschaft fur Musikforschung Freiburg im Breisgau 1993. Band 1: Hauptreferate, Symposien, Kolloquien.
SKU: HL.49018070
ISBN 9783254083098. UPC: 884088538781. 4.75x7.5x1.09 inches. German.
Als Fritz Wunderlich 1930 im nordpfalzischen Kusel geboren wurde, konnte niemand ahnen, dass einer der grossten Sanger des 20. Jahrhunderts das Licht der Welt erblickt hatte. Seine ungewohnliche musikalische Begabung, die schon fruh von seinen Eltern gefordert wurde, liess kaum einen Zweifel an seiner spateren Berufung aufkommen. Nach dem Gesangsstudium eroberte er innerhalb weniger Jahre die Opernhauser und Konzertsale Europas und wurde der bedeutendste deutschsprachige lyrische Tenor seiner Zeit. Zum 80. Geburtstag dieses viel zu fruh verstorbenen Sangers wird die erfolgreiche Biografie von Werner Pfister in Uberarbeitung neu als Taschenbuch aufgelegt. Es ist dank der objektiven, engagierten und kritischen Schilderungen noch immer das massgebende Werk zu Wunderlichs Leben.
