Fine knacks for ladies

Shall I Sue I Seek For Grace, Fine Knacks For Ladies, Say, Love, If Ever Thou Didst Find. Par DOWLAND. Shall I Sue I Seek For Grace, Fine Knacks For Ladies, Say, Love, If Ever Thou Didst Find / Niveau : Fin 1er Cycle / Répertoire / 4 Flûtes à Bec

Edited by Thurston Dart and Nigel Fortune13 of the finest settings taken from John Dowland: Ayres for Four Voices originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’ with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains

The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

Par HOLENKO JOHN. This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for flute. The music includes some well-known Renaissance melodies such as \'Greensleeves\' and \'La Folias\', along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in this book is excellent for flutists looking to expand their repertoire, build an early music ensemble, or for instructional purposes. The book also comes with a few \'Grounds\' (jamming chord progressions), rhythmic accompaniment ideas and performance notes. / Date parution : 2022-06-08/ Recueil / Flûte Traversière

Throughout his career Christopher Parkening America's preeminent classical guitarist has had the opportunity to perform with many of the world's leading artists and orchestras. This folio Duets and Concertos contains many selections from those collaborations and features a wide range of musical pairings which show the guitar at its versatile best: voice and guitar guitar duets chamber music and concertos. All of the pieces included here have been edited and fingered for the guitar by Christopher Parkening and to quote Christopher himself ???No compromise has been made in requirement of technique. All of these pieces are suitable for performance by the virtuosoguitarist.??? This folio contains 35 transcriptions.

? just songs! is a varied mixture of pieces from various styles of music. Jazz is followed by pop or rock music, followed by madrigals from the Renaissance. The individual songs from different centuries complement each other with regard to subject and music and make an original and conclusive compendium. Originally written for all-male ensemble, some pieces can also be performed by mixed SATB voices. A fascinating journey through the repertoire of 30 years of intensive work of the Singphoniker. / Ensemble De Voix