Fingerstyle Technic

Par ECKELS STEVEN ZDENEK. Cet ouvrage enseigne blues fingerstyle depuis le sol jusqu\'à. Des concepts tels que l\'indépendance de droite sont enseignés afin que la mélodie et les lignes de basse peuvent être joués en même temps tout en utilisant les formes de corde simple. Jouant des patrons de basse note avec un blues mélodie de l\'échelle est présentée d\'une manière qui est facile à comprendre et facilement exécutée sur un certain nombre d\'accords différents trouve communément dans le blues. Des exercices sont présentés dans la notation standard et tablature sous la forme d\'airs blues qui sont agréables à jouer. Bon nombre des airs sont présentés avec deux niveaux de difficulté. Remplissages facultatifs sont fournis sur les airs select. Le CD accompagne donne à l\'étudiant une chance d\'entendre comment ces airs sonores lorsque joué correctement. / Niveau : Débutant à Intermédiaire / Blues - Technic / Méthode / Guitare

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

A very well-written book teaching the popular fingerstyle bass/chord 'walking' jazz Guitar technique. This book is made to order for the novice fingerstyle jazz Guitarist who wants to tie chord progressions together with greatsounding bass lines.Through short exercises and original compositions Paul Musso establishes theoretical ground rules for a systematic approach to playing creative bass lines. Technical and harmonic concepts aregradually introduced with the goal that students are able to lay down authoritative bass lines of their own invention. In notation and tablature. Includes access to online audio.

Acoustic Guitar Private Lessons Series-Virtuoso fingerstyle guitarist and clawhammer Banjo player Steve Baughman shares 17 hymns and gospel songs arranged for solo Guitar in standard notation and tablature with video downloads available online for all songs. This rich collection features a variety of tunings background information technical tips and humorous asides.Songs include: 'At Calvary' 'Down by the Riverside' 'Fairest Lord Jesus' 'Go Tell It on the Mountain' 'Great Is Thy Faithfulness' 'It Is Well with My Soul' 'Just As I Am' 'Love Divine All Loves Excelling' 'Nearer My God To Thee' 'Old Rugged Cross' 'Pass Me Not Oh Gentle Savior' 'Rock of Ages' 'Shall WeGather at the River' 'Softly and Tenderly' 'What a Friend We Have in Jesus' 'When the Roll Is Called Up Yonder' and 'Whispering Hope'.

Duck Baker's experience as a teacher is evident in thie DVD. His understanding of the technical difficulties that a student might encounter with this repertoire help this lesson to be so successful. A detailed 24 page tab/musicPDF booklet is included.

Par BAY WILLIAM. William Bay et Mike Christiansen ont collaboré pour produire une méthode exceptionnelle de guitare complet traitant de tous les styles de flatpicking et fingerstyle technique. Enseignants de la guitare, prendre note : maîtrise de la série de guitare est la méthode idéale pour l\'étudiant de début, qui a encore formé une préférence stylistique, ou pour le joueur intermédiaire limitée à un style particulier qui souhaite élargir ses horizons et améliorer sa technique. Un CD double impressionnant de définir avec plus de 80 titres par CD est offert pour les livres 1 a et 1 b. Chaque exemple écrit dans les livres est soigneusement référencé à son échantillon audio correspondant sur le CD au moyen d\'un numéro de piste et de disque imprimé au-dessus de chaque pièce. L\'étudiant est encouragé à apprendre à lire la notation standard et tablature que les deux systèmes sont utilisés tout au long de ce volume 3 de la série. Le livre Technique études fournit des pièces supplémentaires, plus difficiles incluant les études de la corde dans différentes touches ainsi que quelques morceaux en tu a chuté-D... / Niveau : Débutant à Intermédiaire / All Styles - Technic / Tablatures / Guitare Tablatures

Par BAY WILLIAM. Ce livre très pratique de QWIKGUIDE cas-taille offre un exercices d'échauffement efficace de boulanger douzaine plus de 31 progressive ' échauffement Solos '. Le livre est écrit en notation et tablature avec au-dessus des accords sauvegarde moyens suggéré pour les solos. Alors qu'il est écrit avec le guitariste flatpicking en esprit, fingerstyle et joueurs classiques serait également bénéficier de sightreading ces pièces. Les solos originales présentent une richesse de bluegrass et de matériel de swing qui peut être joué avec un guitariste rythmique ou le CD compagnon, qui inclut toutes les mélodies et les exercices dans le livre. Les solos sont présentés dans les clés de C / Am (sans objets pointus ou appartements), les porteurs de sharp majeurs et relatives mineure clés par le biais de mi majeur / c# mineur (4 objets pointus) et dans le plat portant de clés et leur relative mineure par mi bémol majeur/ut mineur (3 appartements). Les airs offrent une grande introduction au swing huitièmes, triplets et rythmes syncopés. Cadeau de l'auteur et la compagnie de la baie de William du président pour l'écriture engageant tunes qu'insight offre à la fre... / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Guitare Flatpick et Plectre

Effective Technique for Fingerstyle/Classical Guitar-The Fingerpower series delivers a proven and effective path to technical development. This guitar edition focuses on fingerstyle and classical guitar playing with short progressive exercises that are easy to learn and fun to practice developing strength in both hands.

For Fingerstyle Guitar. Par BAKER DUCK. This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. The easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. The bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. For the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Tablatures / Guitare Tablatures

It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse

Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Each chapterincludes melodic/harmonic examples with fretboard diagrams standard notation and tablature. Part 1 includes lessons on jazz lines with chapters on digital patterns guide tones and targeting. Part 2 presents thebasics of chord construction and voicing techniques. Triads seventh chords and chords with tensions/embellishments are covered including their inversions drop and quartal voicings. Part 3 presents comprehensive warm-upand technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter provides guitarists with tools for constructing their own technical exercises. Part 4 presents accompaniment patternsfor a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught with rhythmic notation and stringnumbers. Part 5 presents alternate changes and substitutions for the blues that can be easily transposed. (Chapters 3 4 and 5 also are presented in Rock Guitar Essentials: Gig Savers Complete Edition). Part 6includes lessons on common jazz chord substitutions. Topics include chord embellishment alteration degree substitution (iii for I vi for I ii for V) tritone substitution and many other tricks for spicing up chordprogressions. Part 7 covers jazz Guitar comping an essential role in accompaniment. A number of chord shapes and rhythms are taught in the style of Freddie Green bebop and more modern styles. Blues progressions and anetude are included for practicing your comping. Part 8 presents a wealth of information about playing over the last two measures of jazz tunes. The method breaks down the harmonic structures frequently found at the end of

This DVD lesson is designed to give the intermediate/advanced student a wide assortment of technical challenges and an arsenal of hot licks that can be used expanded and explored when playing blues themes. New approachesto arranging and improvising are featured in five popular pieces that range from country blues to ragtime and folk to a barrelhouse stomp. This lesson is strongly recommended for all fingerstyle students of blues ragtime folkand swing jazz.

Recorded before a Nashville studio audience Alex De Grassi In Concert captures the solo artistry of one of the world’s finest steel-string fingerstyle players.Known for his flawless technique inspiredcompositions and melodically inventive style de Grassi demonstrates his richly orchestrated sound on a dozen standards and originals.'Alex de Grassi is a treasure. I’ve admired his recordings for more than 20years but it’s his live performances that really shine. This DVD gives an intimate feel for his technical wizardry as well as his vibrant and poetic music-making which make him one of the most distinctive steel-string guitaristsperforming today.' - David Spelman Founder & Director The New York Guitar Festival®