SKU: FZ.2734
ISBN 9790230627344. 24.00 x 33.00 cm inches.
This facsimile of an original by Louis-Claude Daquin is part of our French classical music collection. Daquin - First book of harpsichord pieces - Harpsichord. Edition : Paris, l'Auteur, Boivin, Leclerc, 1735. Very precise and legible engraving. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Inguimbertine Library of Carpentras (Vaucluse - France).
SKU: BT.ALHE32440
English.
Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore, the collection of his works, Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieveorchestral sonority. Moreover, d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significant composers. The first volume of Pieces for Harpsichord comprises fourHarpsichord Suites composed by d'Anglebert, each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore, the three unmeasured preludes included in Suites one, two and three aretruly remarkable examples of their kind. With a descriptive preface in French, English and German, volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.
SKU: HL.48188874
UPC: 888680873066. 9x12 inches. French.
“Harpsichord Pieces, LP. 78 is a set of works for Harpsichord, written by Joseph Hector Fiocco and edited by Diana Petech. This edition includes a really complete preface, with comments and advice to work through this book and explanations of all the symbols that can be found in it. It features 24 pieces divided in two suites, with the second suite set in a more traditional layout than the first one. The name of each piece is also not especially appropriate regarding their style. First suite: - L'anglaise - L'harmonieuse - La plaintive - La villageoise - Les promenades - L'inconfiante - L'italienne - La française - L'adagio - L'alegro - L'andante - La vivace Second suite: - L'alemande - La legère - La guigue - La farabande - L'inquiette - La gavotte - Les menuets - Les sautèrelles - L'agitée - Les zéphirs - La musette - La fringuante Joseph Hector Fiocco (1703-1741) is a Belgian harpsichordist who had Italian origins.He was Deputy Choir Master at the court and resigned to become Choir Master in another French city. He composed numerous religious music works.&rdquo.
SKU: HL.14023645
ISBN 9780711983281. 9.0x12.0x0.162 inches.
These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.
SKU: BT.ALHE31812
French.
This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces, this work for Harpsichord was reviewed and edited by Françoise Petit. With apreface in French, English and German that sets the context of the work and presents the composer, this first book offers a set of pieces for intermediate players. With simple rhythms, it includes few accidental alterations andsome arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.
SKU: HL.48187911
UPC: 888680907433. 0.33 inches. French.
This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces, this work for Harpsichord was reviewed and edited by Francoise Petit. With a preface in French, English and German that sets the context of the work and presents the composer, this first book offers a set of pieces for intermediate players. With simple rhythms, it includes few accidental alterations and some arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau..
SKU: HL.48188422
UPC: 888680948566. 9.0x12.0x0.787 inches. French.
â??This edition of Harpsichord Music features the three volumes composed by Jean-Philippe Rameau: ?Livre de Piece de clavecin?, ?Pieces de Clavessin? and ?Nouvelle suite de Pieces de clavecin?. The second and third volumes are divided into 2 parts each and the whole book has a total duration of 2 hours and 10 minutes (22 minutes for the first book, 52 and 53 minutes for the following ones). For upper intermediate and above level. Harpsichord Music has a baroque style, as most of the music byJean-Philippe Rameau (1683-1764) who was one of the most famous composers of that era. He replaced Lully' as the main composer of the Opera.â?.
SKU: BT.ALHE33712
Harpsichord Pieces, LP. 78 is a set of works for Harpsichord, written by Joseph Hector Fiocco and edited by Diana Petech. This edition includes a really complete preface, with comments and advice to work through this book andexplanations of all the symbols that can be found in it. It features 24 pieces divided in two suites, with the second suite set in a more traditional layout than the first one. The name of each piece is also not especiallyappropriate regarding their style. First suite: - L'anglaise - L'harmonieuse - La plaintive - La villageoise - Les promenades - L'inconfiante - L'italienne - La française - L'adagio - L'alegro - L'andante - Lavivace Second suite: - L_x001A_alemande - La legère - La guigue - La farabande - L'inquiette - La gavotte - Les menuets - Les sautèrelles - L'agitée - Les zéphirs - La musette - La fringuante Joseph Hector Fiocco(1703-1741) is a Belgian harpsichordist who had Italian origins.He was Deputy Choir Master at the court and resigned to become Choir Master in another French city. He composed numerous religious music works.
SKU: FZ.5869
ISBN 9790230658690. 24.00 x 33.00 cm inches.
This facsimile of an original by Jean-Jacques Beauvarlet-Charpentier is part of our French classical music collection. Edition : Pieces de Clavecin : Paris, Lyon, l'Auteur, Le Goux, 1771. Journaux d'orgue no. 3-7-12 : Paris, Le Duc, 1784/1785. Preface by Jean Saint-Arroman: the ornamentation of Beauvarlet-Charpentier. This volume contains three collections for organ, as well as J. J. Beauvarlet-Charpentier's first book of harpsichord pieces, a hitherto unpublished and very interesting work. Edition : Pieces de Clavecin : Paris, Lyon, l'Auteur, Le Goux, 1771. Journaux d'orgue no. 3-7-12 : Paris, Le Duc, 1784/1785. Preface by Jean Saint-Arroman: the ornamentation of Beauvarlet-Charpentier. This volume contains three collections for organ, as well as J. J. Beauvarlet-Charpentier's first book of harpsichord pieces, a hitherto unpublished and very interesting work. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from National Library of Paris (France) and in private collection. Anne Fuzeau Classique propose period copies of classical music scores.
SKU: BT.ALHE32487
First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and informationin French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667)is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them.
SKU: BA.BA10845
ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.
‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)Bärenreiter presents Book II of Couperin’s “Pièces de clavecinâ€, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin†are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: SU.50501420
A First Book for the PianoPiano Composed: 1968 Published by: Seesaw Music.
SKU: BT.ALHE31971
The first volume of Couperin's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichordcompositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works havepicturesque titles. Examples of this in his first volume of Pieces for Harpsichord include, Les Papillons (The Butterflies), L'Enchanteresse (The Enchanting) and Les Plaisirs de Saint Germain en La'e (The Pleasures of SaintGermain en La'e). Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord is essential to the repertoire ofaspiring players of the instrument.
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BT.ALHE33874
Richard Siegel won prizes for the Harpsichord and Chamber Music at the Paris Conservatoire before going on the win first prize in the 1977 International Harpsichord Competition. He has since recorded over 30 CDs and his passionfor the instrument has been further apparent in his production of Apprendre Toucher le Clavecin. As stated in the preface, the study of the Harpsichord has long been reserved, frequently dismissed as an 'old-fashioned'instrument. However, a recent rise in the popularity of early music has rekindled interest in the Harpsichord. In Apprendre Toucher le Clavecin, volume 1 being the first of two helpful volumes to aid student's learning andprogression, Siegel enables Harpsichord beginners to learn through repertoire pieces themselves, drawn from the Keyboard masters of the Baroque period. The pupil will be guided towards an understanding of technique and stylesuited to the Harpsichord. Furthermore, Apprendre Toucher le Clavecin, which is accompanied by a CD, enables adults who learnt the instrument as a child to return to the instrument and have the instant feeling of making music.
SKU: HL.48188387
UPC: 888680866143. 9.0x12.0x0.31 inches. French.
First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them..
SKU: BA.BA11844
ISBN 9790006574797. 31 x 24.3 cm inches.
This edition contains Couperin’s four “Concerts royauxâ€, which were published in 1722 as part of Book III of his “Pièces de clavecinâ€. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of “Pièces de clavecin III†(BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world.The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the “Concerts royauxâ€, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today’s players close to the special sound of this music in a fascinating way. Couperin’s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition.
SKU: HL.50511093
ISBN 9790080131213. UPC: 073999750416. Bach (23 x 30,2 cm) inches. Hungarian, English, German. Ottavio Bariola; Szilvia Katalin Fittler.
Ottavio Bariola was a famous Milanese organist in the late 16th century. Only a relatively small number of his works is known to survive, among them a collection of ricercares and canzonas. The present edition offers a selection of ten pieces of the latter collection. In agreement with their genre the compositions are strictly polyphonic in structure. In this edition the works are included in a four-part setting with consistent part-writing. Due to their volume and grade of difficulty the pieces are not meant for concert hall performance in the first place but for enriching the repertoire of church organists and lovers of early music.
SKU: SU.12900010
This is a colorful picture book of musical games and exercises and features first piano pieces at the earliest reading level for children ages 4-9. Each musical element is introduced in a clear, interactive way, providing opportunities for the child to bond with a parent and/or instructor. Quarter notes, half notes, eighth notes and quarter rests are taught experientially with Rhythm Games and some favorite tunes like My Dreidel and Jingle Bells can be learned quickly with awareness of skills of pitch differentiation, rhythm and fingering. The book starts with simpler character pieces, some with only two or three notes. The cheery and charming illustrations make this a fun musical ride. Staves are introduced in the following book of the same series. Illustrated by Lisa Kaiser Piano Composed: 2020 Published by: Hannah Reimann Innovations, LLC.