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My First Concert: Cello: Instrumental Album
Instrumentation :
Cello, Piano
Publisher :
Schott
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25 Easy Concert Pieces from 5 Centuries
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6 Easy Concert Pieces op. 4/1-6
Cello, Piano
-
Easy
Schott
Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. ...
(+)
Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 4/1-6. 40 pages. Schott Music #SE 1024. Published by Schott Music
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6 Easy Concert Pieces op. 12
Cello, Piano
Schott
For Cello and Piano Schott Student Edition Repertoire
. Composed by Hugo S...
(+)
For Cello and Piano Schott Student Edition Repertoire
. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).
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6 Easy Concert Pieces op. 4/7-12
Cello, Piano
-
Easy
Schott
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...
(+)
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. 6 leichte Stucke fur Violoncello und Klavier. Classical. Softcover. Op. 4/7-12. 40 pages. Schott Music #SE 1050. Published by Schott Music
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The First Noel
Concert band, Choral
[Score and Parts]
Beckenhorst Press
By Traditional. Arranged by Dan Forrest. For SSA choir with piano or orchestra (...
(+)
By Traditional. Arranged by Dan Forrest. For SSA choir with piano or orchestra (2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp, violin I and II, viola, cello and double bass). Sacred, Christmas. Full orchestral score and instrumental parts. Published by Beckenhorst Press
(1)
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Sonata in E Minor, Op. 38, No. 1
Cello, Piano
-
Intermediate
Schott
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire
. C...
(+)
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire
. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).
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Dvorak - Waldesruhe Op 68 No 5 Cello/Piano Urtext
Cello, Piano
G. Henle
Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil...
(+)
Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil. Strings, Repertoire, Solos. Silent Woods Op. 68 No.5. Softcover Book. 20 pages. G. Henle #HN621. Published by G. Henle (HU.HN621). 12.2 x 9.2 x 0.1 inches.
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Dmitri Kabalevsky: Concerto No. 1 in G minor, Opus 49
Cello, Piano
-
Advanced
IMC (International Music Co.)
Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and ...
(+)
Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and piano accompaniment. With introductory text. G Minor. Composed 1948. 39 pages. Published by International Music Co.
(2)
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Let All Things Now Living
Piano Trio: piano, violin, cello
-
Intermediate/advanced
MorningStar Music Publishers
Composed by Duane Funderburk. For violin, cello, piano. Duane Funderburk Sacred ...
(+)
Composed by Duane Funderburk. For violin, cello, piano. Duane Funderburk Sacred Chamber Music. Thanksgiving, 21st Century. Moderately Difficult. Published by MorningStar Music Publishers
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Orientale op. 50/9
Cello, Piano
Schott
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...
(+)
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Estelle Revaz. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 50/9. 14 pages. Schott Music #SE 1038. Published by Schott Music
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Vivaldi : Concerto for Four Cellos
String Orchestra
[Score and Parts]
-
Intermediate/advanced
Grand Mesa Music
Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 s...
(+)
Composed by Antonio Vivaldi (1678-1741). Arranged by J. Cameron Law. For 4 solo cellos and string orchestra. Grade 4 (section), Grade 5 (solo). Score and set of parts. Duration 3 minutes, 30 seconds. Published by Grand Mesa Music
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Gloria - Full Orchestra Score and Parts
Concert band, Choral
[Score and Parts]
Roger Dean
(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Ma...
(+)
(For SATB divisi Choir, Solo Quartet, and opt. Full or Chamber Orchestra). By Mark Hayes. Orchestra. For orchestra (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Score and Parts. Published by Roger Dean Publishing
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Cello Styles
Cello, Piano
-
Easy
Schott
14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This...
(+)
14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. 1035. 56 pages. Schott Music #SE 1035. Published by Schott Music (
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Sonata C major op. 40/1
Cello, Piano
Schott
Schott Student Edition Repertoire
. Composed by Jean Baptiste Breval. Edit...
(+)
Schott Student Edition Repertoire
. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).
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Oscar Rieding: Concert B Opus35: Cello: Instrumental Work
Cello, Piano
Barenreiter
For the first time the series ?Bärenreiter?s Concert Pieces? presents arrangeme...
(+)
For the first time the series ?Bärenreiter?s Concert Pieces? presents arrangements of concertos for viola and violoncello. The editions are an ideal continuation of the Sassmannshaus string methods but can of course also be used independently. Further volumes are planned.Since concerto op. 35 only employs the first position it is suitable for beginners and young students. The piece has been transposed to make it easier to play.The concise foreword by renowned string pedagogues Christoph and Kurt Sassmannshaus introduces the work and points out its relevant technical requirements.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
(+)
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
(+)
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Camille Saint-Saëns: Sonata No.1 In C Minor Op.32: Cello: Instrumental Work
Cello, Piano
G. Henle
Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saën...
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Sonata no.1 in c minor op. 32-At the beginning of the 1870s Camille?Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872 immediately after finishing his first Cello Concerto.The sonata is strongly reminiscent of Beethoven not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding in parts highly virtuosicsonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire.?Henle's Urtext edition takes all surviving sources into account for the first time ever. PascalRogé and David Geringas kindly provided the markings for the Piano and Cello parts.
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Peter Maxwell Davies: Strathclyde Concerto No. 2: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Chester
This work for cello and orchestra was commissioned by the Strathclyde Regional C...
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This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. Thefirst performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra conducted by the composer.If Davies's Cello Concerto has already evoked comparisons with Elgar's that is perhaps an indicationnot only of its wealth of solo melody (there is hardly a page where the cello is not singing or if not that then dancing) and of its predominantly slow tempos but also of its musical stature. This second Strathclyde concertois a virtuoso piece for the entire ensemble which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue especially in the opening Moderato andthe slow movement; and though the finale is more extrovert the work ends back in quietness and rumination.This book contains the solo cello part and a piano reduction of the orchestral score.
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Miloslav Kabelác: Sonate: Cello: Instrumental Work
Cello
Barenreiter
für Violoncello und Klavier-With this composition Editio Baerenreiter Praha la...
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für Violoncello und Klavier-With this composition Editio Baerenreiter Praha launched the Complete Critical Edition of Works by Miloslav Kabelac a prominent Czech composer who lived from 1908 to 1979. The editor of this complete edition is a musicologist and a noted expert on Kabelac's work Dr. Zdenek Nouza. The outline of the edition is as follows: I. Orchestral and Concert compositions II. compositions for solo Voice or a Chorus with Orchestra or Instrumental Ensemble III. songs with Piano Choruses Children's Choruses IV. Chamber compositions V. compositions for Piano and Organ.Sonata Op.9 for Cello and Piano which came into existence betweenyears 1941-42 has never been published before. Therefore as part of the Complete Edition this composition appears in print for the first time. Its edition is based on an authograph present in the Museum of Czech Music in Prague. The prominent Czech cello player Daniel Veis who also premiered the complete four-movement version has revised the cello part of this edition.
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Endre Lengyel: Violoncello Music for Beginners 2: Cello: Instrumental Album
Cello, Piano
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Beginner
EMB (Editio Musica Budapest)
Easy concert pieces in first position-A collection of pieces for Cello and Piano...
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Easy concert pieces in first position-A collection of pieces for Cello and Piano attributed to the ABRSM exam syllabus. Intended for beginners these easy concert pieces are all in first position and are suitable arrangements of some fabulous melodies which will inspire invigorate and encourage.
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Richard Kershaw: Mellow Cello: Cello: Instrumental Album
Cello
[Sheet music + CD]
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Easy
Fentone Music
18 tuneful and jazzy pieces for the beginner celli-The tunes in Mellow Cello are...
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18 tuneful and jazzy pieces for the beginner celli-The tunes in Mellow Cello are designed to provide an introduction to jazz and popular music styles for young cellists ranging from beginners to performers at a somewhat more advanced level. The first pieces use only open strings both pizzicato and bowed: here the cellist gains experience in counting rests as well as exploring the four strings. From pieces 4 to 9 the fingers are brought into play starting with the first finger only until all four are used. The pieces in the second half of the book allow the cellist to explore a variety of jazz styles. A piano accompaniment part is included for concert performances.
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Leos Janacek: Werke: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...
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Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
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Jean-Baptiste Breval: Sonata C Major Op. 40 No. 1: Cello: Instrumental Work
Cello
Barenreiter
Jean-Baptiste Bréval (1753 1823) was a member of the orchestra at the Paris OpÃ...
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Jean-Baptiste Bréval (1753 1823) was a member of the orchestra at the Paris Opéra and also a prolific composer. His works include concertos for cello string quartets comic operas and a violoncello tutor.However he is best-known for the Sonata in C major which has become a standard work for teaching purposes even in arrangements for other instruments. The two movements (Allegro and Rondo Grazioso) can also be performed independently from one another. This sonata belongs to the basic repertoire of every young cellist.Ideal for the first ?proper? recitalOf moderate technical difficulty but with brilliant impactDuration: approx. 8 minutes
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Concert Pieces For Cello And Piano
Cello, Piano
[Sheet music]
Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...
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Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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Antonio Vivaldi: 9 Sonatas For Cello And Piano: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions...
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per violoncello e basso continuo-Similar to Vivaldi's concertos and compositions for violin his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time.
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Colin Cowles: First Finger Patterns: Cello: Instrumental Work
Cello
Fentone Music
10 Easy Melodic Fragments-These First Finger patterns are a set of concert piece...
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10 Easy Melodic Fragments-These First Finger patterns are a set of concert pieces for the inexperienced violin student with a limited technique. Each solo part is complemented by an attractive and imaginative accompaniment giving a ‘concert’ feel to the pieces. This is intended to encourage performing experience - an important aspect of music making at any standard.
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Audrey Akerman: Tricks to Tunes Book 1 Cello: Cello: Instrumental Tutor
Cello
Flying Strings
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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Audrey Akerman: Tricks to Tunes Book 2 Cello: Cello: Instrumental Tutor
Cello
Flying Strings
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ‘tricks’ for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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Gabriel Fauré: Sonate Nr. 2 g-moll Opus 117: Cello: Instrumental Work
Cello
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the fir...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the first cello sonata (HN 1357) composed four years earlier this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d???Indy wrote to Faur? the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.??? It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings.
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AntonÃn Dvo?ák: Rondo Fur Violoncello Und Klavier Op. 94: Cello: Instrumental
Cello, Piano
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Easy
G. Henle
Though only a minor pendant to the great Cello Concerto Anton n Dvorák?s Rondo...
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Though only a minor pendant to the great Cello Concerto Anton n Dvorák?s Rondo Op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorákcomposed it in December 1891 shortly before leaving for America and he gave the work its première performance on 3 January 1892 with his friend the cellist Hanus Wihan during his farewell concert tour. To produce this urtextedition Milan Posp sil consulted the autograph score and first edition not only for the Piano version but also for the orchestral version of October 1893.
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Mein Erstes Konzert: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
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Easy
Schott
The present volume contains a selection of very easy recital pieces for Violonce...
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The present volume contains a selection of very easy recital pieces for Violoncello and Piano which can be played in the first position after 1-2 years of Cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet the classical sonatina or the Romantic character piece to contemporary music and tango blues or pop. The pieces are suitable for individual group and chamber music lessons for practising on one's own and especially for the first auditions concerts or competitions. The accompanying CD contains a full version of each piece as well as the piano accompaniment for playing along. The recordingsare intended for orientation and for making it easier to learn to play the pieces – for what is already going around in one's head will also be 'in the fingers' much faster. The CD also contains separately the piano part of each piece for playing along. A musical journey through 500 years of Cello music!
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