Treble Recorder Piano.
SKU: HL.49045571
ISBN 9790001162548. UPC: 841886028968. 9.0x12.0x0.083 inches. German - English - French.
The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: OU.9780193534186
ISBN 9780193534186. 12 x 8 inches.
For treble voices and organ Written in his customary style of great simplicity, the voices sing in unison over a pared-down, chordal organ accompaniment.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: ST.MB70
ISBN 9790220209734.
Twenty-eight pieces for treble, two basses and organ, and twenty-one for two trebles and a bass, attest to the degree of mastery achieved by John Jenkins in the traditional fantasia form. His command of a fine lyric gift and wide-ranging tonal orbit are especially to be noted in the contents of this volume, which fills an important gap in our knowledge of this distinctively English instrumental repertoire.
SKU: OU.9780193371651
ISBN 9780193371651. 12 x 8 inches.
For trebles and organ. Setting a text by George Herbert depicting the awe and mystery of the Christian faith, this simple work for trebles and organ makes full use of Jackson's gift for melody, with his trademark florid organ accompaniment.
SKU: UT.DM-79
ISBN 9790215324565. 9 x 12 inches.
This method of instrumental practice is aimed at all those who, at any age, wish to learn to play the treble recorder, through the reading of music. During the course, step by step, the various chapters introduce the fingering for the recorder, together with the understanding of the musical symbols. The goal, at the end of the study course, is to be in a position to perform all the notes on the instrument and to be able to read music at a basic level, which is the first step in dealing with the specific technical studies and the music written for the instrument.Each chapter, through progressive exercises, introduces a new note and new topics of music theory, in order to achieve a gradual mastery of the fingering of the instrument. The progression suggested for learning the fingering begins with the use of the five fingers of the left hand, then to proceed to the use of the right hand. Each topic is then examined closely by studying pieces from the traditional, Renaissance, Baroque and Classical repertoires. The scales are also introduced gradually, aiming to help the student master the fingering of the scales up to three sharps and three flats and relative minor scales. The progressive difficulty found in the course of the method is measured according to the experience gained from teaching students of different ages, and can be varied and adapted to the needs of each student. The workbook at the start of each chapter can be condensed, expanded or developed in relation to different learning abilities.