SKU: HL.50600110
9.5x12.75x0.349 inches.
SKU: FL.FX073841
Instruments:Flute Quartet or Flute Octet (with 4 easy flute parts); Difficuly Level: Grade 4.
SKU: FL.FX072007
Instruments:Clarinet Quartet: 3 Bb Clarinets 1 Bass Clarinet; Difficuly Level: Grade 3.
SKU: HL.49019480
ISBN 9783795720063. German.
Das Jahrbuch des Staatlichen Instituts fur Musikforschung dokumentiert die wissenschaftliche Arbeit des Instituts und des Berliner Musikinstrumenten-Museums. Die Beitrage des Doppelbandes 2006/07 beschaftigen sich u. a. mit Aspekten der Mozart-Rezeption, so etwa mit Morikes Novelle 'Mozart auf der Reise nach Prag'. Weitere Themen: Dehmel-Vertonungen von Pfitzner und Sibelius. Eine neue Quelle zur Auffuhrungsgeschichte von Glucks 'Orpheus und Euridice'. Das Repertoire der Cappella Sistina um 1830. Bach-Pflege und deutsch-englischer Kulturtransfer im 19. Jahrhundert. Die Dupuis-Oboe im Musikinstrumenten-Museum SIMPK.
SKU: BR.EB-9305
ISBN 9790004187692. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2.
SKU: GI.G-012705
UPC: 641151127057. Spanish.
WINNER! Second Place for BEST INTERIOR in the 2007 International Latino Book Awards sponsored by Latino Literacy Now (June 2007) Una larga tradición en la comunidad hispana es experimentar una reflexión profunda en cada una de las últimas siete palabras de Cristo en la cruz. Este nuevo libro ofrece una meditación para cada uno de estos momentos profundos, escritas por respetados autores, como son Monseñor Ricardo Ramrez, Mary Frances Reza y Sylvia Sanchez. Cada autor o autora se expresa desde su experiencia personal con la fe arraigada de las culturas hispanas y por sus conocimientos en filosofÃa, teologÃa y ministerio. Cada ensayo viene acompañado de una pintura original del aclamado artista del area de Pilsen en Chicago, Óscar Romero. El arte impresionante y las preguntas para la reflexión al final de cada sección, le inspirara a la reflexión personal o al diálogo grupal. This Spanish-language prayer resource presents reflections on each of the seven last words of Christ in the tradition of St. Robert Bellarmine. Traditionally, Hispanic communities have celebrated such prayer in a devotional format on Good Friday with a service of Las Siete Palabras. The writers of each reflection speak from a personal experience of Hispanic culture and faith life, as well as backgrounds in philosophy and theology. Each section ends with inspiring reflection/discussion questions for personal or group use.
SKU: HL.44007195
ISBN 9789043127707. UPC: 884088216016. 9x12 inches. English-German-French-Dutch.
Just like the Fun for... series, these books are ideal for anyone who plays in an ensemble or takes saxophone lessons. The six appealing modern pieces are perfect for the instruments and can be used very flexibly. They are suitable for everyone who has been playing for two to two and a half years.
SKU: ST.Y236
ISBN 9790220221934.
1st complete perf: Catherine Gordeladze, The Gasteig, Munich (Winners & Masters Series), 21 April 2007 Ideal for confident young pianists keen to explore cutting-edge new music, the second book of Strides by Morgan Hayes adds five more distinctively original miniatures to the three 'fugitive visions' already published in Strides Book 1. Propulsive rhythm and melody mark out turbid expressive territory in the first two pieces, while the third Stride explores 'glacial' octaves, and the fourth and fifth add new fantasy to a Bach sarabande and a chaconne. Specific technical challenges in each piece test the reflex and stamina of players of Grade 6 standard and above, who will also enjoy the impressive virtuoso impact Strides deliver in performance.
SKU: BO.B.3672
Written during the winter of 2007, this work is a metaphor of the three stages of a short but intense love story.The first movement is called Poniente. This is the name of a rainy wind that comes from west. In this sense, west is not only the place where the sun sets, but where night begins. The first movement represents the beginning, the happiness and freshness of something new. The violin evokes freshness and spontaneity over the constant rhythm of the guitar, which plays the higher voice. While the violin signs happily, the guitar, instead of being just its accompaniment, plays the role of a counterpoint with its rhythmical and constant theme.The second movement is called Largo-Balada-Largo and it's divided in two different parts. In the first one, guitar plays alone, reflexive and slow, representing the moments of loneliness of the one that waits for the lovers reunion. In the second movement, violin and guitar begin a dialogue where the violin plays a sweet yearning ballad, while the guitar answers as a baroque counterpoint. At the end, calm comes back, as in the first part of the second movement.The third movement is called Danza ritual and it is the most violent of the three parts. It represents the lovers reunion, the resolution of all the controlled excitement. It's the flame that consumes quickly but intensely. At the end of this part, the violin reintroduces the main theme of the first movement, but with a variation, more intense and dramatic. This dramatic and intense quality is also due to the guitar ostinato, which ends in a hysteric trill. This leads us again to the first part, ending the third movement and this work in a sudden setback, as an interrogation tag.
SKU: PR.41641486L
UPC: 680160616268.
2 Flutes (2nd double Piccolo), 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 Horns in F, 2 Trumpets in Bb, 2 Trombones, Tuba, Timpani, 2 Percussion:, I: Glockenspiel, Crotales, Vibraphone, Chimes, Tuned Gongs, Large Thai Gong, Xylophone, Bell Tree, Tam-tam, Spring Coil, II: Crotales, Three Triangles, Metal Plate, Flexatone, Tam-tam, Bass Drum, Sus. Cymbal, Chinese Cymbal, Strings.
SKU: HL.44007194
ISBN 9789043127691. UPC: 884088216009. 9.0x12.0x0.135 inches. English-German-French-Dutch.
Just like the Fun for... series, these books are ideal for anyone who plays in an ensemble or takes clarinet lessons. The six appealing modern pieces are perfect for the instruments and can be used very flexibly. They are suitable for everyone who has been playing for two to two and a half years.
SKU: XC.WB2007
ISBN 9781644020340. UPC: 812598032840. 9 x 12 inches.
Adaptable Trios contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind instruments, making them an invaluable resource in the modern band room! Written at an accessible 1.5-3 grade level, Adaptable Trios follow the popular Adaptable Duets books by the same composers. Tyler Arcari and Matthew R. Putnam bring with them a wealth of educational experience as music educators to craft trios that are fun to play and musically stimulating. Adaptable Trios are sure to become an instant favorite.Table of Contents:Alla HornpipeContredanseDanza de HerculesFanfareFlamingosGerman DanceGerman DanceMarchMinuetMusetteMy Country, 'Tis of TheePastoralePathetiqueRondoSailor's SongSaint Anthony ChoraleShenandoahSunayamaThe Ash GroveThe ImpValse NobleVolteWait just a MinuetWaltz.
