Format : Score and Parts
SKU: HL.1224660
UPC: 196288143635. 6.75x10.5x0.029 inches.
Now available for treble voices. Royal Canadian Air Force Pilot John Magee wrote his popular poem ââ¬ÅHigh Flightââ¬Â when he was just 19 years old. In the poem, he describes the delirious feeling of wheeling and soaring, and an intimate connection with the divine. Setting these words, the composer's music soars and dives and floats and reflects the joy this young pilot experienced from the pilot's chair.
SKU: HL.4007602
UPC: 196288070290. 6.0x12.0x0.052 inches.
First published in 2004, Richard Saucedo's Flight of the Thunderbird has remained a popular choice for contest and festival for younger players. Skillfully scored in this new edition for flexible instrumentation, this exciting work in one tempo will sound great with an ensemble of any size.
SKU: HL.284155
90.0x12.0 inches.
Solo Violin part from Oliver Davis' Flight Concerto.
SKU: HL.137591
ISBN 9781495001659. UPC: 888680027933. 5.25x7.25x1.214 inches.
Noteflight is a subscription-based music writing application that lets you create, view, print and hear professional quality music notation right in your web browser. This innovative online notation software gives musicians an intuitive tool that displays, edits, prints and plays back music on any device. Now you can compose, read, or practice musical scores anywhere, any time! Features include: • Full-featured notaton editor with orchestral sound library and MusicXML support • Write music on any computer, tablet or smartphone and share scores with anyone • Collaborate and share with millions of Noteflight community members • Nothing to install: set up your account online with the included access code • Easy to learn and intuitive to use so you can get started immediately • Unlimited cloud storage for all your scores • You're always using the latest version: no expensive upgrades • Embed interactive scores in web pages, on your blog, or on a personal site • Interact with the world's most vibrant music composition community • Compose using on-screen notation palette, keyboard shortcuts, or with any MIDI device • Synchronize scores wtih online video and audio • and more! Retail edition exclusive offer: 3-year premium subscription $99.99 ($50 savings) Take flight! Vnewsletter talks about Noteflight and our boxed software in this video. See an Overview to Noteflight here. Click here for details on Noteflight Learn Subscriptions available from Hal Leonard.
SKU: HL.137592
ISBN 9781495001666. UPC: 888680027940. 5.25x7.25x1.219 inches.
Noteflight is a subscription-based music writing application that lets you create, view, print and hear professional quality music notation right in your web browser. This innovative online notation software gives musicians an intuitive tool that displays, edits, prints and plays back music on any device. Now you can compose, read, or practice musical scores anywhere, any time! Features include: • Full-featured notaton editor with orchestral sound library and MusicXML support • Write music on any computer, tablet or smartphone and share scores with anyone • Collaborate and share with millions of Noteflight community members • Nothing to install: set up your account online with the included access code • Easy to learn and intuitive to use so you can get started immediately • Unlimited cloud storage for all your scores • You're always using the latest version: no expensive upgrades • Embed interactive scores in web pages, on your blog, or on a personal site • Interact with the world's most vibrant music composition community • Compose using on-screen notation palette, keyboard shortcuts, or with any MIDI device • Synchronize scores wtih online video and audio • and more! Retail edition exclusive offer: 5-year premium subscription $149.99 ($100 savings) Take flight! Vnewsletter talks about Noteflight and our boxed software in this video. See an Overview to Noteflight here. Click here for details on Noteflight Learn Subscriptions available from Hal Leonard.
SKU: CF.CM9707
ISBN 9781491160121. UPC: 680160918720. Key: Db major. John Gillespie Magee. Poem by John Gillespie Magee, Jr.
Just weeks after his nineteenth birthday, John Gillespie Magee, Jr. wrote the poem High Flight while serving in the Royal Canadian Air Force. The year was 1941, and World War II was culminating toward its darkest chapters. Magee had just completed his seventh flight in the iconic Spitfire Mk I fighter plane, soaring to heights well above 30,000 feet. These high altitude exercises supplied his inspiration for the poem, which describes the long, delirious, burning blue and having touched the face of God. Tragically, Magee died in a training exercise just months after writing High Flight. His words, however, live on to lift our hearts and stir the imagination. After you have learned High Flight, ask yourself the following questions: Are you singing the text clearly and articulately? Are you properly stressing the important syllables and backing off of non-stressed syllables? Is there a sense of energy throughout the piece, in both the lyrical, flowing sections and the up-tempo, faster sections? Are you also singing with a sense of energy no matter what the dynamic marking? Are you singing phrases with proper breath support and a sense of rise and fall to the phrase?.Just weeks after his nineteenth birthday, John Gillespie Magee, Jr. wrote the poem High Flight while serving in the Royal Canadian Air Force. The year was 1941, and World War II was culminating toward its darkest chapters. Magee had just completed his seventh flight in the iconic Spitfire Mk I fighter plane, soaring to heights well above 30,000 feet. These high altitude exercises supplied his inspiration for the poem, which describes “the long, delirious, burning blue†and having “touched the face of God.â€Tragically, Magee died in a training exercise just months after writing High Flight. His words, however, live on to lift our hearts and stir the imagination. After you have learned High Flight, ask yourself the following questions: Are you singing the text clearly and articulately? Are you properly stressing the important syllables and backing off of non-stressed syllables? Is there a sense of energy throughout the piece, in both the lyrical, flowing sections and the up-tempo, faster sections? Are you also singing with a sense of energy no matter what the dynamic marking? Are you singing phrases with proper breath support and a sense of rise and fall to the phrase?
SKU: CF.CPS244
ISBN 9781491157985. UPC: 680160916580. 9 x 12 inches.
On Wings of Flight is a jubilant, short overture that is meant to convey the wonder of soaring high above the ground. Programmatically, it can represent either the flight of birds or aircraft. Donat be concerned if you donat have some of the lower voice color instruments such as bass clarinet, baritone saxophone, and/or bassoon. Those instruments are doubled in the low brass. Bass trombone isnat essential as it doubles tuba, but a lack or scarcity of bass trombone and/or tuba isnat critical if you do have those other low woodwinds. The repetitive eighth-note accents should be lighter than normal so the ongoing effect is more propulsive than heavy. Keep those eighth-note patterns locked into the tempo so the band refrains from unwittingly accelerating. Think of the legato accented notes as slightly separated as opposed to being slurred. When the accented whole notes surrounded by rests are played, be sure they are held out for a full four counts. Save the crescendo for m. 19 and quickly drop back down in volume at m. 21. At m. 31, the whole notes do not crescendo to the same ff volume as the melody. Those parts are to save their crescendo for m. 35. Pay attention to the instruments that do not diminuendo at m. 39. In the slower section after m. 41, be careful that the diminuendos on the half notes donat sag in pitch as the notes get softer. Trumpets and horns at m. 49 must not play their notes as accents. Give particular attention to the diminuendos in the melody at m. 56, so that they fade out as the volume of the other instruments grows. The accented notes at mm. 85 and 86 should each be heard through the volume of the rest of the instruments, so that the addition of each pitch is adequately heard. If you wish, you may place more emphasis on the accents in the last two measures of the piece than you did earlier throughout the piece.On Wings of Flight is a jubilant, short overture that is meant to convey the wonder of soaring high above the ground. Programmatically, it can represent either the flight of birds or aircraft. Don't be concerned if you don't have some of the lower voice color instruments such as bass clarinet, baritone saxophone, and/or bassoon. Those instruments are doubled in the low brass. Bass trombone isn't essential as it doubles tuba, but a lack or scarcity of bass trombone and/or tuba isn't critical if you do have those other low woodwinds. The repetitive eighth-note accents should be lighter than normal so the ongoing effect is more propulsive than heavy. Keep those eighth-note patterns locked into the tempo so the band refrains from unwittingly accelerating. Think of the legato accented notes as slightly separated as opposed to being slurred. When the accented whole notes surrounded by rests are played, be sure they are held out for a full four counts. Save the crescendo for m. 19 and quickly drop back down in volume at m. 21. At m. 31, the whole notes do not crescendo to the same ff volume as the melody. Those parts are to save their crescendo for m. 35. Pay attention to the instruments that do not diminuendo at m. 39. In the slower section after m. 41, be careful that the diminuendos on the half notes don't sag in pitch as the notes get softer. Trumpets and horns at m. 49 must not play their notes as accents. Give particular attention to the diminuendos in the melody at m. 56, so that they fade out as the volume of the other instruments grows. The accented notes at mm. 85 and 86 should each be heard through the volume of the rest of the instruments, so that the addition of each pitch is adequately heard. If you wish, you may place more emphasis on the accents in the last two measures of the piece than you did earlier throughout the piece.On Wings of Flight is a jubilant, short overture that is meant to convey the wonder of soaring high above the ground. Programmatically, it can represent either the flight of birds or aircraft.Don’t be concerned if you don’t have some of the lower voice color instruments such as bass clarinet, baritone saxophone, and/or bassoon. Those instruments are doubled in the low brass. Bass trombone isn’t essential as it doubles tuba, but a lack or scarcity of bass trombone and/or tuba isn’t critical if you do have those other low woodwinds.The repetitive eighth-note accents should be lighter than normal so the ongoing effect is more propulsive than heavy. Keep those eighth-note patterns locked into the tempo so the band refrains from unwittingly accelerating. Think of the legato accented notes as slightly separated as opposed to being slurred.When the accented whole notes surrounded by rests are played, be sure they are held out for a full four counts. Save the crescendo for m. 19 and quickly drop back down in volume at m. 21. At m. 31, the whole notes do not crescendo to the same ff volume as the melody. Those parts are to save their crescendo for m. 35. Pay attention to the instruments that do not diminuendo at m. 39.In the slower section after m. 41, be careful that the diminuendos on the half notes don’t sag in pitch as the notes get softer. Trumpets and horns at m. 49 must not play their notes as accents. Give particular attention to the diminuendos in the melody at m. 56, so that they fade out as the volume of the other instruments grows.The accented notes at mm. 85 and 86 should each be heard through the volume of the rest of the instruments, so that the addition of each pitch is adequately heard. If you wish, you may place more emphasis on the accents in the last two measures of the piece than you did earlier throughout the piece.
SKU: CF.CPS244F
ISBN 9781491157992. UPC: 680160916597. 9 x 12 inches.
SKU: HL.49043938
ISBN 9790220133923. 9.25x12.0x0.494 inches.
The 3rd String Quartet was originally composed in 1982-3 to a commission from The Adelaide Festival, and premiered by The Petra Quartet in 1983. Subsequent to this quartet, I have composed two more; No. 4 in 1986 and No. 5 in 2002.The offer to re-publish this work, led me to begin by a process of amendment, but ended in the composition of a virtually new quartet! Only parts of the original quartet have been retained. I also chose to 'frame' (in my case this means an inspirational focus and filter), the quartet in a new way too.In Flight Music keeps the 4-movement format of the original quartet, but is now directly linked to a life-long interest in flight. The first two movements are concerned with aspects of humans in flight, whilst the last two deal with insects and birds respectively.Since all my music is these days preceded by visualisations in the form of drawings, wherever possible, this quartet might be performed with the four drawings, one for each movement, back-projected behind the players.Digital copies of these drawings may be obtained from Schott Music.Edward Cowie.Maurens. France. August, 2010.
SKU: BR.EB-8625
Practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan by Nikolay Rimsky-Korsakov. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instrumen. Romantic period. Score. 10 pages. Breitkopf and Haertel #EB 8625. Published by Breitkopf and Haertel (BR.EB-8625).
ISBN 9790004179833. 9 x 12 inches.
Nikolay Rimsky-Korsakovs Flight of the Bumblebee is one of those little orchestral interludes from operas, excerpts that have long since become immortal even while denying their origins; in this particular case, practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments.Practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan by Nikolay Rimsky-Korsakov. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments.
SKU: BR.EB-8622
ISBN 9790004179703. 9 x 12 inches.
SKU: BR.EB-8065
ISBN 9790004174524. 9 x 12 inches.
SKU: CL.RWS-1930-00
Just before the sun breaks through the morning clouds, the Dragon Riders prepare their mighty beasts for flight. In this exciting piece for developing band, take your musicians and audience to the skies as the dragons soar through the clouds reigning over the world below. Your students will love this imaginative work by F. Scott Kroll!
SKU: CL.RWS-1930-01
SKU: PR.144405810
ISBN 9781491101407. UPC: 680160614127.
In this ballad, Reise ponders the Red Sea Swallow, of which only one was ever found (and dead, at that). The Flight of the Red Sea Swallow imagines the final flight of what may have been the last of its kind. Originally written for violin and piano, and premiered by Maria Bachmann, Flight has also been transcribed for flute and piano. For advanced performers. Duration: 17'.
SKU: PR.144405820
UPC: 680160614134.
SKU: SP.ME1030
ISBN 9781585607426.
The Masterpiece Edition series, published exclusively by Santorella Publications, is a collection of original piano works, as well as challenging arrangements and transcriptions designed for the experienced to advanced pianist. The series is meticulously engraved and printed on heavy cover stock and quality paper to last for generations. With original works from the great masters, Bach, Beethoven, Mozart, and alike, as well as arrangements and transcriptions from some of the greatest works of all time, these Masterpiece Editions are sure to be popular favorites while enhancing the repertoire of most any serious pianist. In this case, we are extremely proud to release the original, unedited, Masterpiece Edition of Rimsky-Korsakov's Flight Of The Bumblebee in its purest form. Our ultimate goal is to emphasize the necessity of exceptional quality in printed sheet music. The Flight of The Bumblebee is a famous Nicolai Rimsky-Korsakov classic from The Tale of Tsar Saltan. This well-known melody is loved yet feared by many musicians. Due to its difficulty, you'll be admired by all, if you can pull this one off. Visualize a bee in flight as the pianist jumps all over a chromatic scale. Transcribed from the original Korsakov theme by Jonathon Robbins, this piano solo is sure to impress even the most critical adjudicator. Master this classic Korsakov Masterpiece and bring the crowd to its feet. * Best of Luck!
SKU: BT.CMP-0901-05-010
English.
We are often so focused on presenting the entire ensemble that it’s easy to forget we can also program solo feature pieces. There are so many reasons to do just that. It rewards that special player who has been working so hard. It sets an example for other players in the section. It provides a nice contrast regardless of what else is programmed. Be sure to put on the demonstration CD found in this catalog and hear Flight of Fancy for yourself. We’re sure you’ll like it.Scintillating!Met Flight of Fancy kunt u een solist (fluit of mallets) in de schijnwerpers plaatsen. We zijn zo vaak gericht op het orkest als geheel dat we wel eens vergeten om solowerken te programmeren, maar er zijn redenen te over omdat te doen. U kunt er een goede, hardwerkende muzikant mee belonen en anderen kunnen er een voorbeeld aan nemen. Bovendien creëert u een aangenaam contrast in uw concertprogramma. Deze muziek illustreert de vlucht die de verbeeldingskrachtvan een mens kan nemen - dan weer zorgeloos en grillig, dan weer beschouwend, maar altijd boeiend.Gibt es in Ihrem Blasorchester einen Flötisten oder Malletspieler, der sich mit Fleiß und Hingabe in der wöchentlichen Orchesterarbeit einen besonderen Auftritt im nächsten Konzert verdient hat? Flight of Fancy von Timothy Johnson ist eine wundervolle Gelegenheit, wahlweise einen Flötisten oder Malletspieler mit einem nicht allzu schweren Solostück ins Rampenlicht zu rücken!
SKU: OU.9780193408210
ISBN 9780193408210. 12 x 8 inches.
For SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel and won the 2014 British Composer Award in the Choral category. McDowall uses vocal clusters and haunting solo cello lines to set texts by Sheila Bryer on the mysterious powers of the sea, earth, and air.