La Flute de Pan for Solo Flute and Concert Band (MOUQUET JULES) (MOUQUET JULES)

Cette nouvelle édition de l'Album Solo de trois volumes pour les flûte, contenant certaines des oeuvres plus importantes constituant le répertoire du soliste, est principalement destinée à servir de guide aux jeunes étudiants souhaitant acquérir des connaissances pratiques. / Flûte Traversière

Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritative Urtext edition based on the New Mozart Edition. Scored for Flute Solo Flute (2) Oboe (2) Horn (2) Strings. Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all theavailable sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.   Full score Flute & Piano reduction (BA4854-90) and performance material (BA4854) available for sale.

Joachim Andersen (1847-1909) was a Danish virtuoso flautist and composer who travelled widely throughout Europe becoming one of the best concert flautists of his generation. He is best known today for his eight volumesof Etudes for Flute which he wrote throughout his career. They are still used by top professionals all over the world to improve their technique and musicianship. Twenty-Four Short Studies Op.33 is anessential volume for any aspiring Flute player.

for Solo Flute & Concert Band-Cet arrangement de la pièce Halibut Toil extraite du recueil Fishy Fantasies du compositeur britannique Colin Cowles constitue une excellente occasion de faire briller l?un de vos jeunes flûtistes. La diversité et la fluidité de la relation entre l?accompagnement et le soliste donnent à la trame une ambiance chaleureuse et colorée. Emery Warnock permet également à plusieurs autres instrumentistes de l?orchestre de révéler leurs qualités individuelles. Une fantaisie appréciée de tous musiciens et auditeurs de 7 à 77 ans.

Exuberant and entertaining this dynamic work is written all in one tempo and is perfect as a concert opener or festival number. Richard combines a tongue-in-cheek style with some jazzy elements while featuring brief solos forflute clarinet and bassoon (or tenor sax). Definitely NOT just some ?song and dance.? Dur: 2:45 Recorded on ?The Music of Richard L. Saucedo Vol. 2? ? 04002460

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano

This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each book offers a superb variety of solos customized for that instrument and most state solo/ensemblecontest lists include several solos from this collection. (Solo part sold separately.) Now available:Performance/Accompaniment CD (04002499)Solo Book with Performance/Accompaniment CD(04002506)Now students can perform these acclaimed solos with high quality recordings. Includes full performances by professional players as well as piano accompaniment tracks.

This extraordinary flute repertoire collection is an extraordinary value for the serious flue player/student. In addition to the studies based on the works of Johann Sebastian Bach it includes the following flue repertoire (fluesolo parts only): Bach – Suite in B Minor; Mozart – Concerto in D K. 314; Debussy – L'apres-midi d'un faune; Faure – Fantaisie Op. 79; Bizet – Entr'act of Act IIIof Carmen; Rimsky-Korsakoff – Flight of the Bumble Bee; Chopin – Minute Waltz; Saint-Saens – Romance Op. 37; Ravel – Pavane pour une infante defunte; and more.

Pasodoble de Concierto-María Gil Herrero was specially commissioned by Antonio Estevan a great connoisseur and lover of music for wind band. This piece is dedicated to Estevan’s wife María to commemorate the celebration in 2009 of their golden wedding anniversary. It was premiered on 30 January 2010 at the Teatro Cervantes of Sax Alicante province (Spain) by the Banda Unión Musical de Sax under the direction of its conductor D. Roberto Trinidad Ramón.The piece opens with a spectacular introduction leading to an expressive saxophone solo. The rubato accents of the first melodic motif give way to the central section which has a distinct and triumphal character. At Estevan’s request trumpetand flute solos highlight the more flamboyant passages. The soft and harmonious colours of the trio’s exquisite melody lead to a recapitulation of the central section before reaching the final climax.María Gil Herrero a concert pasodoble written in a traditional style will enthral the audience with its outstanding character and typically Spanish musical form.