Folk Songs for Cello

Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The transcription follows Bartóks original faithfully. The publication includes fingerings added by the editor. / 2 Violoncelles

A great collection of folk songs arranged for cellists of Grade 2 to 3 standard to enjoy. There are simple piano accompaniments and the accompanying CD contains inspiring demonstration and play-along backing tracks. Arranged by David Gedge.

Folk Strings is a collection of folk melodies from around the world arranged for strings. Unlike classical music, which normally has an authentic version, folk music often exists in many versions, with differences in the melody or lyrics. Sometimes several countries lay claim to a melody because a group of people moved to a new country and took their music with them. Most folk songs were sung and played for many years before they were written down, and their original composer is usually unknown. This collection includes melodies in a variety of moods and with rhythmic patterns which are representative of their country of origin. The arrangements in Folk Strings can be effective with players at a variety of levels. In order to provide maximum flexibility, the collection is available in a number of instrumentations.

(Four Cities)-Faz?l Say?s ?Four Cities? Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say?s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song ?Saz?m? (my saz/myinstrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian Georgian and Laz dances anonymous songs ?Laz women? and ?Cilveloy nanayda? (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. ?Ankara?n?n Tas¸?na Bak? a rebellious song dating back to the First World War can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard ranging from jazz pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a

An irresistible collection of tunes for beginner Cellists(UK grades 1–2). Written and arranged by the UK’s leading string pedagogue Mary Cohen creator of a wide range of imaginative teaching publications including ‘Superstart’ Here are over 40 tunes in styles children will love including nursery rhymes (London Bridge) rounds (Frère Jacques) folk and popular songs (Pop Goes The Weasel and Easy Peasy Lemon Squeezy) as well as plenty of original pieces!The Pieces are gently progressive and all based paround the first finger pattern making this edition ideal for consolidation work alongside any tutor or for enjoyablesight-reading practice.

Double stops provide the vehicle for excellent learning material for the young and advancing cellist in this newest Rick Mooney book. More than 60 familiar folk songs - many in the Suzuki repertoire - give the student help in such skills as hearing intonation shaping the hand correctly shifting extensions and preparing for future repertoire.

Fourteen of the world's most popular folk songs arranged for solo instruments with a CD of accompaniment tracks.

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 13: German Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 6: German Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 10: Viennese Songs/ Répertoire / Quatuor à Cordes

humoristisch und kontrapunktisch bearbeitet. Par KASSMAYER MORITZ. Dans Un Arrangement Plein D'Humour Et Contrapuntique Pour Quatuor À Cordes Vol. 3: Styrian Songs/ Répertoire / Quatuor à Cordes