Format : Score
SKU: HL.14011619
ISBN 9788759866283. English.
For Cello And Orchestra was composed by Pelle Gudmundsen-Holmgreen in 1996 (rev. 2000).
SKU: HL.14027700
Violin or Cello with Piano Accompaniment.
Hakon Børresen's Romance Op. 4 for Cello and Orchestra (1903), arranged for Violin or Cello with Piano Accompaniment.
SKU: HL.14032647
ISBN 9788759876626. Danish.
Per Norgard 's Tango Chikane , arranged for Flute, Cello and Piano by Gunnar Moller Pedersen (1969). TANGO CHIKANE - music for a ballet by Flemming Flindt (1967). “Tango Chikane” is a humorous paraphrase on the evergreen hit from the 1920s, the Danish composer Jakob Gade's “Tango Tzigane” (also known as 'Tango Jalousie'). Per Norgard Orig. version for Orchestra: WH28904.
SKU: HL.14033672
ISBN 9788759868713. English.
Tjampuan (1992) - 'Where the Rivers meet' - 6 Movements for Violin and Cello by Per Norgard . Programme Note: Any nature phenomenon with a character of its own - a bat cave, a very old banja tree etc, is by the balinese regarded as holy (for which reason very often a temple is placed close to it !) Thus also the place where two rivers meet (called 'tjampuan'in Indonesian, this also the name of a valley 'where the rivers meet'near Ubud, Bali). The connection to a duo for violin and cello is hardly difficult to understand: Two individualities integrate their soloistic expressions to one, the rivers meet. The 5th movement, however, is a thorough contrast movement (more 'brooklike'!), as is also the 6th movement which, with its whirling figurations, rather associate to kataracts or fountains. Per Norgard (1992).
SKU: HL.14021749
ISBN 9788759889817. Danish.
Poul Ruders' MONODRAMA, dedicated to percussion virtuoso Gert Sorensen and commissioned by The Danish Radio, was written in New York in the early winter 1988 and makes the centre as well as the middle of the tri-part opus called The Drama Trilogy. All three works employ the word Drama in their title, Drama in the original meaning of the word: event. No specified event, but a premonition or omen rather, that something is afoot, a free Drama-offer from which anyone may populate the stage of his private, inner theatre.The first piece of the series DRAMAPHONIA for piano and chamber ensemble was premiered in London in the spring of 1988 by Lontano and Poul Rosenbaum. This piece is emotionally and rhythmically unstable as opposed to MONODRAMA (single-event) which is modelled from the archetypal idea of obtaining accomplishment from nothingness. The 31 instruments of the orchestra (no flutes and no violins or violas) are more or less wrapped around the solo-part to become one with that and thus emerge as one, gigantic percussion instrument. The rhythmical patterns of the orchestral part more or less follow those of the percussionpart, a single-event also on the rhythmical level.After 20 minutes climbing toward the peak of rage, the composition casts its slough and is reborn into a chorale-like march and the struggle between totally depopulated sound-scapes and ferociously roaring sub-oceanic storms begin and the piece paces toward the abyss; rage becomes despondency, New Rage as opposed to New Age, the spineless worshipper of beauty without pain.The third instalment of the DRAMA TRILOGY, the cello concerto POLYDRAMA will be premiered in Stockholm May 1990.MONODRAMA lasts aprox. 32 minutes.Poul Ruders.
