For I Know (Choral Score)

Marty Hamby has arranged this song written by Lee Black and Annette Oden. It is a simple statement affirming that because Christ has laid down His life for us we can know true love ourselves. Available separately: SATB CDAccompaniment Orchestration. Duration: ca. 4:15.

A haunting and beautiful melody acknowledges that Jesus carried the cross for us. An optional C instrument obbligato is included with this choral score but a full orchestral version is also available. Composer Edwin Willmingtonbrings an artistic flare to his message instilling a heartfelt gratitude to this Communion or Lenten selection.

The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom Himmel hoch. The music is based loosely upon the well-known chorale melody which at times is quoted in full in both voices and organ. Except where indicated singers should adopt a legato style especially in the repeated quaver patterns. In the bars which appear to be in compound time conductors should beat in crotchets.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yetaccessible repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music as a singer conductor teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers with whom he recorded and performed worldwide.For eighteen years he directed the Choir of Magdalen College Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons and gave the première of Paul McCartney’s Ecce Cor Meum written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

From the cantata Festival of Faith, this flourish of Easter praise is the perfect exclamation point for Resurrection Sunday. The well-known hymn tune ENGELBERG receives a syncopated and mixed-meter upgrade, driving the piece forward with jubilant energy. A colorful orchestration provides instrumental and track options, lifting the anthem to dizzying heights of praise. Majestic and meaningful! Score and Parts for Full Orchestra (fl 1-2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) and Score and Parts for Consort (fl, cl, tpt 1-2, tbn, bls/chm, perc, pno, kybd) each available as a download.

This set comprises many of Holst's lesser known choral settings. Her Eyes The Glow Worm Lend Me and Come To Me are published here for the first time and the others were previously out of print. The selection will offer choirs a varied selection of pieces that will prove both interesting and rewarding. Repertoire well worth exploring.

Two Elizabethan Lyrics. for SATB and chamber orchestra or piano These two settings of the well-known texts by Marlowe and Sir Walter Raleigh are an excellent blend of old and new. The arrangement carries a madrigal feel, but includes lush harmonies withbeautiful resolving dissonances. Two Elizabethan Lyrics are perfect for honors high school, college, and community choirs. Orchestral material is available on hire.

for SATB and piano This upbeat Christmas song sets the traditional and well-known wassailing text to thrilling effect. To be performed 'with inebriated joy', Young's original setting is fast, spritely, and increasingly raucous,with a pleasing array of textures and an exhilarating key change to herald the start of the final climax.

for SATB and piano Quartel's arrangement of this well-known Irish carol is distinctly refreshing, characterized in part by its charming and sparkling piano part. The middle section offers an opportunity for both the choir andpianist to shine individually, and explores further the beautiful modal harmonies of the original melody.

The Novello Primary Chorals series presents Easy Soul containing six of the greatest soul songs that children will love to sing. For 2-part Choir and Piano accompaniment the simple and easy arrangements of these hit tunes will provide a fun and enjoyable introduction to ensemble singing. From US soul classics like Aretha Franklin’s Respect and Ben E. King’s Stand By Me to James Brown's driving funk tune I Got You (I Feel Good) every one of these songs is great fun for children to sing and listen to. The simple vocal arrangements of all seven songs include easy Piano accompaniments and Guitarchord symbols so an adult or even one of the children can accompany on an instrument getting everyone involved.  To make it even easier for young singers the Novello Primary Chorals Easy Soul sheet music comes with a download card of sound-alike backing and vocal demonstration tracks. This means that the group can hear exactly how everything should sound before trying it out themselves with a professionally-recorded track. This is sure to be an enriching and rewarding experience for them getting their ears musically-trained while also making learning and creativity fun. The download card is very easy to use simply put the code in and download the tracks straight to your computer. These fantastic hits are well-known to most but if not all children know all the tunes they are sure to enjoy hearing them for the first time and then singing all the songs themselves. With Feeling Good Lean On Me and (Sittin' On) The Dock Of The Bay the songs in this song book represent not just some of the best soul songs but some of the best melodies of all time. From the pens of expert songwriters and our expert arrangers the sound of a children's choir singing these jazz funk and soul songs will be one that your audience will never

The Novello Primary Chorals is a collection of seven Easy Hit songs that children will absolutely love to sing. With simple vocal arrangements and easy Piano accompaniment these top pop hits are guaranteed to get children enjoying singing. This fantastic collection of seven of the biggest hits of the past year or two will make any child excited at the prospect of being able to sing popular songs that they know and love. Gone are the days of the boring classical choral works in are the modern pop melodies and upbeat harmonies. With songs like Ho Hey?by The Lumineers to Taylor Swift's Shake ItOff?and Beyoncé's Halo these are some of the biggest tunes in the world right now and the easy vocal arrangements will get children singing them and having fun straight away. Not only this but to make it even easier for young singers the Novello Primary Chorals: Easy Hits?comes with a download card featuring sound-alike backing tracks as well as vocal demonstrations so that you and your group will be able to hear exactly how each song should sound before taking the spotlight and singing along to professionally-recorded backing tracks. The download cards are remarkably easy to use simply input the code on the website we provide and download the tracks straight to your computer. With seven great contemporary pop tunes your choir is sure to love singing songs like Happy by Pharrell Williams Jessie J's Price Tag Katy Perry's Roar?and of course What Makes You Beautiful by One Direction. With a Piano accompaniment and Guitar chord symbols included too a child that can play an instrument will be able to accompany and enjoy playing with a larger group.? Featuring seven of the best contemporary pop tunes Easy Hits from Novello Primary Chorals will guarantee

Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go but it wasn’t until I foundthe Andrew Marvell poem Music’s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry but in fact it is both charming and dramatic and it is also apt in that it canbe set for both solo voice and chorus.The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964 the year the bank was founded and this piece is alsoincluded in the celebratory concert. So I wanted to include some homage to HP as well.Marvell’s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might haveset had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly and I have used thecountertenor. Purcell himself sang countertenor in many of his own pieces and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell’s music and the countertenor so writing thispiece was really a labour of love.It is scored for countertenor mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know but one in which I’m sure he would haverevelled in given the opportunity. It is about ten minutes in duration.

2-Part Song Kit-The best use of your budget dollars! Song Kits include five complete arrangements for director accompanist and choir! Song Kits include: 2 Director/Accompanist Scores and 40 Singer's Editions. CD sold separately. Here are fiveBroadway favorites arranged by America's top choral arrangers: Getting to Know You (arr. Leavitt) The Inch Worm (arr. Huff) On Broadway (arr. Shaw) Open a New Window (arr. Huff) You're NeverFully Dressed Without a Smile (arr. Miller).

The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings so that these versions are attractive to the broadest possiblerange of amateur as well as professional singers. The breathtakingly simple Mother Of God here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scoredwith Organ accompaniment: the sonorous You mantle yourself in light; the contemplative What God is we do not know and the radiant O Mary Theotokos.

Craig Hella Johnson Choral Series-In this beautiful poem by Dorothy Parker Mary knows her baby is holy simply because he is hers. She considers herself blessed whenever he reaches another birthday without even knowing how few he has left. Celebrating Mary themother and Christmas Doug Brandt creates an inner voice of Mary in the Altos and Tenors while the outer voices create the ironic voice of both joy and heartbreak.

Contemporary ballad; easily learned; This gentle ballad is a fresh invocation to God's constant presence in our lives and worship. The Holy Spirit is always with us-sometimes we just need to be still. Gently contemplative thischoral almost sings itself. Lyricist Jennifer Dowell follows her successful “Jesus and the Children” with a memorable Pentecost text and Michael Barrett contributes a great melody. “SpiritSong” is easilylearned and is appropriate for youth and adult choirs. Be still...and know that He is God.