Four Pieces for Four Trombones

SKU: CY.CC2475

Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.

These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.

This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.

Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.

SKU: CY.CC2709

--Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910.

--The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War.

--About 12 minutes in length, these four movements are appropriate for advanced performers.

SKU: IM.2388

SKU: HL.14022614

English.

An approachable set of four pieces for the progressing trombonist by veteran Royal Opera House trombonist and Royal Academy of Music teacher, Harold Nash. Each piece in the set explores a different human emotion, covering pride, sadness, contentment and joy, with much scope for expression. With parts for either treble clef or bass clef Trombone.

SKU: HL.14007051

English.

Four delightful pieces by Eileen Clews for Trombone and Piano accompaniment.

SKU: CY.CC2534

Ralph Sauer has beautifully arranged four movements from Opus 40 for Trombone and Piano:

1. Chanson Triste
2. Valse
3. Reverie interrompue
4. Danse russe

These four movements totalling 14 minutes of music offer the artist a great deal of musical contrasts, ranging from lyrical, dramatic, dance-like, etc.

An excellent collection of the Russian master's music for the Trombone.

SKU: CY.CC2321

Jimbo's Lullaby is the second in a series of six pieces from Debussy's Children's Corner Suite. They are simple in style & light in character. The work is a depiction of a lullaby sung to a stuffed Elephant. This little gem of 3 1/2 minutes has been beautifully edited for advanced performers by Ralph Sauer for four Trombones. The bottom part, which features a great Elephant style solo, can be performed on Tuba, Contrabass or Bass Trombone.

SKU: CY.CC2718

The Chants du Rhin (Songs of the Rhine), a cycle of six pieces, based on poems by Joseph Mery, were written in 1865, and Bizet performed two of them on 16 April 1866 at a soiree of the Beaujolais Philharmonic Society. The songs are grouped symmetrically around La bohemienne as the central piece, framed by two meditatively yearning pieces (in E and D flat major) and two vividly exuberant ones (similarly in E and D flat major), with L'aurore serving as an introduction.

In this cycle Bizet takes up the theme of the gypsy girl which had already entered European music in the operas The Bohemian Girl by the Irish composer Michael William Balfe and Verdi's Il trovatore, as well as in Franz Liszt's Hungarian Rhapsodies for piano. Bizet will return to it one year later in La jolie fille de Perth and ten years later in Carmen. The fourth piece Les confidences shows similarities in tonality, structure and motifs to the middle part of the third movement of Chopin's Sonata in B minor.