Franz Peter Schubert: Symphony No.7

SKU: BR.OB-5208-30

ISBN 9790004333440. 10 x 12.5 inches.

This edition is based on authentic sources con sisting of the autograph and contemporary performance material. It goes without saying that the issue of the proper numbering of the Schubert symphonies - as controversial as ever today - is given a decisive and definitive treatment in the Preface.

Peter Hauschilds Urtext edition of the Great C major Symphony i the first source critical edition of the posthumously published work which can be used in performance as well.

SKU: BR.OB-5208-27

ISBN 9790004333433. 10 x 12.5 inches.

This edition is based on authentic sources con sisting of the autograph and contemporary performance material. It goes without saying that the issue of the proper numbering of the Schubert symphonies - as controversial as ever today - is given a decisive and definitive treatment in the Preface.

Peter Hauschilds Urtext edition of the Great C major Symphony i the first source critical edition of the posthumously published work which can be used in performance as well.

SKU: BR.OB-5207-19

ISBN 9790004330654. 10 x 12.5 inches.

Franz Schubert wrote the two movements of the Unfinished Symphony in October 1822. The torso has since been posing riddles to posterity, which first learned of the existence of this masterpiece in 1865 through the simultaneous first edition and world-premiere performance. There seems to have been no external reason for its creation. Did Schubert really consider the piece only as an experiment that did not warrant any continuation? It should be noted, however, that Schubert sketched the Scherzo up to the beginning of the Trio, and even fully orchestrated nine measures of this movement.

SKU: BR.OB-5207-27

ISBN 9790004330678. 10 x 12.5 inches.

Franz Schubert wrote the two movements of the Unfinished Symphony in October 1822. The torso has since been posing riddles to posterity, which first learned of the existence of this masterpiece in 1865 through the simultaneous first edition and world-premiere performance. There seems to have been no external reason for its creation. Did Schubert really consider the piece only as an experiment that did not warrant any continuation? It should be noted, however, that Schubert sketched the Scherzo up to the beginning of the Trio, and even fully orchestrated nine measures of this movement.

SKU: BR.OB-5207-30

ISBN 9790004330685. 10 x 12.5 inches.

Franz Schubert wrote the two movements of the Unfinished Symphony in October 1822. The torso has since been posing riddles to posterity, which first learned of the existence of this masterpiece in 1865 through the simultaneous first edition and world-premiere performance. There seems to have been no external reason for its creation. Did Schubert really consider the piece only as an experiment that did not warrant any continuation? It should be noted, however, that Schubert sketched the Scherzo up to the beginning of the Trio, and even fully orchestrated nine measures of this movement.

SKU: BR.OB-5207-16

ISBN 9790004330647. 10 x 12.5 inches.

Franz Schubert wrote the two movements of the Unfinished Symphony in October 1822. The torso has since been posing riddles to posterity, which first learned of the existence of this masterpiece in 1865 through the simultaneous first edition and world-premiere performance. There seems to have been no external reason for its creation. Did Schubert really consider the piece only as an experiment that did not warrant any continuation? It should be noted, however, that Schubert sketched the Scherzo up to the beginning of the Trio, and even fully orchestrated nine measures of this movement.

SKU: HL.49020868

ISBN 9783254002235.

Begeisterung' - ist es nicht seltsam, dass wir damit einen Gefuhlszustand meinen, dabei aber den Geist' im Munde fuhren? Doch wer hat gerade bei der Musik nicht schon erfahren, dass das gefuhlshafte Erleben um so intensiver ist, je mehr man vom Geist der Werke erfasst?Ziel dieses Buches ist, Augen und Ohren zu offnen fur musikalische Zusammenhange, die fur viele Musikfreunde noch im Verborgenen liegen. Dazu werden Analysen grosser Meisterwerke in verstandlicher und nachvollziehbarer Form vor dem Leser ausgebreitet. Insofern ist dieses Buch weniger eine Lese- als ein Arbeitsbuch - das Anregungen gibt und Freude am Detail weckt.Die Kompositionen von Buch und CD:Vollstandige Satze aus Mozart-Klavierkonzerten, g-Moll- und Jupiter-Sinfonie, Haydns Sinfonie Nr. 104, Beethovens Eroica', Schuberts Grosser', Mendelssohns Klavier/Violine-Doppelkonzert, Chopins und Brahms' 1. Klavierkonzert, Bruckners 7. und Mahlers 6. Sinfonie, Tschaikowskys Pathetique' u.a.

SKU: FH.WCE1

ISBN 978-1-55440-588-6.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 7:
De Hebriden, op. 26: Overture - Felix Mendelssohn
Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart
Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky
Symphony No. 2, op. 36: II - Ludwig van Beethoven
Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff
Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven
Level 8:
Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin
Il barbiere di Siviglia: Overture - Gioachino Rossini
Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn
Symphony No. 4, op. 98: II - Johannes Brahms
Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder
Symphony No. 8 (Unfinished), D 759: II - Franz Schubert
Symphonie fantastique: III - Hector Berlioz
Level 9:
Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven
Symphony No. 3, op. 90: I, II - Johannes Brahms
Symphony No. 4, op. 60: II - Ludwig van Beethoven
Semiramide: Overture - Gioachino Rossini
Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn
Prelude a l'apres midi d'un faune - Claude Debussy
Symphony no. 9, op. 125: II - Ludwig van Beethoven
Level 10:
Symphony No. 2, op. 27: III - Sergei Rachmaninoff
Violin Concerto, op. 61: II - Ludwig van Beethoven
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn
Symphony No. 1, op. 39: I, III - Jean Sibelius
Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms
Symphony No. 8, op. 93: III - Ludwig van Beethoven
Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov
Associate: B_, A, C Clarinet:
Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov
Dances of Galanta - Zoltan Kodaly
Pini di Roma: III - Ottorino Respighi
Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky
Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky
Symphony No. 9, op. 70: II, III - Dmitri Shostakovich
Don Juan, op. 20 - Richard Strauss
Symphonie fantastique: V - Hector Berlioz
Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev
Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin
Associate: E_ Clarinet:
Symphony no. 5, op 100: IV - Sergei Prokofiev
Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss
Symphony no. 5, op. 47: II - Dmitri Shostakovich
Symphonie fantastique: V - Hector Berlioz
Bolero - Maurice Ravel
Associate: Bass Clarinet:
Les Huguenots: Trio from act 5 - Giacomo Meyerbeer
Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich
Grand Canyon Suite: III - Ferde Grofe
Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.