Georg Philipp Telemann: Three Trios for Treble Recorders: Recorder Ensemble:

TWV 51:a1 A minor 51:D9 D major 51:g1 G minor-Three Concertos for Violin A minor TWV 51: a1; D major TWV 51: D9; G minor TWV 51: g1No fewer than twenty-five violin concertos by Georg Philipp Telemann (1681-1767) have come down to us over the years - presumably only a fraction of his total output in this geme. But even this corpus though reduced by time reveals that Telemann like other composers of his day regarded the violin as the most important and most versatile of all solo instruments. Two of his operas - Der neumodische Liebhaber Damon (1719 TWV 21:8) and Die last-tragende Liebe oder Emma und Eginhard (1728 TWY 27:25) - open with introductory violin concertos; there are eight concertos for twoviolins; and the violin plays an important role in virtually all his concertos for two or more solo instruments.Urtext of the Telemann EditionPerformance material available for hire

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias

Kantate zum 2. Pfingsttag-Georg Philipp Telemann's Daran Ist Erschienen Die Liebe Gottes for SATB.The Frankfurt cantata for Whitsun 1717 offers the choir and the four soloists rewarding tasks while in the opening chorus and in two of the three arias a virtuoso recorder player is employed.

Par GOODIN JOHN. As one of the most productive composers in history, Georg Philipp Telemann endeavored to supply a steady stream of new music for both professional and amateur musicians. The 64 compositions in this collection fall into three categories:Sonatas for two treble-clef instruments without bass accompaniment.Pieces for solo instrument and bass.Movements from Telemann's many trio sonatas and overture-suites for two melody instruments and bass.Written in standard notation only for two mandolins, or mandolin with violin, flute, recorder, or any other instrument of similar range. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Recueil / 2 Mandolines

Sonata in D major TWV 41:D9 - Sonata in G major TWV 41:G9-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations

Telemann's “Grazioso ” Mozart's “Ave Verum Corpus” and Faure's “Morceau de Corcours” are three all-time classics. Written for C instrument and accompaniment Diane Bish has edited these three for organ. All three are perfect for weddings worship services concerts and other events.

Cantata for the Sundays after Trinity-72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas For The Sundays After Trinity - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied byseparate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Advent and Christmas Cantatas-72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Advent & Christmas - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.