George Frideric Handel: Aria "Er Weidet seine Herde"

Volume II High Voice-The second in the Associated Board's series of Operatic anthologies features a further selection of Arias and Recitatives from across the genre. Intended for accomplished singers the songs are carefully chosen to provide the very best entry into the art of Aria-singing and dramatic performance. The pieces range from popular favourites to some lesser-known gems of the style providing an ideal starting point for those wishing to develop Operatic style and technique.

Opera in three acts-“Almira” Handel’s first opera was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser who remarkably had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language resulting in a delightful mixture of German and Italian.The opera which after sundry entangled romances ends in the wedding of three couples is characterised by exuberant scenes: the procession at Almira’scrowning ceremony a duel a prison scene and a masked-ball involving the three continents Europe Africa and Asia.The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732 Georg Philipp Telemann removed the Aria no. 28 “Ingrato spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträge”.Now the aria can be performed again. Furthermore with the help of this new source missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).- Urtext edition based on the “Halle Handel Edition”- Original German and Italian text with a German translation of the Italian arias

Ce livre et son CD vont vous aider à choisir la musique pour votre mariage, que vous ayiez pris des leçons de piano depuis votre enfance ou que vous chantiez sous la douche. Contient trente morceaux pour chaque partie de la cérémonie, ainsi que des trucs et astuces pour que ce jour soit parfait. / Variétés Internationale / Partition CD /

Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa chaîne YouTube Team Recorder , présente dans ce volume ses morceaux préférés pour flûte à bec soprano (ténor) et piano. Des variations sur The Wellerman aux adaptations romantiques et aux compositions modernes, en passant par l'estampie médiévale, les danses de la Renaissance et les mouvements baroques, 14 ?uvres originales et des arrangements de difficulté moyenne garantissent un pur plaisir de jouer. Avec des pistes audio à écouter et à accompagner ainsi que des vidéos avec des informations et des conseils. Photo de couverture par Claudia Hansen.Anon. (Irish Traditional): Dear Irish BoyAnon. (Sea Shanty from New Zealand): The Wellerman (Variations)Anon. (14th Century): EstampieJacob van Eyck (ca. 1590 ? 1657): Doen Daphne (Variations)John Dowland (1563?1623): The Earl of Essex GaillardHenry Purcell (1659?1695): Rondeau (No. 2 from Abdelazar)Michel Blavet (1700?1768): Sonata seconda, 1st and 3rd movements - George Frideric Handel (1685?1759): Voli per l?aria chi può volareJoseph Bologne, Chevalier de Saint-Georges (1745?1799): Rondo (from: Harpsichord Quartet)Samuel Dushkin (1891?1976) / Maria Theresia von Paradis (1759?1824): SicilienneClara Schumann (1819?1896): Ich stand in dunklen TräumenVittorio Monti (1868?1922) CzárdásBarbara Heller (*1936) Water Lily (from: Musical Flowers)Victor Alcantára (*1975): Invisible Poem (extracts) / Flûte à bec / Schott

Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 20 pieces by 12 composers, including C. P. E. Bach, Blow, F. Couperin, Daquin, Duncombe, Handel, Pachelbel, Petzold, A. Scarlatti, D. Scarlatti and Telemann.Complete with online access to recorded performances, this book provides the early intermediate level pianist with a newly-engraved collection of pieces from the Baroque Era, accompanied by historical notes and performance suggestions. / Piano

25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunning and player-friendly collection of 25 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for manuals, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Manuals is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

A scholarly-critical performing edition of George Frideric Handel's Complete Organ Works based on the Halle Handel Edition (HHA).First single-volume edition of Handel's Organ worksIncludes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHADetailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng)With contemporary Organ dispositionsIn terms of layout and musical text this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA.The Halle Handel Edition's Critical Commentary forms the basis of this edition which however differs from the HHA volumes in two respects. Firstly it gathers together for the first time all of Handel's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here for the first time as a unified cycle. Secondly this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings all of which definitely or presumably stem from the composer are merely listed in the critical commentary.Contents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611Fuga in E major HWV 612O the pleasure of the plains in G major HWV 474Jesu meine Freude in G minor HWV 480

Samson , an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes . Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete, modern edition of the composer's longest oratorio, prepared after examination of all known contemporary sources, both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743, as well as identifying the later shorter versions and additions performed regularly by Handel, and an Appendix of all further variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists, with an abundance of choral writing and some of Handel's most sublime writing for voices. Includes an historical preface, extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel. / Chant Et Piano

Here for the first time in a popularly accessible edition are 35 of his finest keyboard works for solo instruments reproduced from the monumental Deutsche Handelgesellschaft edition including eight 'Great Suites' and 'Fugue In A Minor'. For this new edition the pieces have been rearranged and retitled according to the latest scholarly sequences found in The New Grove Dictionary of Music and Musicians. Students and scholars will find many of the ideas Handel sketched here expanded and reworked in later chamber and orchestral works and in the opera dance movements; musicians and every Baroque music lover will see in these neglected pieces 'a Protean Fluidity' (New Grove) worthyof the great composer and more than worthy of any musical library.

Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]