SKU: BT.DHP-1002308-120
Dreaming of love. This is the theme of the folksong on which the composition was based. Its characteristic melody inspired Jacob de Haan to this instrumental romance with a transparent structure consisting of an introduction, the folk-melody, a development of the theme, the folk-melody accompanied by ornamental triplets followed by the final bars. Ein romantisches Volkslied inspirierte Jacob de Haan dazu, German Love Song zu komponieren, eine instrumentale Romanze in der typischen ABA-Form. Die charakteristische Melodie des Volksliedes erklingt in der Sopranstimme, melodisch unterlegt von dem Tenorregister. Teil B entsteht aus diesem melodischen Gegenstück und er entwickelt sich nach einer kurzen Durchführung zu einem fantastischen Höhepunkt. Dann erklingt zum letzten Mal das Hauptthema in seiner ganzen Pracht.
SKU: HL.1141210
ISBN 9781705184509. UPC: 196288115939. 6.75x9.0x0.146 inches.
The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
SKU: CA.240803
ISBN 9790007170806.
What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? A vocal score has been published which contains all of the the songs in the new Carus book of lovesongs in easily playable accompaniments. For many of these songs choral settings by famous composers such as John Dowland, Thomas Morley, Thomas Tallis or Thoinot Arbeau have been adopted, wherever possible, in their original form. In addition, well-known and familiar original settings by Beethoven, Brahms, Benjamin Britten, and other composers will be found in this collection. Songs with entirely new accompaniments have also been included, resulting in a collection of lovesongs offering a distinctive stylistic variety suitable for many different occasions. Score available separately - see item CA.240800.
SKU: BT.DHP-1002308-020
SKU: HL.49006944
ISBN 9783795727369. 10.25x8.5x0.383 inches. German. Ludwig Zumbusch.
Dieser schone Reprint ist auch fur Liebhaber und Sammler von alten Kinderbuchern interessant. Alle Lieder sind fur Kinderstimmen und Klavier gesetzt und mit farbigen Illustrationen von Ludwig Zumbusch versehen.
SKU: HL.49023855
ISBN 9783795756819. 8.5x11.75x0.249 inches. German.
Diese ansprechende Sammlung von 13 popularen irischen Trink- und Liebesliedern, traurigen Balladen und Emigrationssongs ist besonders auf gute Klanglichkeit und leichte Spielbarkeit ausgelegt.Die Stucke konnen meist bequem in der ersten Lage der Gitarre gespielt werden. Neben interessanten Hintergrundinformationen zu den Liedern, irischer Musik und Geschichte werden alle Stucke mit einem passenden Zupfmuster zur Begleitung erklart. Jedes Lied ist zusatzlich als ausgearbeitete Solo-Gitarrenfassung notiert. Auch fur das instrumentale Zusammenspiel mit anderen Instrumenten bietet diese liebevoll gemachte Sammlung reichlich Moglichkeiten. Sie gibt einen optimalen Einblick in die gesungene Folklore.
