SKU: BT.9781408192788
ISBN 9781408192788.
Designed to complement Get Set! Piano Tutor Book 2, Get Set! Piano Pieces Book 2 contains an exciting collection of pieces by Heather Hammond and Karen Marshall, arranged and written specially for thetwenty-first century child.
Get Set! Piano Pieces Book 2 follows and supplements the tried and tested progressive teaching method of Get Set! Piano Tutor Book 2 (9781408193075), guiding the learner fromPrep test to Grade 1. It includes favourites like La Bamba, Frère Jacques and This Old Man as well as engaging new solo and ensemble pieces in a variety of styles.
The perfect repertoire bookforgetting to Grade 1, Get Set! Piano Pieces Book 2 is attractively laid out and fully illustrated, with quizzes and crosswords to reinforce learning.
SKU: BT.9781408193075
ISBN 9781408193075. English.
Get Set! Piano Tutor Book 2 is the second volume in an exciting new series by Heather Hammond and Karen Marshall, written specially for the twenty-first century child.
This tried and tested course guidesbeginners from their very first lesson through to Prep test level. Note learning is taught alongside aural theory, technique and composing skills, providing a holistic approach to music.
Packed with favourites such asWhat Shall We Do With A Drunken Sailor?, In The Hall Of The Mountain King, Amazing Grace and The Entertainer, Get Set! Piano Tutor Book 2 is the perfect tutor for getting to Grade 1.
Thisbook is fully compatible with Get Set! Piano Pieces Book 2 (9781408192788), providing plenty of material for reinforcement, or just pure musical enjoyment.
SKU: BT.9781408179468
ISBN 9781408179468. English.
Get Set! Piano Tutor Book 1 is an exciting new course by Heather Hammond and Karen Marshall, written specially for the twenty-first century child. The tried and tested progression guides beginners from theirvery first lesson through to Prep test level. Note learning is taught alongside aural, theory and composing skills providing a holistic approach to music.Packed with favourites such as Jelly on a plate, Animal fair,Jingle bells, engaging new tunes and teacher duet parts, Get Set! Piano Tutor inspires, entertains and builds confidence from the start.Get Set! Piano Tutor Book 1 is fullycompatiblewith Get Set! Piano Pieces Book 1, providing plenty of material for reinforcement, or just pure musical enjoyment!
SKU: BT.9781408192771
ISBN 9781408192771.
Get Set! Piano Pieces Book 1 is an exciting new collection of pieces by Heather Hammond and Karen Marshall, arranged and written specially for the twenty-first century child.Get Set! PianoPieces Book 1 follows and supplements the tried and tested progression of Get Set! Piano Tutor Book 1. It includes favourites like Alice the camel, Little bird, Hot cross buns, We wish you a Merry Christmas andengaging new pieces from jigs to jazz featuring wriggly caterpillars and scary pirates. Many of the pieces have straightforward teacher duet parts to encourage ensemble playing from the start.The book isattractivelylaid out and fully illustrated, with quizzes and crosswords to reinforce learning.
SKU: HL.14003457
ISBN 9780711960701. UPC: 196288153474. 9.0x12.0x0.115 inches.
This book provides 60 technical exercises that will help to develop strong hands and flexible fingers whilst having fun. The exercises are divided into five 'sets' which are carefully graded to introduce new technical points gradually, and will help create a regular practice routine. Specifically designed for use from the first few lessons, alongside Chester's Easiest Piano Course Books 1 to 3, though it can be used with any beginners' piano course. Carol Barratt is an established world leader in piano education for young people. She studied at the Royal College of Music winning scholarships in composition, and has written music for many different instruments as well as her famous Chester piano tutor and repertoire books.
SKU: BT.9780008353230
ISBN 9780008353230. English.
My First Piano Book introduces young children to the piano and music-making through fun activities, rhymes, songs and pieces. The author’s tried-and-tested progression covers note learning, theory, aural and composing through acreative and holistic approach. Many pieces have simple teacher duet parts to encourage ensemble playing from the start, and the book is illustrated throughout in the charming Get Set! style. This carefully designed tutor willinspire, entertain and, most importantly, nurture a love of music that can last a lifetime. Suitable for children aged 5+.
SKU: BT.MUSWMR101090
ISBN 9781849388849. English.
JOHN THOMPSONâ??S MODERN COURSE FOR THE PIANO is the essential piano method for beginner students of all ages. Clearly written, fun and easy to understand, the MODERN COURSE is a proven favourite with piano teachers and students worldwide, with millions of copies sold. This new edition has updated diagrams, clearer musical notation and access to online backing and demonstration tracks via PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. Coming from John Thompson, the author of still the most widely used Piano method in the world, you can be sure that quality and consistency will be the number-one feature of this tutorial for beginner Piano players. This First Grade Book provides an excellent start to your studies and includes: â?¢ 50 easy-to-play pieces â?¢ Online backing tracks and performances of each piece â?¢ Helpful technical exercises â?¢ Fundamental lessons on scales and music theory Helping students to both think and feel musically, the Modern Course is the most effective and enjoyable way to learn the Piano.
SKU: BT.EMBZ14887
English-Hungarian.
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos to a certain degree continues Orbáns easy piano pieces for children, which he composed for Ãgnes Lakoss piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on thisoccasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least threeyears. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution,double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like atall, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purposethey are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: BT.EMBZ14888
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos is composed for more advanced students who have studied piano for at least three years. Aim is a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation anddiminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies withdemonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - whilethey perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: BT.EMBZ14898
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition. The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. The volumes and the CD are also available separatly.
SKU: HL.49007510
ISBN 9783795750664. 9.0x12.0x0.171 inches. German. Christa Estenfeld-Kropp.
This successful tutorial book for descant [soprano] recorder is now available in a revised new edition. The German text has been revised in the light of recent spelling reforms and the layout in four colours is now even clearer. For many of the songs harmonic symbols have been added to facilitate accompaniment on the guitar or piano. The first volume places emphasis on correct and musical breathing and tonguing technique. Plenty of space is given to ideas for little improvisations and a selection of well-known songs and pieces encourage motivation and enjoyment as children learn. This child-friendly, practically tested introduction to the recorder is suitable for children from the age of about 5.
SKU: FP.FBM04
ISBN 9790570504077.
The opening movement is a free fantasia, contrasting with the middle movement, a scherzetto, in homage to, and based on the letters of the name of, the composer Douglas Steele, an assistant to Sir Thomas Beecham and a founding father of Chethams School, and which quotes from Steele’s beautiful carol The Snow Falls.Divertimento was first performed by John Turner and Janet Simpson at a concert in aid of the Peter Cunningham Memorial Fund at Mellor Church on 17th January 2005. It uses both treble and descant instruments. The second movement was originally composed for a concert in Manchester Cathedral in memory of Douglas Steele, one of the founding fathers of Chetham's School, and quotes (by kind permission of Forsyth Brothers Ltd.), from his well-known carol The Snow Falls. It has been separately recorded by John Turner and Stephen Hough on Autumn Sequence – the music of Douglas Steele and his Circle (Campion Cameo 2040/41).Martin Bussey was born in London in 1958. He was a Choral Scholar at King’s College, Cambridge, during which time he studied composition with Robin Holloway. Following postgraduate singing study at the RNCM he settled in Manchester and held a number of posts, including Head of Academic Music and Director of Choirs at Chetham’s School of Music until 2013. He continues as Musical Director of the Chester Bach Singers, a Vocal Tutor at Manchester University, Chairman of the Finzi Friends and a Director of the Ludlow Song Weekend. Compositions include the highly successful monodrama about Mary I, Mary’s Hand, premiered in 2018; a significant collection of solo songs which includes settings of Housman, Hardy, and Walt Whitman, many recorded on the disc Through a glass; and much choral music, recorded by Sonoro under Neil Ferris in 2019.
SKU: BT.EMBZ8377
English-German-Hungarian.
The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).
SKU: BT.EMBZ14002
SKU: BT.EMBZ8378
SKU: BT.EMBZ14068
The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).
SKU: BT.EMBZ8379
SKU: KV.3612501
ISBN 9781848675919.
This a colourful recorder tutor which guides children from the very beginning, including how to hold a recorder properly. Key symbols are explained at the outset and repeated throughout to encourage and aid learning. Music notes are introduced slowly and clearly, enabling good technique and musical literacy.There are plenty of short pieces with jazzy piano or CD accompaniments at all stages and many of them have funny words or actions. Rhythms are clapped out, musical terms and symbols explained simply and games help promote understanding, all of which make this new book comprehensive yet enjoyable, easy to follow and fun! And the best news of all is that the teacher doesn't have to be a recorder player or a musician -- just one step ahead of the children!