God Protect Us From War

SKU: HL.147347

UPC: 097855113825. 3.75x4.75x2.75 inches.

In-ear monitors are becoming more and more ubiquitous every day and wireless hardware systems are coming down in price, opening the market to a wide range of users, some fairly sophisticated about audio and other not so knowledgeable. In the hands of a trained pro monitor mixer who understands the needs and limitations of IEM systems (and users) the need for an in-line brick wall protection limiter may not be so important. However, at any gig - at any level - stuff does happen, although hopefully less frequently as you get up the production food chain, but when a show is live, sometimes all bets are off. Examples of transient high-level audio glitches can include unexpected sound spikes that occur from microphone drops, audio feedback, incorrect volume settings, pulling the plug on a condenser mic when it's powered up and any other sound hazards that may occur during a performance. Unfortunately, when you're wearing a set of in-ears, you may be guaranteed an up-close and personal front row seat to that spike or sudden sound blast, which is anything but pleasant. And that's exactly what the Sound Guard from Ultimate Ears Pro is designed to protect from. With the UE Pro Sound Guard, artists receive protection from unexpected sound spikes that occur from microphone drops, audio feedback, incorrect volume settings and other sound hazards that may occur while performing or recording. So far, so good; but there's more going on here. Matching impedance of balanced armatures with multi-way crossovers can be complex and certain personal monitoring/mixing systems don't handle such IEM designs - from any manufacturer - very well. Beyond its protection duties, Sound Guard also functions as an audio buffer that provides variable impedance matching from the source device to your balanced armature IEM earpieces (such as the UE Pro line) for enhanced dynamic range and improved sound quality. And although Sound Guard is intended specifically for those UE Pro IEM's, it can function with any balanced armature design. Housed in a compact 2-by-2-inch plastic box that's about a half-inch thick, the Sound Guard definitely gets points for being compact. There are two 1/8-inch stereo TRS jacks (input and output) on either side of the unit, which connect in-line via an included 6-inch TRS patch cable to your IEM receiver (or hardwire personal mixer), with the output jack going to your earpieces. The Sound Guard box has a recessed on/off switch and two LED's to indicate power-on and batterycondition.

SKU: HL.393871

UPC: 716408544236. 18.0x44.0x7.5 inches.

Transit Series Gig Bag designed to fit acoustic guitars! • Weather resistant blended fabric exterior • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the frame of the bag for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap, features G-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics provides quick access to phone, keys and small electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps several D-rings for clipping accessories.

SKU: HL.393872

UPC: 716408544243. 18.0x44.0x8.0 inches.

Transit Series Gig Bag designed to fit acoustic guitars! • Weather resistant blended fabric exterior • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the frame of the bag for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap, features G-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics provides quick access to phone, keys and small electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps several D-rings for clipping accessories.

SKU: HL.393906

UPC: 716408543307. 16.5x42.0x5.0 inches.

Transit series gig bag designed to fit electric guitars. Features: • Weather-resistant blended fabric exterior in charcoal black • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the fram of the bage for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap • Features g-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps • Several d-rings for clipping accessories.

SKU: HL.393905

UPC: 716408544267. 16.5x49.5x5.0 inches.

Transit series gig bag designed to fit bass guitars. Features: • Weather-resistant blended fabric exterior in tan • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the fram of the bage for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap • Features g-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps • Several d-rings for clipping accessories.

SKU: HL.393907

UPC: 716408544274. 16.5x42.0x4.0 inches.

Transit series gig bag designed to fit electric guitars. Features: • Weather-resistant blended fabric exterior in light grey • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the fram of the bage for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap • Features g-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps • Several d-rings for clipping accessories.

SKU: HL.1117978

UPC: 196288301660. 8.25x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Clear and precise condenser sound The MTP 350 CMs is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance. Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels. A solid show is assured as you don't have to worry about nasty feedback issues. What's in the box? The MTP 350 CMs comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1753724

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1117977

UPC: 847986001412. 8.0x10.0x4.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Clear and precise condenser sound The MTP 350 CM is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance. Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels. A solid show is assured as you don't have to worry about nasty feedback issues. What's in the box? The MTP 350 CM comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HP.C5890C

UPC: 763628958909. Mary Kay Beall. Scripture: Luke 1:26, Luke 1:27, Luke 1:28, Luke 1:29, Luke 1:30, Luke 1:31, Luke 1:32, Luke 1:33, Luke 1:34, Luke 1:35, Luke 1:36, Luke 1:37, Luke 1:38, Luke 2:8, Luke 2:9, Luke 2:10, Luke 2:11, Luke 2:12, Luke 2:13, Luke 2:14, Matthew 2:13, Matthew 2:14.

Original anthem From Mary Kay Beall and John Carter, this inspired ballad depicts the involvement and protection the angels provided from the very beginning of the Christmas story. From a place of peace and promise to a world of war and woe, Jesus came that winter evening, came to save us long ago. A quote from Of the Father's Love Begotten brings a hint of the familiar into this rich musical offering.

SKU: SU.80101409

Radegund Variations (2017) was written for and is dedicated to Hartmut Siebmanns, cantor and organist in Possneck, in the Thuringia region of Germany. This work was inspired by the life of Radegund (ca. 520-587), who was a Thuringian princess (and later Frankish queen) most famous for founding the Abbey of the Holy Cross in Poitiers, France. The piece begins with an original theme: its contemporary view of ancient modality represents looking back from the present time into Radegund's era. The theme is followed by six contrasting variations, inspiration for which are drawn from events in Radegund's life: her marriage and joining the Frankish court (1st variation); her flight from the court (after the murder of her brother) to seek protection from the church (2nd variation); her devotion to the needy (3rd variation); her friendship with the poet Venantius Fortunatus and her commissioning of his sacred poem Vexilla Regis (4th variation); her gifts of healing (5th variation); and the building of the abbey (6th variation). Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.