SKU: HL.14015291
ISBN 9780711967120.
Daedalus Remembers is the third part in a trilogy called 3 for Icarus. Daedalus was Icarus' father and a famous craftsman. He once forged a magic sword for Peleus which had a property of making its owner victorious in battle, and he also created the labyrinth of King Minos of Crete in which the Minotaur (half bull, half man) was imprisoned. The second part of the trilogy is entitled Minotaur Games after Troy games, a kind of labyrinthine dance involving cords (Ariadne's thread?). At one point in the myth Daedalus and Icarus are also imprisoned in the labyrinth. They escape by means of wings which Daedalus has made from feathers and wax. Sadly, despite his father's warnings, Icarus flies too close to the sun in a fit of hubris, and the wings melt, causing him to plunge to his death. Daedalus alights safely on a beach in Sardinia, and after he has collected his thoughts remembers his son's fall and scenes from his own past life. Have the gods paid him back for the death of his nephew Talos, whom Daedalus killed in a fit of jealousy by pushing him off the top of a temple in the Acropolis? Daedalus rants and sorrows - dark memories nag persistently. Daedalus Remembers is scored for solo cello with flugelhorn, two horns, percussion, cimbalom, harp, three violas, four cellos and two double-basses.
SKU: HL.381258
ISBN 9781705152881. UPC: 196288019527. 6.75x10.5x0.029 inches. Deuteronomy 6:12, I Corinthians 11:24-25, Luke 22:19.
Drawing upon the biblical admonition to remember whenever communion is celebrated, this anthem from the cantata Portraits in Grace is a call to the table of grace. A beautiful melodic design, simply presented in minor, brings a sacred hush to the expressive text. The refrain of We will remember opens to full harmonies and offers an opportunity for a moving worship moment. Score and Parts (fl, cl, hn, pno, hp, vn, vc) available as a digital download.
SKU: HL.14028430
6.75x9.75x0.048 inches.
Remember Now Thy Creator, an anthem for four voices by Charles Steggall. SATB with Organ accompaniment.
SKU: HL.435031
UPC: 196288064879. 6.75x10.5x0.029 inches.
Rascal Flatt's hit song dives deep into the nostalgia well: How will you be remembered? What did you do with your time when it was given to you? This song is a blast to sing!
SKU: HL.14016408
6.75x9.75x0.034 inches.
Francis Jackson's Remember For Good arranged for SATB and Organ.
SKU: HL.344975
UPC: 840126918656. 5.0x5.0x0.15 inches.
Here is the perfect graduation medley. I Will Remember You, I Hope You Dance and I've Had the Time of My Life reflect on all of the best memories. There are logical places to feature your best soloists or cover these moments with the ensemble. End-of-year concerts are also great places for these beloved pop songs.
SKU: CF.FPS151
ISBN 9781491152119. UPC: 680160909612.
Everyone remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students.Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebies†experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss†of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy†effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color†instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center†but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space.
SKU: CF.BAS84F
ISBN 9781491159309. UPC: 680160917884.
Lauren Bernofsky wants young string players to love playing music, from the very beginning of their studies. Therefore, she likes writing early-level pieces that are fun, yet pedagogically helpful. On a Swing is played on only open strings, so students can focus on their bow holds and bowing without having to think about left-hand fingers. The piece gets its harmonic and rhythmic interest from the piano part. This work is dedicated to Sandy Mutchler, who fondly remembers her dear friend, the strings pedagogue Linda Luebke. The title and feel of the piece reflect the times they spent together on a porch swing. The back-and-forth motion of the swing is imitated in the up-and-down bows. Students should think of a relaxed, swinging motion with their bodies as they play this piece.Lauren Bernofsky wants young string players to love playing music, from the very beginning of their studies. Therefore, she likes writing early-level pieces that are fun, yet pedagogically helpful. “On a Swing†is played on only open strings, so students can focus on their bow holds and bowing without having to think about left-hand fingers. The piece gets its harmonic and rhythmic interest from the piano part. This work is dedicated to Sandy Mutchler, who fondly remembers her dear friend, the strings pedagogue Linda Luebke. The title and feel of the piece reflect the times they spent together on a porch swing. The back-and-forth motion of the swing is imitated in the up-and-down bows. Students should think of a relaxed, swinging motion with their bodies as they play this piece.
About Carl Fischer Beginning String Orchestra Series
This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
SKU: CF.FPS151F
ISBN 9781491152799. UPC: 680160910298.
SKU: CF.BAS84
ISBN 9781491159132. UPC: 680160917716.
SKU: BT.DHP-1053915-140
English-German-French-Dutch.
The well-known American jazz musician Benny Golson (b. 1929) worked with great names like Benny Goodman, Dizzy Gillespie and Lionel Hampton. He wrote a number of jazz standards, including I Remember Clifford. The Japanese composer/arranger Toshio Mashima has produced this exciting arrangement of this jazz classic for trumpet and concert band. De bekende Amerikaanse jazzmuzikant Benny Golson (geb. 1929) werkte samen met de allergrootsten, onder wie Benny Goodman, Dizzy Gillespie en Lionel Hampton. Hij schreef verschillende jazz-standards, waaronder I Remember Clifford.De Japanse componist/arrangeur Toshio Mashima maakte van dit stuk een sfeervol arrangement voor trompet en harmonieorkest.Nicht nur unter Jazzliebhabern bekannt ist der amerikanische Jazzer Benny Golson, Zeitgenosse und Mitmusiker von Größen wie Benny Goodman, Dizzy Gillespie und Lionel Hampton. I Remember Clifford, eine seiner Kompositionen, gehört mittlerweile zu den Jazz-Standards. Toshio Mashima schrieb eine reizvolle Bearbeitung des Klassikers für Blasorchester. Für Jazzfans ein Muss, in jedem Fall aber eine unterhaltsame Bereicherung des Repertoires. Le célèbre musicien de jazz américain Benny Golson (1929) s’est produit avec de grands noms, de Benny Goodman Lionel Hampton en passant par Dizzy Gillespie. Benny Golson est également l’auteur de plusieurs standards du jazz dont I Remember Clifford. Le compositeurarrangeur japonais Toshio Mashima en a réalisé un arrangement pour Trompette solo et Orchestre d’Harmonie. Il noto musicista jazz americano Benny Golson (nato nel 1929) lavorò con grandi nomi come Benny Goodman, Dizzy Gillespie e Lionel Hampton. Scrisse numerosi jazz standards, tra i quali I Remember Clifford, del quale il compositore e arrangiatore giapponese Toshio Mashima ha composto un accattivante arrangiamento per tromba e banda.
SKU: BT.DHP-1053915-010
SKU: HL.14034403
English.
Twelve To Remember, Twelve To Come for Trombone and Ensemble was composed by Peter Bruun in 2001. Commisioned by Jesper Juul Sorensen Written for Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen, provided with funds from the Danish State Art Foundation. Programme note: The trombone concerto has been given the slightly cryptic title Twelve to remember twelve to come. The title refers to twelve irregular beats that are struck at the start of the piece by the percussionist on three clanging bottles. The figure 12 later becomes the most important building-block in the rhythm of the piece, and the twelve beats from the beginning return right at the end. The concerto waswritten for the trombone virtuoso Jesper Juul Sorensen, originally for trombone and large chamber ensemble. It was given its first performance in 2001 by Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen. Later the piece was reworked for trombone and orchestra - a version given its first performance by Jesper Juul Sorensen and the Aarhus Symphony Orchestra in 2003. Peter Bruun. Twelve To Remember, Twelve To Come for Trombone and Ensemble was composed by Peter Bruun in 2001.Commisioned by Jesper Juul Sorensen Written for Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen, provided with funds from the Danish State Art Foundation.Programme note:The trombone concerto has been given the slightly cryptic title Twelve to remember twelve to come. The title refers to twelve irregular beats that are struck at the start of the piece by the percussionist on three clanging bottles. The figure 12 later becomes the most important building-block in the rhythm of the piece, and the twelve beats fromthe beginning return right at the end. The concerto was written for the trombone virtuoso Jesper Juul Sorensen, originally for trombone and large chamber ensemble. It was given its first performance in 2001 by Jesper Juul Sorensen and Athelas Sinfonietta Copenhagen. Later the piece was reworked for trombone and orchestra - a version given its first performance by Jesper Juul Sorensen and the Aarhus Symphony Orchestra in 2003.Peter Bruun.
SKU: GI.WW1753
UPC: 785147018162. English. Text by Jack Riemer.
The moving words, As long as we live, we remember them frame this highly melodic and touching song. We Remember Them is a highly-achievable work for SATB chorus and piano and will be a beautiful addition to any program. Also appropriate for memorial services and funerals. Andrew Crane Choral Series.
SKU: SU.94010132
SATB (divisi) Chorus, a cappella Duration: 3' Text: Luke 23:42 Composed: 2009 Published by: Subito Music Publishing Lord, Remember Me is a work that uses the cross motive that J. S. Bach, Felix Mendelssohn, Franz Liszt, and others used in their works. This particular song is the request of one of the thieves on the cross to Jesus. His request was that Jesus Christ would remember him and save him when He would come back and set up His everlasting kingdom Minimum order quantity: 8 copies. Perusal copies are available by contactingperusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: GI.WW1933
UPC: 785147038160. English. Text by Jack Riemer.
The moving words, As long as we live, we remember them frame this highly melodic and touching song. We Remember Them is a highly-achievable work for SSAA chorus and piano and will be a beautiful addition to any program. Also appropriate for memorial services and funerals. Andrew Crane Choral Series.
SKU: BT.WH32021
This is the 2013 version (reduced strings) of Per Nørgård's Remembering Child - Viola concerto No. 1 (1986) - Two Movements for Viola Solo (or Cello solo) and Chamber Orchestra. Programme Note: The title refers to the original meaning of the word remembering: Making whole. The work should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish, creative forces in all people, young and old. Therefore the work applies thematic material of a certain dawning quality, including two Gregorian chants, appearing intertwined in the beginning of the 2. movement. And therefore the workalso may be considered as a tribute to the still living child-heretics, fighting against the global lunacy of grown-up, such as Eamon Burke, the Australian boy, continuing, independently, the work of Samantha. REMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pincas Zuckerman, soloist at the premiere performance (Sept. 12, 1986). Per Nørgård.
SKU: AP.49171S
ISBN 9781470646820. UPC: 038081564999. English.
The worldwide pandemic of 2020 left in its wake devastating numbers of lives lost, resulting in unspeakable suffering for families coping with the grief for their now absent loved ones. This is especially true for the first responders, frontline personnel, doctors, nurses, scientists, medical support teams, and healthcare staff members whose selfless dedication and devotion to caring for others tragically resulted in their own passing. Guided by their personal, deep sense of duty and obligation to heal and help, they put themselves in harm's way, paying the ultimate price so that others might live. Celebrate their lives with Douglas Wagner's composition, We Will Remember Them. May their bright stars ever spread the night sky, piercing the darkness to continue bringing light, hope, and inspiration to us all. At the going down of the sun and in the morning, we will remember them. (3:20).
SKU: AP.49171
ISBN 9781470646813. UPC: 038081564982. English.
SKU: HL.14043771
ISBN 9788759836910. 12.0x16.75x0.44 inches. English.
Three Nocturnal Movements - For Violin Solo, Violoncello Solo And Orchestra by Per Norgard (2015). Based on Remembering Child for Viola and Orchestra(1986). Premiered by Peter Herresthal (violin) and Jakob Kullberg (cello) with Bergen Philharmonic June 6th 2015 in Bergen, Norway. The original version was premiered by Pinchas Zukerman and the St. Paul' s Chamber Orchestra, conducted by Arturo di Mecke, on September 12th 1986. Programme Note: The news of the tragic death of Samantha Smith reached me in the early stages of preparation for the commissioned work for viola and chamber orchestra. Already an admirerer of this childworker for peace and nuclear disarmament, I completed mywork strongly inspired by this unique and uniquely symbolic fate of our time. Music from humble sources - including my composition Beach Poppy , a choral work from 1960 - are woven into the texture of the composition. I was guided by the original meaning of the word remembering (making whole, healing) in opposition to dismembering (tearing apart): The healing power of the child. (Per Norgard).
